ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

ANTIQUE AND SATINWOOD CROSSBANDED SIDE TABLE, ANTIQUE SECRETAIRE BOOKCASE, OVAL MAHOGANY DROP-LEAF TABLE

A NEST OF THREE WALNUT
OCCASIONAL TABLES, 18th Century, oval
and on turned legs, faults. wide,
together with a blue Japanned wine table,
18th Century, the circular top decorated with a bird and flowers. diameter, and a brass tray top table, Near Eastern, on a folding wood stand.

AN ANTIQUE BUREAU, George III,
the fall enclosing a fitted interior, above four
long graduated drawers, on bracket feet,
restored.

AN EBONISED AND GILT METAL MOUNTED SIDE CABINET, Victorian, the central panelled door with an oval Sevres style porcelain plaque, flanked by a pair of curved glazed doors

enclosing shelves, on toupie feet, faults.

AN EBONISED AND AMBOYNA SIDE CABINET, Victorian, with gilt metal mounts, the central panelled door inlaid with a cartouche and flanked by a pair of curved glazed doors enclosing

shelves, on toupie feet.

AN ANTIQUE AND SATINWOOD CROSSBANDED SIDE TABLE, George III style, with four drawers and on tapered square legs with castors.

A SET OF MAHOGANY
METAMORPHIC LIBRARY STEPS, George
III style, with a leather inset top and on
turned legs.

AN INLAID ROSEWOOD
ENVELOPE CARD TABLE, late Victorian,
the hinged four piece top above a small
drawer, on turned tapering legs joined by a
stretcher.

AN INLAID AND EBONISED SIDE CABINET, Victorian, with gilt metal mounts, the central glazed door now lacking glass enclosing shelves and flanked by glazed side panels, on bracket

feet, wide.

AN ANTIQUE DRINKS CABINET, modern, with a pair of oval panelled doors above a drawer and a further pair of doors, on splaved bracket feet.

A LARGE MAHOGANY LIBRARY BOOKCASE, George ni style, with a fluted and dentil cornice above four astragal glazed doors, the lower part with four circular panelled doors, on a

plinth base, high by wide.

A LARGE WALNUT BREAKFRONT LIBRARY BOOKCASE, Victorian, stamped COLLINSON & LOCKE, LONDON,, the moulded cornice above four astragal glazed doors, the lower part with strapwork

and foliate carved panels, on bun feet.

AN ANTIQUE SECRETAIRE
BOOKCASE, Victorian, the moulded cornice
above a pair of glazed doors, the lower pan
with a drawer now lacking fittings above a
pair of cupboard doors, on a plinth base.

A SET OF SIX CARVED OAK DINING
CHAIRS, Victorian, including one armchair,
each with a lion cresting above a padded back
and seat, on spiral twist and square legs.

A GROUP OF SEVEN PIECES OF
BLACK JAPANNED FURNITURE. th
Century, each piece with Ounoeserie
decoration, composing an oval table.

AN ANTIQUE EXTENDING
DINING TABLE, Victorian, the rounded
rectangular top raised on fluted tapering legs
with ceramic castors, with one extra leaf,
high by wide. by long
extended.

AN OAK BOOKCASE CABINET, Victorian, the moulded cornice above a pair of glazed doors, the lower part with two panelled doors, on a plinth base, high by wide.

A BLACK JAPANNED THREE PIECE SUITE, 18th Century, comprising a settee and two armchairs, each with chinoiserie decoration and with single caning, on lobed bun feet.

AN ANTIQUE CHEST, George IV, the two short and three long drawers with ivory escutcheons, on bracket feet.

AN OAK CHEST, George III, with two short and three long drawers, on bracket feet, wide.

A BEECHWOOD CANTERBURY, George III style, modern, with a drawer, on turned legs and castors, wide.

A MINIATURE MAHOGANY AND INLAID CHEST, Edwardian, with two short and three long drawers, on bracket feet.

AN OVAL MAHOGANY DROP-LEAF TABLE, George II with restorations, on turned tapering legs with pad feet, wide. extended.

A WALNUT DINING ROOM SUITE,
William and Mary style, early 18th Century,
each piece raised on scrolled supports joined
by stretchers, comprising: an extending
Dining Table. long extended
including a spare leaf; a set of eight Dining
Chairs, including a pair of armchairs, with
caned backs; a Serving Table, with a
serpentine top and a pair of drawers.
wide; and a breakfront Sideboard, with
drawers and cupboard doors.

ANTIQUE EXTENDING
DINING TABLE, Victorian, with a moulded
top. on turned and fluted legs with castors,
long extended including two leaf insetions.

A CARVED OAK LINEN PRESS, 2th
Century, made up, with a pair of doors
enclosing sliding trays above drawers, on
bracket feet, wide.

