ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

ANTIQUE AND SATINWOOD CROSSBANDED SIDE TABLE, ANTIQUE SECRETAIRE BOOKCASE, OVAL MAHOGANY DROP-LEAF TABLE

A NEST OF THREE WALNUT
OCCASIONAL TABLES, 18th Century, oval
and on turned legs, faults. wide,
together with a blue Japanned wine table,
18th Century, the circular top decorated with a bird and flowers. diameter, and a brass tray top table, Near Eastern, on a folding wood stand.

AN ANTIQUE BUREAU, George III,
the fall enclosing a fitted interior, above four
long graduated drawers, on bracket feet,
restored.

AN EBONISED AND GILT METAL MOUNTED SIDE CABINET, Victorian, the central panelled door with an oval Sevres style porcelain plaque, flanked by a pair of curved glazed doors

enclosing shelves, on toupie feet, faults.

AN EBONISED AND AMBOYNA SIDE CABINET, Victorian, with gilt metal mounts, the central panelled door inlaid with a cartouche and flanked by a pair of curved glazed doors enclosing

shelves, on toupie feet.

AN ANTIQUE AND SATINWOOD CROSSBANDED SIDE TABLE, George III style, with four drawers and on tapered square legs with castors.

A SET OF MAHOGANY
METAMORPHIC LIBRARY STEPS, George
III style, with a leather inset top and on
turned legs.

AN INLAID ROSEWOOD
ENVELOPE CARD TABLE, late Victorian,
the hinged four piece top above a small
drawer, on turned tapering legs joined by a
stretcher.

AN INLAID AND EBONISED SIDE CABINET, Victorian, with gilt metal mounts, the central glazed door now lacking glass enclosing shelves and flanked by glazed side panels, on bracket

feet, wide.

AN ANTIQUE DRINKS CABINET, modern, with a pair of oval panelled doors above a drawer and a further pair of doors, on splaved bracket feet.

A LARGE MAHOGANY LIBRARY BOOKCASE, George ni style, with a fluted and dentil cornice above four astragal glazed doors, the lower part with four circular panelled doors, on a

plinth base, high by wide.

A LARGE WALNUT BREAKFRONT LIBRARY BOOKCASE, Victorian, stamped COLLINSON & LOCKE, LONDON,, the moulded cornice above four astragal glazed doors, the lower part with strapwork

and foliate carved panels, on bun feet.

AN ANTIQUE SECRETAIRE
BOOKCASE, Victorian, the moulded cornice
above a pair of glazed doors, the lower pan
with a drawer now lacking fittings above a
pair of cupboard doors, on a plinth base.

A SET OF SIX CARVED OAK DINING
CHAIRS, Victorian, including one armchair,
each with a lion cresting above a padded back
and seat, on spiral twist and square legs.

A GROUP OF SEVEN PIECES OF
BLACK JAPANNED FURNITURE. th
Century, each piece with Ounoeserie
decoration, composing an oval table.

AN ANTIQUE EXTENDING
DINING TABLE, Victorian, the rounded
rectangular top raised on fluted tapering legs
with ceramic castors, with one extra leaf,
high by wide. by long
extended.

AN OAK BOOKCASE CABINET, Victorian, the moulded cornice above a pair of glazed doors, the lower part with two panelled doors, on a plinth base, high by wide.

A BLACK JAPANNED THREE PIECE SUITE, 18th Century, comprising a settee and two armchairs, each with chinoiserie decoration and with single caning, on lobed bun feet.

AN ANTIQUE CHEST, George IV, the two short and three long drawers with ivory escutcheons, on bracket feet.

AN OAK CHEST, George III, with two short and three long drawers, on bracket feet, wide.

A BEECHWOOD CANTERBURY, George III style, modern, with a drawer, on turned legs and castors, wide.

A MINIATURE MAHOGANY AND INLAID CHEST, Edwardian, with two short and three long drawers, on bracket feet.

AN OVAL MAHOGANY DROP-LEAF TABLE, George II with restorations, on turned tapering legs with pad feet, wide. extended.

A WALNUT DINING ROOM SUITE,
William and Mary style, early 18th Century,
each piece raised on scrolled supports joined
by stretchers, comprising: an extending
Dining Table. long extended
including a spare leaf; a set of eight Dining
Chairs, including a pair of armchairs, with
caned backs; a Serving Table, with a
serpentine top and a pair of drawers.
wide; and a breakfront Sideboard, with
drawers and cupboard doors.

ANTIQUE EXTENDING
DINING TABLE, Victorian, with a moulded
top. on turned and fluted legs with castors,
long extended including two leaf insetions.