ANTIQUE BIRDCAGE’ TRIPOD TABLE, MAHOGANY BERGERE  ARMCHAIRS, INLAID ROSEWOOD SIDE CABINET, CARVED GILTWOOD WALL BRACKET

AN ANTIQUE AND INLAID
BIJOUTERIE TABLE, Edwardian, the
glazed top above tapered square legs and
spade feet joined stretchers.

A SET OF FOUR MAHOGANY
DINING CHAIRS, George III style,
including a pair of armchairs, with pierced
splats and square legs.

AN ANTIQUE BIRDCAGE’ TRIPOD
TABLE, George II style, modern, with a tilt
top and carved base, bearing the label of Archer
& Smith Ltd., dia.

AN ANTIQUE DUMB WAITER OR
WHATNOT, Victorian, with four tiers, on I
turned and square supports, wide.

A PAIR OF MAHOGANY RAIL BACK ARMCHAIRS, George IV, with upholstered seats, on turned legs.

A PAIR OF BEECHWOOD COMB-BACK WINDSOR ARMCHAIRS, 18th Century, with hexagonal seats; together with AN ANTIQUE Side Table, Victorian, on turned legs, top loose, wide.

AN ANTIQUE DRESSING TABLE MIRROR, George IV, with bobbin turned supports and a shaped three drawer plinth base.

A WALNUT AND INLAID DAVENPORT, Victorian, with real and dummy drawers, one drawer facing replaced in oak, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Victorian, with rail backs, stuffed, seats and fluted turned legs.

A PAIR OF MAHOGANY BERGERE  ARMCHAIRS, George III style, late th  Century, with caned backs and seat, on fluted square tapered legs, with loose cushions;

AN ANTIQUE DISPLAY CABINET ON STAND, George III style, with astragalj doors above chamfered square legs, distressed^  high by wide.—J
d A SET OF SIX MAHOGANY RAIL
BACK DINING CHAIRS, probably
Biedermeier, early 18th Century, with drop
in seats, on sabre legs.

A WALNUT BUFFET, late Victorian, the three tiers with a pair of drawers and turned supports.

AN ANTIQUE BUFFET, Victorian, the three tiers with turned supports.

AN OAK OCTAGONAL CENTRE
TABLE, Victorian, with a foliate carved
frieze, raised on bulbous turned and square
legs joined by stretchers, split to top.

AN ANTIQUE SERPENTINE
STANDING CORNER CUPBOARD, th
Century, with a key cornice above a pair of
astragal glazed doors, with a pair of panelled
doors, on ogee bracket feet.

A SET OF TEN OAK DINING
CHAIRS, Cromwellian style, including two
armchairs, with leather covered back and
seats, on turned and square legs.

A SET OF FOUR MAHOGANY DINING CHAIRS, George III style, with pierced splat backs, drop-in seats and on foliate carved cabriole legs with claw and ball feet

AN ANTIQUE AND SATIN WOOD INLAID ARMCHAIR, Edwardian, with a carved and pierced back, needlepoint coverd seat and on cabriole legs—

AN INLAID ROSEWOOD SIDE CABINET, Victorian, with a raised mirror back above a drawer and a pair of cupboard doors, flanked by canted open shelves, with a lower shelf and on

turned legs, loo bracket to mirror, high by wide.

AN ANTIQUE DRESSING TABLE, Victorian, stamped EDWARDS AND ROBERTS, the hinged mirror flanked bv four small drawers, above a pair of frieze drawers and on fluted and turned

tapered legs, wide.

A CARVED OAK CHEST OF DRAWERS, George III, the carving possibly circa, the top depicting a Conquistador and an Indian warrior, above two short and three long graduated drawers,

carved with figures and foliage, splits to top and sides, faults, wide.

AN OAK AND BURR WALNUT BUREAU, George III, the crossbanded fall enclosing a fitted interior of drawers, pigeon holes and a central cupboard, above four graduated drawers, on

reduced bracket feet, wide.

AN ANTIQUE BOWFRONT CHEST OF DRAWERS, 18th Century, with two short and three long graduated drawers, on splayed bracket feet, faults,
wide

A FRUITWOOD STOOL, French early 18th Century, with a square tapestry seat, on turned legs, wide.

A CARVED GILTWOOD WALL BRACKET, Italian, 18th Century, with rocaille C-scrolls and foliage, wide.

ANTIQUE AND PINE CHEST OF DRAWERS, OAK REFECTORY TABLE, JAPANNED HANGING CORNER CUPBOARD, GOLD PAINTED GESSO FRAMED WALL MIRROR

AN OAK REFECTORY TABLE, 18th Century style, with solid shaped end supports long

AN ANTIQUE TUB SHAPED ARMCHAIR, William IV, the padded rail with sunburst spandrels, on leaf carved tapered legs ending in brass cappings and castors

AN ANTIQUE AND PINE CHEST OF DRAWERS, George III, with four long graduated drawers, on bracket feet, faults, wide.

AN INLAID WALNUT
MUSIC CABINET, Victorian, with two tiers
and a glazed door, wide.

AN ANTIQUE AND PARCEL-GILT WALL MIRROR, George III, the
rectangular later plate within a fret frame
surmounted by an eagle cresting.

A PAIR OF BLACK JAPANNED ARMCHAIRS, 18th Century, decorated with chinoiserie, caned backs and seats, on cabriole legs, together with a black japanned tub armchair, 18th Century,

with a caned back, on cabriole legs.

AN ANTIQUE DROPLEAF TABLE, George III, with alterations, on tapered square legs.

A WALNUT BREAKFRONT
LIBRARY BOOKCASE, 18th Century, with
astragal doors and panelled cupboard doors,
on cabriole feet.

AN OAK ROLL TOP PEDESTAL DESK, Edwardian, with an arrangement of slides and drawers, on plinth bases.

A WALNUT AND CROSSBANDED KNEEHOLE DESK, Queen Anne style, with an arrangement of six drawers, on cabriole legs.

AN ANTIQUE POLE SCREEN, part 18th Century, with a floral tapestry panel.

A GILTWOOD WALL MIRROR, Regency, with spiral twist pilasters flanking a later plate, repainted.

A MAHOAGNY BOWL STAND, George II style, with a drawer and tripod supports, high

A PAIR OF EBONISED AND PARCEL GILT CORNER WHATNOTS, Victorian,with bowfront tiers and turned supports, each high

A CARVED GILTWOOD CONSOLE TABLE, late 18th Century, with a replaced top and a single tapering support headed by
a mask, regilded.

A WALNUT AND INLAID SIDE CABINET, Victorian, with a marble top above three doors including a mirror panel, wide.

TWO INLAID MAHOGANY TUB ARMCHAIRS, Edwardian, with pierced backs and tapered supports

AN ANTIQUE DUMB WAITER, George III style, with three tiers and tripod supports, diam.

A JAPANNED HANGING CORNER CUPBOARD, continental, 18th Century, of bow-front form with a pair of doors enclosing shelves, wide.

A ROSEWOOD POLESCREEN, William IV, with a needlework panel, on a turned stem and triform base.

AN ANTIQUE DRESSING TABLE
MIRROR, George III, with an oval plate and
bow-front three drawer base, wide.

A CAST IRON AND BRASS
OCCASIONAL TABLE, Victorian, with a
thuvawood top and adustable rope-twist stem,
on an ornately cast base, diam.

A SET OF FOUR SIMULATED
BAMBOO ARMCHAIRS, George III style,
the painted frames with trellis backs and cane
seats.

AN ANTIQUE BREAKFRONT
BOOKCASE, in eight sections with glazed
doors above panelled cupboard doors, on a
plinth base.

AN OAK ROLL-TOP DESK,
Edwardian, the ogee fall above pedestal bases
containing slides and drawers.

AN OAK ROLL-TOP DESK,
Edwardian, the shallow fall above pedestal
bases containing slides and drawers.

A GILT-GESSO AND ETCHED GLASS
WALL MIRROR, Victorian, the pierced lyre
cresting above a rectangular moulded frame.

A GOLD PAINTED GESSO FRAMED WALL MIRROR, with an oval bevelled plate within a leaf-moulded frame.

French Gothic-style carved oak Cupboard on Stand, Italian walnut Cassone, Italian giltwood large Armchair

A Continental giltwood Fauteuil,
circa, the cartouche-shaped
upholstered back surmounted by an
anthemion cresting, the upholstered
serpentined seat above cabriole legs,
regilded, possibly Italian.

An Italian walnut Commode, circa
with key-pattern banding, the two
short and two long drawers above tapered
square feet.

A Louis Phillipe mahogany
Cabinet, circa, with spiral pilaster terminals, the scroll carved frieze drawer above a pair of panel doors with ripple mouldings, the interior with a shelf, on turned feet.

A Louis XV dark oak Armoire,
circa, the moulded cornice above a
pair of panelled doors, faults.

A Louis XV-style kingwood
marquetry Bureau de Dame, circa,
with gilt-metal mounts, the bombe fall
revealing a recess, three drawers and a
well, the square cabriole legs ending in
sabots.

A French Gothic-style carved oak Cupboard on Stand, made-up, with bold iron hinges to the door, the base with an arched recess.

A Louis XV-style upholstered beechwood Library Armchair, circa,
covered in blue velvet, with carved apron
and cabriole legs, formerly with a painted
frame.