A CARVED OAK LINEN PRESS, 2th
Century, made up, with a pair of doors
enclosing sliding trays above drawers, on
bracket feet, wide.

ANTIQUE BIRDCAGE’ TRIPOD TABLE, MAHOGANY BERGERE  ARMCHAIRS, INLAID ROSEWOOD SIDE CABINET, CARVED GILTWOOD WALL BRACKET

AN ANTIQUE AND INLAID
BIJOUTERIE TABLE, Edwardian, the
glazed top above tapered square legs and
spade feet joined stretchers.

A SET OF FOUR MAHOGANY
DINING CHAIRS, George III style,
including a pair of armchairs, with pierced
splats and square legs.

AN ANTIQUE BIRDCAGE’ TRIPOD
TABLE, George II style, modern, with a tilt
top and carved base, bearing the label of Archer
& Smith Ltd., dia.

AN ANTIQUE DUMB WAITER OR
WHATNOT, Victorian, with four tiers, on I
turned and square supports, wide.

A PAIR OF MAHOGANY RAIL BACK ARMCHAIRS, George IV, with upholstered seats, on turned legs.

A PAIR OF BEECHWOOD COMB-BACK WINDSOR ARMCHAIRS, 18th Century, with hexagonal seats; together with AN ANTIQUE Side Table, Victorian, on turned legs, top loose, wide.

AN ANTIQUE DRESSING TABLE MIRROR, George IV, with bobbin turned supports and a shaped three drawer plinth base.

A WALNUT AND INLAID DAVENPORT, Victorian, with real and dummy drawers, one drawer facing replaced in oak, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Victorian, with rail backs, stuffed, seats and fluted turned legs.

A PAIR OF MAHOGANY BERGERE  ARMCHAIRS, George III style, late th  Century, with caned backs and seat, on fluted square tapered legs, with loose cushions;

AN ANTIQUE DISPLAY CABINET ON STAND, George III style, with astragalj doors above chamfered square legs, distressed^  high by wide.—J
d A SET OF SIX MAHOGANY RAIL
BACK DINING CHAIRS, probably
Biedermeier, early 18th Century, with drop
in seats, on sabre legs.

A WALNUT BUFFET, late Victorian, the three tiers with a pair of drawers and turned supports.

AN ANTIQUE BUFFET, Victorian, the three tiers with turned supports.

AN OAK OCTAGONAL CENTRE
TABLE, Victorian, with a foliate carved
frieze, raised on bulbous turned and square
legs joined by stretchers, split to top.

AN ANTIQUE SERPENTINE
STANDING CORNER CUPBOARD, th
Century, with a key cornice above a pair of
astragal glazed doors, with a pair of panelled
doors, on ogee bracket feet.

A SET OF TEN OAK DINING
CHAIRS, Cromwellian style, including two
armchairs, with leather covered back and
seats, on turned and square legs.

A SET OF FOUR MAHOGANY DINING CHAIRS, George III style, with pierced splat backs, drop-in seats and on foliate carved cabriole legs with claw and ball feet

AN ANTIQUE AND SATIN WOOD INLAID ARMCHAIR, Edwardian, with a carved and pierced back, needlepoint coverd seat and on cabriole legs—

AN INLAID ROSEWOOD SIDE CABINET, Victorian, with a raised mirror back above a drawer and a pair of cupboard doors, flanked by canted open shelves, with a lower shelf and on

turned legs, loo bracket to mirror, high by wide.

AN ANTIQUE DRESSING TABLE, Victorian, stamped EDWARDS AND ROBERTS, the hinged mirror flanked bv four small drawers, above a pair of frieze drawers and on fluted and turned

tapered legs, wide.

A CARVED OAK CHEST OF DRAWERS, George III, the carving possibly circa, the top depicting a Conquistador and an Indian warrior, above two short and three long graduated drawers,

carved with figures and foliage, splits to top and sides, faults, wide.

AN OAK AND BURR WALNUT BUREAU, George III, the crossbanded fall enclosing a fitted interior of drawers, pigeon holes and a central cupboard, above four graduated drawers, on

reduced bracket feet, wide.

AN ANTIQUE BOWFRONT CHEST OF DRAWERS, 18th Century, with two short and three long graduated drawers, on splayed bracket feet, faults,
wide

A FRUITWOOD STOOL, French early 18th Century, with a square tapestry seat, on turned legs, wide.

A CARVED GILTWOOD WALL BRACKET, Italian, 18th Century, with rocaille C-scrolls and foliage, wide.

French Gothic-style carved oak Cupboard on Stand, Italian walnut Cassone, Italian giltwood large Armchair

A Continental giltwood Fauteuil,
circa, the cartouche-shaped
upholstered back surmounted by an
anthemion cresting, the upholstered
serpentined seat above cabriole legs,
regilded, possibly Italian.