A Tuscan walnut Refectory Table,
circa, the top with a channelled
surround, the panelled frieze above six
turned legs, the square feet joined by
peripheral stretchers.

An Italian walnut Cassone, circa
the moulded hinged top above a
panelled front inlaid with flowers and
arabesques, on scroll carved feet.

A pair of fruitwood Benches, th
Century, the narrow tops with rounded
ends, on trestle-shaped supports.

A Dutch oak Chest, st half 19th
Century, the top with a dentilled border
above three long panel-front drawers with
swag carving, on turned feet.

A pair of Italian silvered Torcheres in late th/early 18th Century style, 18th Century, each of octagonal tapering form, with a gadrooned knop carved with husks and acanthus,

the tripod base with scrolled feet carved with sunflowers, resilvered and on ebonised plinths. high;

A pair of Hispano Flemish-style Armchairs, modern, in 18th Century manner, the pierced backs with two rows of turned spindles, with moulded arms, sprung seats, turned legs and

stretchers.

A Continental polychrome japanned Cabinet-on-Stand, late th/ early 18th Century, probably North German or Danish, the cabinet with a pair of cupboard doors painted with a brace

of pheasant, the sides with figures in a garden setting, the interior with seven drawers painted with hunting scenes, warriors and figures in garden landscapes, the whole gilt,

the stand parcel-gilt on a white ground, the cabriole legs with animal heads carved with acanthus, the deep apron with strapwork and foliage.

An Italian giltwood large Armchair, 2nd quarter 18th Century, probably Venetian, the padded cartouche back with a padded circular cresting amongst elaborate pierced acanthus and

‘C’-scrolls, with downswept arms, a stuffed seat and leaf carved cabriole legs—
Another larger Italian Armchair, nd quarter 18th Century, with a padded cartouche back and cresting amongst elaborate pierced baroque corbels, ‘C’-scrolls, acanthus and

flowerheads, with downswept leaf carved arms and stuffed seat, on a deep leaf carved apron and cabriole legs joined by an ‘X’-stretcher

A Continental 18th Century-style
giltwood frame Firescreen, circa,
the applique needlework cartouche panel depicting floral vase, with leaf scroll surmount and scroll feet.

A Regence-style giltwood Pier
Table, circa, the white marble top
above foliate frieze with floral swags, the
cabriole legs joined by stretchers and
centred by cartouche. high by.

Italian oak Settee, French transitional-style kingwood and marquetry Bedside Cupboards, Italian ebonised Blackamoor Stand, Venice

A German mahogany and button
upholstered Suite of Seat Furniture, circa
covered in burgundy dralon, on
cabriole legs and castors, comprising: pair
of armchairs with oval backs and a settee.

A pair of French transitional-style kingwood and marquetry Bedside Cupboards, modern, the quarter veneered top above a frieze drawer and pair of doors, on slender cabriole legs.

A Louis XVI-style large white
painted and upholstered Settee, modern,
with arched back and trophy cresting with
two birds, with scrolled sides, covered in
peach fabric with matching seat cushion
and bolsters, on turned and fabric-covered
canopy and drapes, settee.

SI A nest of three French mahogany Occasional Tables, circa, each with a rectangular brass-bound border inlaid with brass stringing, on turned legs, with brass bases and trestle

supports, the largest.

An Italian ebonised Blackamoor Stand, Venice, circa, the small naked infant supporting a circular table top on a rock base, the table incised with foliage imitating damask.
An Italian ivory inlaid and ebony veneered Cabinet-on-Stand, probably Florentine, circa, of early 18th Century architectural form, with an arrangement of small drawers and

cupboards, the central breakfront door enclosing a tortoiseshell interior with short drawers flanked by a pair of deep drawers set with a concave niche and an ivory vase and

cover, the whole inlaid with Renaissance foliage and figures, the breakfront ebonised stand with square tapering legs. high by. wide;  by , the stand possibly circa, the cabinet

with an armorial device and an inscription Luigi de Marchesi Niccolini Esigui I’Anno  Firenze.

A French carved walnut Salon
Suite, 2nd quarter 18th Century,
comprising: a canape, six side chairs and two armchairs, each with an acanthus carved asymmetrical cartouche back and moulded leaf carved frame, on cabriole legs with sprung

serpentine seats, the settee.

An Italian sculptural Blackamoor
Figure, probably Venice.

A French giltwood
tapestry upholstered Salon
Suite, probably Paris.

Louis XV manner, comprising: a small canape and two armchairs, each with a moulded flower carved frame, cartouche back, padded arms and cabriole legs, upholstered in gros- and

petit-point floral woolwork, the settee.