An Italian walnut Commode, circa
with key-pattern banding, the two
short and two long drawers above tapered
square feet.

A Louis Phillipe mahogany
Cabinet, circa, with spiral pilaster terminals, the scroll carved frieze drawer above a pair of panel doors with ripple mouldings, the interior with a shelf, on turned feet.

A Louis XV dark oak Armoire,
circa, the moulded cornice above a
pair of panelled doors, faults.

A Louis XV-style kingwood
marquetry Bureau de Dame, circa,
with gilt-metal mounts, the bombe fall
revealing a recess, three drawers and a
well, the square cabriole legs ending in
sabots.

A French Gothic-style carved oak Cupboard on Stand, made-up, with bold iron hinges to the door, the base with an arched recess.

A Louis XV-style upholstered beechwood Library Armchair, circa,
covered in blue velvet, with carved apron
and cabriole legs, formerly with a painted
frame.

A Tuscan walnut Refectory Table,
circa, the top with a channelled
surround, the panelled frieze above six
turned legs, the square feet joined by
peripheral stretchers.

An Italian walnut Cassone, circa
the moulded hinged top above a
panelled front inlaid with flowers and
arabesques, on scroll carved feet.

A pair of fruitwood Benches, th
Century, the narrow tops with rounded
ends, on trestle-shaped supports.

A Dutch oak Chest, st half 19th
Century, the top with a dentilled border
above three long panel-front drawers with
swag carving, on turned feet.

A pair of Italian silvered Torcheres in late th/early 18th Century style, 18th Century, each of octagonal tapering form, with a gadrooned knop carved with husks and acanthus,

the tripod base with scrolled feet carved with sunflowers, resilvered and on ebonised plinths. high;

A pair of Hispano Flemish-style Armchairs, modern, in 18th Century manner, the pierced backs with two rows of turned spindles, with moulded arms, sprung seats, turned legs and

stretchers.

A Continental polychrome japanned Cabinet-on-Stand, late th/ early 18th Century, probably North German or Danish, the cabinet with a pair of cupboard doors painted with a brace

of pheasant, the sides with figures in a garden setting, the interior with seven drawers painted with hunting scenes, warriors and figures in garden landscapes, the whole gilt,

the stand parcel-gilt on a white ground, the cabriole legs with animal heads carved with acanthus, the deep apron with strapwork and foliage.

An Italian giltwood large Armchair, 2nd quarter 18th Century, probably Venetian, the padded cartouche back with a padded circular cresting amongst elaborate pierced acanthus and

‘C’-scrolls, with downswept arms, a stuffed seat and leaf carved cabriole legs—
Another larger Italian Armchair, nd quarter 18th Century, with a padded cartouche back and cresting amongst elaborate pierced baroque corbels, ‘C’-scrolls, acanthus and

flowerheads, with downswept leaf carved arms and stuffed seat, on a deep leaf carved apron and cabriole legs joined by an ‘X’-stretcher

A Continental 18th Century-style
giltwood frame Firescreen, circa,
the applique needlework cartouche panel depicting floral vase, with leaf scroll surmount and scroll feet.

A Regence-style giltwood Pier
Table, circa, the white marble top
above foliate frieze with floral swags, the
cabriole legs joined by stretchers and
centred by cartouche. high by.

Italian oak Settee, French transitional-style kingwood and marquetry Bedside Cupboards, Italian ebonised Blackamoor Stand, Venice

A German mahogany and button
upholstered Suite of Seat Furniture, circa
covered in burgundy dralon, on
cabriole legs and castors, comprising: pair
of armchairs with oval backs and a settee.

A pair of French transitional-style kingwood and marquetry Bedside Cupboards, modern, the quarter veneered top above a frieze drawer and pair of doors, on slender cabriole legs.

A Louis XVI-style large white
painted and upholstered Settee, modern,
with arched back and trophy cresting with
two birds, with scrolled sides, covered in
peach fabric with matching seat cushion
and bolsters, on turned and fabric-covered
canopy and drapes, settee.

SI A nest of three French mahogany Occasional Tables, circa, each with a rectangular brass-bound border inlaid with brass stringing, on turned legs, with brass bases and trestle

supports, the largest.

An Italian ebonised Blackamoor Stand, Venice, circa, the small naked infant supporting a circular table top on a rock base, the table incised with foliage imitating damask.
An Italian ivory inlaid and ebony veneered Cabinet-on-Stand, probably Florentine, circa, of early 18th Century architectural form, with an arrangement of small drawers and

cupboards, the central breakfront door enclosing a tortoiseshell interior with short drawers flanked by a pair of deep drawers set with a concave niche and an ivory vase and

cover, the whole inlaid with Renaissance foliage and figures, the breakfront ebonised stand with square tapering legs. high by. wide;  by , the stand possibly circa, the cabinet

with an armorial device and an inscription Luigi de Marchesi Niccolini Esigui I’Anno  Firenze.

A French carved walnut Salon
Suite, 2nd quarter 18th Century,
comprising: a canape, six side chairs and two armchairs, each with an acanthus carved asymmetrical cartouche back and moulded leaf carved frame, on cabriole legs with sprung

serpentine seats, the settee.

An Italian sculptural Blackamoor
Figure, probably Venice.

A French giltwood
tapestry upholstered Salon
Suite, probably Paris.

Louis XV manner, comprising: a small canape and two armchairs, each with a moulded flower carved frame, cartouche back, padded arms and cabriole legs, upholstered in gros- and

petit-point floral woolwork, the settee.

Two similar small French mahogany Vitrines, circa, each with a brown marble top and bow-fronted glazed door, with glazed sides enclosing shelves, on cabriole legs with

gilt-bronze mounts throughout, one.

A small French Vernis Martin Table Ambulante, Paris, circa, the
square serpentine top hinged to reveal a
bevelled mirror above two drawers, on
cabriole legs with gilt-bronze mounts, the
whole painted with 18th Century figures,
flowers and trophies in the Vernis Martin
style.

A French carved and gilt painted
Bergere a la Reine, circa, in the
Regence manner, the arched stuffed back
and stuffed open arms with flowerhead
carved terminals, the stuffed bow-fronted
seat with a leaf carved apron and cabriole
legs,

An Italian glass mosaic poly-
chrome Wall Mirror, Venice, circa,
the arched bevelled plate with a conforming frame encrusted with polychrome flowers, the cresting with a view of the Rialto Bridge, distressed. high by. wide;  by lft. Vin.

A French gilt-bronze mounted onyx Pedestal, probably Paris, circa,
the square revolving top with a Corinthian
capital and stepped moulded plinth.

An Italian rosewood and ivory talaid ‘Wellington Chest’, circa, of
Moorish design, inlaid throughout with
ivory geometric motifs and stringing
within ebonised mouldings, the hinged top
above seven drawers flanked by foliate
corbel pilasters, on a plinth base, faults.

SI A Louis XVI-style mahogany and
rosewood Meuble d’Appui, circa,
with gilt-metal mounts, the ‘D’-shaped marble top above a panel front with floral swags and a door, on paw feet.

A Louis XV-style rosewood and
gilt-metal mounted Bureau Plat, circa
the serpentine top with a tooled
leather inset, the crossbanded frieze with
three real and opposing dummy drawers,
on cabriole legs ending in sabots.

A Louis XV-style walnut and floral
marquetry Centre Table, circa, the
serpentined top with an ebonised border
and a lateral frieze drawer, on cabriole.

A set of four Dutch marquetry and
mahogany Chairs, circa, with stuffed
splats and seats, on sabre legs, restored.

An Italian oak Settee, circa,
with rope-twist mouldings and Gothic tracery fretwork, the stuffed seat covered in striped brocade, on tapered and fluted square legs.

CONTINENTAL FURNITURE: French Provincial oak and fruitwood crossbanded serpentine Commode, French Empire-style kingwood Bureau a Cylindre

A French Provincial oak and
fruitwood crossbanded serpentine
Commode, circa, with three long
graduated drawers above cabriole feet.

A French kingwood Petite
Bibliotheque, circa, the marble top
above open shelves and canted corners,
on cabriole feet and sabots.

A French ebonised and pietra-
dura Meuble d’Appui, circa, with
gilt-metal mounts, the Verde Antico
marble top above a frieze of insects and
flowers, the panel door centred by a
basket of fruit and flanked by caryatids,
the canted sides above bracket feet,
partially lacking pietra-dura.

A French boulle and ebonised
Work Table, circa, the rectangular
serpentined hinged cover revealing a
mirror inset and sliding tray, the shaped
frieze above square cabriole legs ending
in sabots, faults.

A Florentine gilt framed oval Wall
Mirror, circa, with pierced foliate
surround.

A pair of Viennese Biedermeier
Hungarian ash Side Chairs, circa,
with serpentine toprail, waisted back and
stuffed concave seat, on square cabriole
legs.

A Dutch marquetry and
mahogany Chest, circa, the
serpentined top above an ogee-shaped front with four long drawers and a carved apron, the canted bulbous corners with lotus bun feet, faults.