Two similar small French mahogany Vitrines, circa, each with a brown marble top and bow-fronted glazed door, with glazed sides enclosing shelves, on cabriole legs with

gilt-bronze mounts throughout, one.

A small French Vernis Martin Table Ambulante, Paris, circa, the
square serpentine top hinged to reveal a
bevelled mirror above two drawers, on
cabriole legs with gilt-bronze mounts, the
whole painted with 18th Century figures,
flowers and trophies in the Vernis Martin
style.

A French carved and gilt painted
Bergere a la Reine, circa, in the
Regence manner, the arched stuffed back
and stuffed open arms with flowerhead
carved terminals, the stuffed bow-fronted
seat with a leaf carved apron and cabriole
legs,

An Italian glass mosaic poly-
chrome Wall Mirror, Venice, circa,
the arched bevelled plate with a conforming frame encrusted with polychrome flowers, the cresting with a view of the Rialto Bridge, distressed. high by. wide;  by lft. Vin.

A French gilt-bronze mounted onyx Pedestal, probably Paris, circa,
the square revolving top with a Corinthian
capital and stepped moulded plinth.

An Italian rosewood and ivory talaid ‘Wellington Chest’, circa, of
Moorish design, inlaid throughout with
ivory geometric motifs and stringing
within ebonised mouldings, the hinged top
above seven drawers flanked by foliate
corbel pilasters, on a plinth base, faults.

SI A Louis XVI-style mahogany and
rosewood Meuble d’Appui, circa,
with gilt-metal mounts, the ‘D’-shaped marble top above a panel front with floral swags and a door, on paw feet.

A Louis XV-style rosewood and
gilt-metal mounted Bureau Plat, circa
the serpentine top with a tooled
leather inset, the crossbanded frieze with
three real and opposing dummy drawers,
on cabriole legs ending in sabots.

A Louis XV-style walnut and floral
marquetry Centre Table, circa, the
serpentined top with an ebonised border
and a lateral frieze drawer, on cabriole.

A set of four Dutch marquetry and
mahogany Chairs, circa, with stuffed
splats and seats, on sabre legs, restored.

An Italian oak Settee, circa,
with rope-twist mouldings and Gothic tracery fretwork, the stuffed seat covered in striped brocade, on tapered and fluted square legs.

A North Italian walnut Commode, Italian provincial walnut and crossbanded Commode, German walnut Cabinet, Louis XV provincial carved oak Armoire

A North Italian walnut Commode, circa, with bell-flower carved terminals and mouldings, the three long drawers above an apron with profile portrait medallion, on tapered square

fluted legs, worm.

A Directoire mahogany Cylinder Bureau, circa, with fluted terminals, the frieze drawer above a fitted interior and slide, below are three long drawers of breakfront form, on

tapered square legs.

A pair of North Italian walnut
Chairs, circa, the oval splats with
wheat-ear motifs, the stuffed brocade seats
above tapered and fluted square legs,
worm.

A North Italian oak and parquetry
Commode, circa, in the th
Century style, with two long drawers and
tapered square legs. high by.

A pair of Piedmontese small
walnut and crossbanded Commodes,
circa, the fronts of concave form,
with two long drawers, on cabriole legs,
worm.

An Empire-style mahogany
Washstand, circa, with gilt-metal
mounts, of stepped form, with oval
bevelled mirrors, on gilt claw feet.
high by.

An Italian provincial walnut and
crossbanded Commode, circa, with
two short and two long drawers, on square
cabriole legs.

A pair of Louis XV-style carved beechwood Fauteuils, the backs, padded arms and seats covered in striped brocade, on cabriole legs
An Italian olivewood octagonal Occasional Table, circa, with segmented veneers to the top and star motif, the frieze with real and dummy drawers, the lotus-clad pillar above a

triform base, on turned feet.

A 18th Century-style carved and
gilt rectangular Wall Mirror, circa,
the plate with a foliate and fruit border.

A French walnut Stool, circa,
the square serpentined stuffed seat
covered in gold dralon, the carved cabriole
legs joined by an ‘X’-shaped stretcher,

An Italian gilt Wall Mirror, circa
, the rectangular plate with profile
portrait medallion to the surmount and
swags, with conforming apron. high
by.

An Italian Lacca Povera Bureau,
circa, painted throughout with floral
sprays on a green ground bordered by ‘C-
scroll cartouches, the fall revealing a well
and stationery compartments, the frieze
with a pair of lopers above three long
graduated drawers. high by.

A German walnut Cabinet
the arched moulded cornice inlaid
with scrollwork and flowers above a pair of
doors with a simple strapwork design
above a similarly inlaid frieze, with plain
supports and flat stretcher.