A French Empire-style kingwood
Bureau a Cylindre, circa, with
quarter veneers and gilt-metal mounts,
the three frieze drawers above a fall
enclosing small drawers and an inset
writing slide, below are two apron
drawers, on turned and fluted tapering
legs.

A Portuguese carved coromandel Chair, circa, with a pierced vase-shaped splat and distressed cane seat, on cabriole legs and Braganza feet, restored.

A rare Swedish japanned Wing Armchair, circa, the rectangular shaped back with outset padded wings and shaped arms to an upholstered seat, the shaped moulded seat-rail decorated

with gilt leaves, the cabriole legs decorated with gilt lines and joined by turned stretchers similarly decorated, all on a black ground.

A Louis XV-style kingwood and
marquetry bombe Commode, circa,
with gilt-metal mounts, the marble top above two short and two long drawers, on splayed feet and sabots.

A set of seven French carved
walnut and cane Chairs, circa,
including an armchair, the oval backs
with pierced drapery surmounts, the
bowed seats above moulded cabriole legs.

A French kingwood and walnut
parquetry Lady’s Bureau, circa,
with gilt-metal mounts, the shallow
sloping hinged top revealing two drawers
and a sprung drawer enclosing a well,
the shaped apron with a rear oval
medallion, the cabriole legs ending in
sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced strap-
work cresting above a cartouche-shaped
plate with a gouged border and pendant
flowers, the pierced apron centred by a
stylised flowerhead.

A Louis XV-style mahogany and
tulipwood Table-en-Chiffonier
the breche d’alep rectangular top
with a pierced brass gallery, the chequer
banded frieze drawer above a pair of
doors applied with leather book spines,
on cabriole legs.

A pair of Louis XV-style
kingwood serpentine-front Commodes,
circa, with Verde Antico marble
tops, segmented veneers, gilt-metal
mounts and porcelain plaques, the three
long drawers flanked by canted corners,
the shaped apron above cabriole legs
ending in sabots.

A Spanish walnut Vargueno, late 18th Century, with gilt-metal mounts incorporating monograms, the fall revealing an architectural interior with gilt mouldings, ivory pillars and

ivory insets, comprising an arrangement of small drawers and covers, the sides with iron carrying handles, faults.

An Italian gilt framed Wall Mirror, circa, mounted with a seated putti, the cartouche-shaped plate within a rocaille surround.

A French boulle Meuble d’Appui,
circa, with gilt-metal mounts, the
recessed cavetto moulded top with a
pierced brass gallery, the arched glazed
panel door enclosing a velvet-lined
interior, on cabriole feet.

A Louis XV-style kingwood trellis
parquetry Bureau de Dame, circa,
the serpentine fall revealing a fitted
interior with a well, the shaped apron
above square cabriole legs ending in
sabots.

A Scandinavian painted and
parcel-gilt Wall Mirror, 18th Century,
the shaped cresting above a panel frieze
centred by a relief profile bust, the
rectangular plate above a further
decorated panel, the rectangular
surround with a simulated tortoiseshell
border.

A Louis XV-style kingwood and
gilt-metal mounted Vitrine, circa,
the serpentine cornice surmounted by a pierced cresting, the pair of glazed doors enclosing glass shelves, the panelled base with Vernis Martin-style panels, on cabriole legs

ending in sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced scroll
cresting centred by a paterae, the
rectangular plate flanked by bell flowers
and with swag apron.

A Louis XV-style kingwood
parquetry bombe Commode, modern,
the serpentine red marble top above
three long drawers, on splayed legs
ending in sabots.

Two Italian carved and silvered
gesso Grotto Armchairs, circa,
with shell-shaped backs and seats, the
arms in the form of dolphins, faults and
worm.

An Italian carved and painted
Chair, circa, in the form of a
grotesque bird, the oval seat covered in
velvet, parts lacking.
See Christopher Payne, 18th Century European Furniture, plate, and photograph on page.
Provenance: Wilsford Manor House Sale, th October.

A Dutch ebonised and floral
marquetry Display Cabinet, circa,
inlaid throughout with ivory geometric
borders, the red marble top above a
panelled glazed door enclosing glass
shelves.

A set of four Italian carved
walnut Grotto Armchairs,
with shell-shaped backs and seats, dolphin arms and splayed legs, restored.

MAHOGANY BOW-FRONT SIDEBOARD, OAK LIBRARY BOOKCASE, CIRCULAR BREAKFAST TABLE, MAHOGANY HANGING SHELVES, OAK TWO DOOR CUPBOARD ON A LATER STAND

A MAHOGANY BOW-FRONT SIDEBOARD, George III style,
with two drawers flanked by cupboards, on
tapered square legs with spade feet, 152cm.
wide.