A Louis XV-style tulipwood and
rosewood crossbanded Table a Ecrire,
circa, with gilt-metal mounts and
stringing, the leather inset kidney-shaped
top with a rear gallery containing four
drawers, the serpentine frieze drawer
flanked by cabriole legs.

A Louis XV-style mahogany and
gilt-metal mounted Card Table, circa
in the form of an oval occasional
table, the top with a hinged border frame
revealing a swivelling panel with a folding
baize-lined playing surface bearing an
inlaid emblem Balny BTt FGDS, Paris,
France & Etranger, the panelled frieze
above cabriole legs.

A Louis XVI-style mahogany and
gilt-metal mounted Etagere, circa,
the galleried marble inset top above triple
waisted supports joined by a galleried tier,
the fluted and stop-fluted turned legs with
a triform stretcher, on spiral fluted feet.

A Directoire mahogany Coiffeuse,
circa, the hinged top revealing three
rising panels revealing wells and a mirror,
the frieze with three dummy and two real
drawers, on tapered square legs with block
feet.

A Louis XV provincial carved oak
Armoire, circa, the egg and dart
moulded arched cornice above a roundel
flanked by foliate swags, the pair of
cartouche panelled doors enclosing
hanging space, the fluted corners on
cabriole feet.

A tall giltwood Torchere, French,
circa, the stop-fluted column carved
with husks and acanthus, on a triform base
carved with cherubs’ heads and the
monogram MAbove a star, on paw feet.

A Dutch marquetry and oak
Display Cabinet, circa, with canted
sides, the domed cornice above a pair of
astragal doors enclosing a lined interior
with serpentine shelves, the base enclosed
by a pair of panelled doors, on shaped
bracket feet. high by.

A French boulle and ebonised Side
Cabinet, circa, with gilt-metal
mounts, the panel door flanked by a pair
of bowed glazed doors, the velvet-lined
interior with shelves, on a plinth base.

Italian carved gilt Corner Table, French Empire-style mahogany, wrought iron and parcel-gilt Pier Table, Flemish Toilet Mirror

A French Empire-style mahogany
two-tier Etagere, circa, with brass
banding, mounts and key pattern, with a
drawer and carrying handles, on turned
and fluted supports ending in castors, brass
banding partially lifting, one leg loose.

An Empire white painted and gilt
Armchair, circa, the rectangular
back, padded arms and bowed seat
covered in patterned velvet, on turned
legs, the underframe with an indistinct
oval stamp and the letters MEU.

An Italian carved gilt Corner Table,
circa, with marble top and pierced
floral scroll frieze, the twin turned and
fluted tapering legs with an urn to the
stretcher.

An Italian cedarwood and inlaid
Box, circa, with hinged cover and
fall front revealing compartments and
small drawer.

A Dutch mahogany Cylinder
Bureau, circa, with chequer banding,
the fitted interior with an inset slide, below
are three long drawers flanked by trellis
terminals, on tapered square feet.

A wrought iron and parcel-gilt Pier Table, the rectangular red and grey marble top above a pierced frieze and supports mounted with paterae, the ‘X’-shaped stretchers centred by

an urn finial.

A Flemish carved oak Cupboard-on-Stand, circa, inlaid throughout with ebony bandings, the projecting cornice above two panelled doors with mitred mouldings flanked by fluted

pilasters, the stand with a frieze drawer, on later baluster turned and square legs joined by stretchers.

A German oak and iron-bound
Coffer, 18th Century, the hinged top and
front mounted with riveted and pierced
straps, on stile supports.

A Flemish Toilet Mirror, made-up,
the rectangular bevelled plate with a
tortoiseshell and ripple moulded border
with applied silver-coloured metal scroll
corners, the mahogany turned supports
with a plinth base and bun feet.

A French boulle and ebonised oval
serpentined Centre Table, circa, the
frieze with masks and a drawer, the square
cabriole legs ending in sabots, faults.

A Dutch Colonial hardwood
Cupboard-on-Stand, made-up, the
moulded cornice above a pair of doors with chamfered rosewood panels and floral carving, the base with two drawers and spiral twist legs joined by an ‘X’-shaped stretcher. wide;

A German silver-gesso and carved Grotto Armchair, circa, the seat and back of shell form, with dolphin arms and encrusted shell legs, worm.

A German silver-gesso and carved Grotto Table, circa, with shell-shaped top and triple supports in the form of fish.

A Dutch mahogany and
crossbanded Corner Cabinet, circa,
with chevron banding and fluted
terminals, the frieze drawer above a pair
of tambour doors, on tapered square feet.

A Venetian rectangular Wall
Mirror, modern, with bevelled plate and
etched margin plates, with foliate
surmount. high by.

A Venetian Wall Mirror, modern,
the oval bevelled plate with etched margin plates and pierced surmount.

A SARCOPHAGUS SHAPED ROSEWOOD WORK BOX, Regency, with
brass stringing and on bun feet, faults. wide,, together with a rosewood writing slope,
early Victorian, inlaid with mother-of-pearl. faults, wide., both lacking fittings.

AN AMBOYNAND GILT-METAL MOUNTED GLOVE OR JEWELLERY BOX, Napoleon III, of rectangular form, the
hinged top revealing a lined interior, on scroll feet, lock engraved with indistinct maker’s mark, wide.

AN ANTIQUE MINIATURE CHEST, George III style, the two short and three long drawers with ivory escutcheons, wide.

A BROWN LEATHER COVERED WORK BOX, William IV, the tooled exterior with gilt-metal mounts, the drawer bearing the penned inscription ‘Elizabeth Caperman Feb th  Mary Caperman

from her precious mother.

CONTINENTAL FURNITURE: French Provincial oak and fruitwood crossbanded serpentine Commode, French Empire-style kingwood Bureau a Cylindre

A French Provincial oak and
fruitwood crossbanded serpentine
Commode, circa, with three long
graduated drawers above cabriole feet.

A French kingwood Petite
Bibliotheque, circa, the marble top
above open shelves and canted corners,
on cabriole feet and sabots.

A French ebonised and pietra-
dura Meuble d’Appui, circa, with
gilt-metal mounts, the Verde Antico
marble top above a frieze of insects and
flowers, the panel door centred by a
basket of fruit and flanked by caryatids,
the canted sides above bracket feet,
partially lacking pietra-dura.

A French boulle and ebonised
Work Table, circa, the rectangular
serpentined hinged cover revealing a
mirror inset and sliding tray, the shaped
frieze above square cabriole legs ending
in sabots, faults.

A Florentine gilt framed oval Wall
Mirror, circa, with pierced foliate
surround.

A pair of Viennese Biedermeier
Hungarian ash Side Chairs, circa,
with serpentine toprail, waisted back and
stuffed concave seat, on square cabriole
legs.

A Dutch marquetry and
mahogany Chest, circa, the
serpentined top above an ogee-shaped front with four long drawers and a carved apron, the canted bulbous corners with lotus bun feet, faults.

A French Empire-style kingwood
Bureau a Cylindre, circa, with
quarter veneers and gilt-metal mounts,
the three frieze drawers above a fall
enclosing small drawers and an inset
writing slide, below are two apron
drawers, on turned and fluted tapering
legs.

A Portuguese carved coromandel Chair, circa, with a pierced vase-shaped splat and distressed cane seat, on cabriole legs and Braganza feet, restored.

A rare Swedish japanned Wing Armchair, circa, the rectangular shaped back with outset padded wings and shaped arms to an upholstered seat, the shaped moulded seat-rail decorated

with gilt leaves, the cabriole legs decorated with gilt lines and joined by turned stretchers similarly decorated, all on a black ground.

A Louis XV-style kingwood and
marquetry bombe Commode, circa,
with gilt-metal mounts, the marble top above two short and two long drawers, on splayed feet and sabots.

A set of seven French carved
walnut and cane Chairs, circa,
including an armchair, the oval backs
with pierced drapery surmounts, the
bowed seats above moulded cabriole legs.

A French kingwood and walnut
parquetry Lady’s Bureau, circa,
with gilt-metal mounts, the shallow
sloping hinged top revealing two drawers
and a sprung drawer enclosing a well,
the shaped apron with a rear oval
medallion, the cabriole legs ending in
sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced strap-
work cresting above a cartouche-shaped
plate with a gouged border and pendant
flowers, the pierced apron centred by a
stylised flowerhead.

A Louis XV-style mahogany and
tulipwood Table-en-Chiffonier
the breche d’alep rectangular top
with a pierced brass gallery, the chequer
banded frieze drawer above a pair of
doors applied with leather book spines,
on cabriole legs.

A pair of Louis XV-style
kingwood serpentine-front Commodes,
circa, with Verde Antico marble
tops, segmented veneers, gilt-metal
mounts and porcelain plaques, the three
long drawers flanked by canted corners,
the shaped apron above cabriole legs
ending in sabots.

A Spanish walnut Vargueno, late 18th Century, with gilt-metal mounts incorporating monograms, the fall revealing an architectural interior with gilt mouldings, ivory pillars and

ivory insets, comprising an arrangement of small drawers and covers, the sides with iron carrying handles, faults.

An Italian gilt framed Wall Mirror, circa, mounted with a seated putti, the cartouche-shaped plate within a rocaille surround.

A French boulle Meuble d’Appui,
circa, with gilt-metal mounts, the
recessed cavetto moulded top with a
pierced brass gallery, the arched glazed
panel door enclosing a velvet-lined
interior, on cabriole feet.