AN OAK LIBRARY BOOKCASE,
Victorian, with a pair of glazed doors flanked
by columns, above two drawers and two
paneled doors, on a plinth base, paneling to
one door detached, 219cm. high by 134cm. wide.

A MAHOGANY SECRETAIRE BOOKCASE, George III, the glazed doors with arched panels, the lower part with a fitted secretary drawer above three long graduated drawers, on castors, 214cm. high by 107cm. wide..
A MAHOGANY BOW-FRONT CHEST OF DRAWERS, George III, with two short and three long graduated drawers, on swept bracket feet, one back foot detached, 104cm. wide..

A ROSEWOOD CIRCULAR BREAKFAST TABLE, Regency and later, on a lobed column and reform base with down swept feet, the feet and column of later date and with simulated grain, 131cm. diameter.

A SET OF FOUR PAINTED DINING CHAIRS, Regency style, painted with green husks on a cream ground, with caned seats and on turned legs, each with a loose cushion.

A WALNUT TOILET MIRROR, Queen Anne style, 20th. Century, the arched plate on tapering supports, raised on a miniature bureau, with a single drawer beneath the fall-front, on ogee bracket feet, 48cm. wide..

A MAHOGANY LINEN PRESS, George IV, with a pair of paneled doors enclosing shelves, above smaller doors enclosing trays, on turned ball feet, 202cm. high by 147cm. wide..

A WALNUT FOLIO RACK,
Victorian, bearing the maker’s label of Slade
Brothers and Lacey, 169 Gt. Portland St., the
paneled fall-front with hinged support struts,
on similar legs, 120cm. wide.

A MARBLE TOP MAHOGANY STAND, George III style, the fluted frieze with a single drawer, on tapered square legs with spade feet, 30cm. wide..

A SET OF MAHOGANY HANGING SHELVES, George IV, with a solid back and two shelves on turned supports above a single drawer, 61cm. wide.; and A SMALL OAK COFFER, 17th Century-style, with a triple panel front, 85cm. wide..

A MAHOGANY DRUM
TOP CENTRE TABLE, 20th Century, with
four real and four dummy drawers, raised on
a square pedestal cupboard base, 136cm.
diameter.

A MAHOGANY EXTENDING
DINING TABLE, Victorian, the rounded
top raised on fluted turned and faceted legs,
with one extra leaf, 260cm. long extended by
145cm. wide.

A GILTWOOD AND GESSO OVERMANTEL MIRROR, Victorian, the three beveled plates beneath a frieze depicting a classical procession, and flanked by receded pilasters, 140cm. wide.

AN OAK TWO DOOR CUPBOARD ON A LATER STAND, George III, with a dentil and blind fret cornice and on square legs, 122cm. wide.
A MAHOGANY DROP-LEAF DINING TABLE, George III, rectangular and on molded square legs,
112cm. wide.

AN OAK HANGING CORNER CUPBOARD, George III, with a single paneled door flanked by canted sides, 81cm. wide.    ?300-500

A PAIR OF OAK AND ELM DINING CHAIRS, George III, with pierced vase splats, drop-in seats and on square legs; and A WALNUT AND OAK SIDE CHAIR, George III, with a pierced strap work splat and on square legs.

A MAHOGANY DROP-LEAF TABLE,
George II, the rectangular top on turned legs
with pad feet, 78cm. wide.

AN INLAID WALNUT NINE-PIECE
SUITE OF SEAT FURNITURE, Victorian,
comprising: a settee, two armchairs, four side
chairs and a pair of foot stools, with foliate
inlay, brocade upholstery and on turned legs,
width of settee 161cm.

A LARGE OAK DINING TABLE, Elizabethan style, rectangular, with a foliate carved frieze and on six lobed and foliate carved cup and cover supports, 230cm. long by 136cm. wide.

A MAHOGANY CHEST, George III, of two short and three long graduated drawers, in two parts, on bracket feet, 92cm. wide.

MAHOGANY SIDE CHAIR,  MAHOGANY CHEST-ON-CHEST, EBONISED OCCASIONAL TABLE, GILTWOOD WALL MIRROR,  MAHOGANY DROP-LEAF DINING TABLE

A PAIR OF MOTHER-OF-PEARL INLAID HUANG HUALI ARMCHAIRS, Chinese, late 19th/early 20th Century, with pierced urn backs, solid seats and on square legs.

THE FOLLOWING FOUR LOTS ARE BEING SOLD ON BEHALF OF THE EXECUTORS OF THE ESTATE OF THE LATE MLSS SLLVIA BURRELL, ONLY CHILD OF THE LATE SLR WILLIAM BURRELL:

A MAHOGANY SIDE CHAIR, George III, racially carved and with a strap work splat, drop-in seat and on square legs; AN ELM SIDE CHAIR, George III, with a Gothic splat and square legs; and TWO SIMILAR SIDE CHAIRS, George III, with rail backs, padded seats and on square legs.

A MAHOGANY STOOL, George III, rectangular, with a drop-in seat and on molded square legs, 53cm. wide.

AN OAK DROP-LEAF TABLE, George II, the oval top raised on turned legs with pad feet, one foot damaged, 97cm. wide.

A PLUM MOTTLED MAHOGANY
TEA TABLE, George III, rectangular, on
chamfered square legs, 79cm. wide.

A BLACK LACQUER CABINET-ON-
COMBINED STAND, Dutch Colonial, 18th.
Century, the pair of doors above a drawer
and square legs with collars, 85cm. wide.

A MAHOGANY COMMODE, Directories style, 20th Century, of D-shape with a marble top above a marble-inset slide, the two drawers flanked by a pair of doors, on tapered square legs, 130cm wide.

A MAHOGANY CHEST-ON-CHEST, George III, the dentil led cornice above two short and six long graduated drawers, on bracket feet, the upper part with inlaid canted corners, some faults, 187cm. high by 112cm. wide.

A MAHOGANY CHEST-ON-CHEST, George III, the molded cornice above two short and six long graduated drawers, on bracket feet, 188cm. high by 110cm. wide.
A MAHOGANY FRETWORK
OVERMANTEL MIRROR, George II style,
with a gilt eagle cresting above the plate,
flanked by foliate-cut asymmetrical borders
and scrolling brackets, some faults, 106cm. wide.

AN OAK DRESSER BASE, late 17th
Century, with alterations and later carving,
the three paneled frieze drawers with guilloche and lunette carving, on turned and square legs, 82cm. high by 151cm. wide.

A CARVED WALNUT ARMCHAIR,
Continental, late 19th Century, the
grotesque mask cresting above a pierced tub-shaped back centered by a roundel with a griffin holding an open book bearing a motto, the upholstered sprung seat on splayed legs and claw and ball feet.

AN EBONISED OCCASIONAL
TABLE, Louis XVI style, the top inset with a
marble panel above a ribbon frieze, on fluted
legs, 60cm. wide.

A SMALL MAHOGANY
SECRETAIRE BOOKCASE, George III
style, made-up, the molded cornice above a
pair of geometric astragal doors enclosing
shelves, the fitted writing drawer above a pair
of panel doors, on splayed bracket feet.
203cm. high by 71cm. wide.

A MAHOGANY RECTANGULAR
DROP-LEAF DINING TABLE, George III,
on square legs, 154cm. wide.

A GOLD PAINTED OVERMANTEL
MIRROR, William IV, the upright beveled
rectangular plate flanked by columns, below
is an anthemion and quatrefoil frieze, 95cm.
high by 58cm. wide.

A GILTWOOD WALL MIRROR,
part 18th Century, the rectangular plate with
a shaped cresting and apron carved with
shells and foliage, 105cm.

A MAHOGANY DROP-LEAF DINING TABLE, George II, the hinged oval top raised on tapering legs and pad feet, 110cm.

A MAHOGANY ROLL-TOP DESK, the damaged tambour top enclosing drawers and pigeon-holes above a central drawer, raised on a pair of pedestals each containing three paneled drawers, 137cm. wide.

A GILTWOOD GIRANDOLE, George III style, the oval plate within a beaded frame beneath an urn cresting, with two foliate sconces, 114cm.

INLAID BUREAU BOOKCASE, EXTENDING RECTANGULAR DINING TABLE, SMALL MAHOGANY CHEST, WALNUT AND ELM SIDE CHAIR

A MAHOGANY LINEN PRESS, George IV, surmounted by an arched cornice carved with parterre, 221cm. high by 123cm. wide.

A MAHOGANY AND INLAID BUREAU BOOKCASE, 18th Century, with later alterations, with astragal doors and four long graduated drawers, on bracket feet, 252cm. high by 101cm.

A MAHOGANY STANDING COR¬NER CUPBOARD IN TWO PARTS, George III style, with two astragal doors divided by real and dummy drawers, 193cm. high by 80cm. wide.

A MAHOGANY EXTENDING RECTANGULAR DINING TABLE, Edwardian, with two leaf insertions and cabriole legs, 180cm. long by 104cm. wide

AN IVORY PAINTED AND UPHOLSTERED SUITE, Louis XVI style, covered in floral printed tapestry, comprising: two chairs, a fauteuil and a canape, 140cm.

A BUTTON UPHOLSTERED WINDOW SEAT, Queen Anne style, covered in gold dragon, on cabriole legs, 110cm. wide.