A Louis XV-style kingwood trellis
parquetry Bureau de Dame, circa,
the serpentine fall revealing a fitted
interior with a well, the shaped apron
above square cabriole legs ending in
sabots.

A Scandinavian painted and
parcel-gilt Wall Mirror, 18th Century,
the shaped cresting above a panel frieze
centred by a relief profile bust, the
rectangular plate above a further
decorated panel, the rectangular
surround with a simulated tortoiseshell
border.

A Louis XV-style kingwood and
gilt-metal mounted Vitrine, circa,
the serpentine cornice surmounted by a pierced cresting, the pair of glazed doors enclosing glass shelves, the panelled base with Vernis Martin-style panels, on cabriole legs

ending in sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced scroll
cresting centred by a paterae, the
rectangular plate flanked by bell flowers
and with swag apron.

A Louis XV-style kingwood
parquetry bombe Commode, modern,
the serpentine red marble top above
three long drawers, on splayed legs
ending in sabots.

Two Italian carved and silvered
gesso Grotto Armchairs, circa,
with shell-shaped backs and seats, the
arms in the form of dolphins, faults and
worm.

An Italian carved and painted
Chair, circa, in the form of a
grotesque bird, the oval seat covered in
velvet, parts lacking.
See Christopher Payne, 18th Century European Furniture, plate, and photograph on page.
Provenance: Wilsford Manor House Sale, th October.

A Dutch ebonised and floral
marquetry Display Cabinet, circa,
inlaid throughout with ivory geometric
borders, the red marble top above a
panelled glazed door enclosing glass
shelves.

A set of four Italian carved
walnut Grotto Armchairs,
with shell-shaped backs and seats, dolphin arms and splayed legs, restored.

Victorian carved giltwood Kerb Stool, Victorian carved and gilt-gesso framed Firescreen, Victorian ash Writing Table

A Victorian carved giltwood Kerb Stool, circa, the floral bead work upholstered seat above a cabochon apron and leaf scroll supports, lacking three paterae.

A set of four Victorian walnut balloon-back Chairs, circa, with pierced mid-bars and stuffed fawn brocade seats, on hipped cabriole legs, restored.

A Victorian mahogany Side Table, circa, the moulded rectangular top with a real and dummy frieze drawer, the carved and pierced supports with turned stretchers and scroll feet.

A George II-style walnut and
parcel-gilt Wall Mirror, the rectangular
plate with a fretwork cresting and apron.

An Indian camphorwood small
Military Cabinet, circa, with
carrying handles, the pair of fielded
panel doors enclosing nine small drawers
with brass countersunk handles.

A Regency-style upholstered
tub-shaped Armchair, circa,
covered in nailed hide, on mahogany
sabre legs.

A George Ill-style satinwood Side Table, circa, with four short drawers and tapered square legs.

A Victorian carved and gilt-gesso framed Firescreen, circa, the
glazed Berlin needlework panel depicting
musicians, figures and a harbour, on
splayed feet and castors, faults.

An Indian rosewood and ivory Toilet Mirror, circa, the oval bevelled plate on twin ivory tusk supports with silver-coloured metal mounts, the plinth with a drawer and claw feet.

A George Ill-style teak Bureau, 18th Century, the fall revealing pigeonholes and maple veneered small drawers, below are three long graduated drawers, on bracket feet. high by.

A set of six Victorian walnut balloon-back Chairs, circa, with foliate carved mid-rails and stuffed serpentine seats, on cabriole legs.

A Victorian mahogany Occasional Table, circa, the rounded rectangular top above twin carved supports in the form of anchors united by a turned stretcher, the platform bases on

gadrooned bun feet with castors.

A George Ill-style carved mahogany Stool, circa, the
rectangular stuffed seat covered in floral needlework, the gadrooned apron above acanthus-clad cabriole legs ending in claw and ball feet.

A set of three Victorian gilt
Armchairs, circa, in the French style,
the buttoned cartouche-shaped backs,
padded arms and buttoned serpentined
seats covered in pink velvet, with paterae
cresting rail and apron, on moulded
cabriole legs.

A Victorian ash Writing Table, the
rectangular top with a tooled leather
inset and two frieze drawers, the solid
vase-shaped end supports above bun feet
and concealed castors.

A set of four Victorian carved
walnut balloon-back Chairs, with pierced
splats and stuffed floral patterned velvet
upholstered seats, on cabriole legs.

An Italian carved giltwood octagonal Wall Mirror, 18th Century, with canted margin plates surmounted by a pierced floral swag cresting.

A Regency-style rosewood and gilt-metal mounted small Bookcase, modern, the marble top above adjustable open shelves, on turned feet.