A BURR WALNUT SEMI-CIRCULAR
SHAPED CARD TABLE, George I style, on
carved cabriole legs, 92cm. wide.

TWO ASH AND ELM LADDER
BACK CHAIRS, 19th Century, the solid
seats with green brocade cushions.

A GILT FRAMED CONVEX
MIRROR, 19th Century, with ball clad
surround, 47cm. diameter.

A MAHOGANY WELLINGTON
CHEST, Victorian, with nine drawers and a
locking pilaster. 66cm. wide.

A CARVED GILTWOOD FAUTEUIL, late 18th Century, the pearl-beaded frame with an upholstered oval back and seat, on fluted and turned legs headed by pattered, possibly Dutch,

A GOTHIC REVIVAL PAINTED THREE-FOLD MIRROR, , the paneled doors with Gothic tracery and painted with a vase of flowers, with three mirror plates within painted frames, 49cm. wide

A SUITE OF SEAT FURNITURE,
Victorian, comprising: a pair of armchairs
and six side chairs, with foliate-carved
top rails, spindle backs and turned legs.

A SMALL MAHOGANY CHEST, George III, of four long drawers.

A MIRRORED DRESSING TABLE,
the scroll looking glass above a central
engraved drawer, flanked by faceted panels
and four paneled drawers with gilt handles,
on a plinth base, some glass detached and some
missing, 180cm. wide.

AN OVAL EXTENDING DINING TABLE, Edwardian, on tapering legs and pad feet, with two extra leaves and a winding handle, 241cm. long by 121cm. wide.

A ROSEWOOD MINIATURE CABINET, Edwardian, the door inlaid with scrolling foliage centered by an urn, enclosing two small drawers and shelves, 39cm. wide.

A WALNUT AND ELM SIDE CHAIR, George I, with a stuffed back and seat, on cabriole legs and pad feet, restored.

A MAHOGANY SMALL PEMBROKE TABLE, George IV, with real and dummy drawers, on ring-turned legs and brass castors, faults, 73cm. wide.

A MAHOGANY DRUM TOP TABLE, George III style, made-up, on a receded tripod base, 97cm. diameter.

OAK PEDESTAL DESK, MAHOGANY LINEN PRESS, CARVED OAK DINING CHAIRS, OAK CYLINDER BUREAU, WALNUT SIDE CABINET

A STAINED OAK PEDESTAL DESK, Victorian, carved with foliage and caryatid figures, 160cm. wide.

A RECTANGULAR GILTWOOD OVERMANTEL MIRROR, William IV, with molded uprights and applied at the corners with flower heads. 130cm. wide.

AN OCTAGONAL OAK AND MARQUETRY CENTRE TABLE, German, 17th Century style, the top caned with foliage and raised on spiral twist supports. 100cm. wide.

A STAINED OAK CIRCULAR OCCASIONAL TABLE, German, 17th Century style, with a foliate carved border and raised on spiral twist legs, 69cm. diameter.

A SET OF FOUR CARVED OAK DINING CHAIRS, Victorian, including two armchairs, with armorial backs and spiral-twist supports.

A MAHOGANY LINEN PRESS, George III,, the dentil cornice above paneled doors and two short and one long drawer. on bracket feet, reduced, 178cm. high by 125cm. wide.

A TEAK CAMPAIGN BENCH, early 19th Century, with a caned back and seat, above four drawers and stile feet, caning distressed, parts lacking, 194cm. wide.

A MAHOGANY SIDE TABLE, George IV, with two frieze drawers and on receded tapered legs, later gallery, 121cm. wide.

A MAHOGANY CIRCULAR TRIPOD
TABLE, early 19th Century,, with alterations,
with a tapering column and down swept legs,
59cm. diameter.

A MAHOGANY RECTANGULAR
OCCASIONAL TABLE, William IV, the
cross banded top raised on a cylindrical
column, the reform base with gilt bronze
lion’s paw feet. 69cm. wide.

A MAHOGANY CABINET
BOOKCASE, George III style, with an
astragal door above a cupboard door, on
bracket feet. 188cm. high by 55cm. wide.

A MAHOGANY SIDEBOARD, 20th Century, with a raised shell carved back and on cabriole legs. 183cm. wide.

A MAHOGANY BOW-FRONT CHEST OF DRAWERS, George III, with two short and three long graduated drawers, on slaved bracket feet. 107cm. wide.
A MAHOGANY WING-BACK ARMCHAIR, Edwardian, on splayed legs, 90cm. wide.

AN OAK CYLINDER BUREAU, Victorian, with a fitted interior and raised on a pair of pedestals containing three graduated drawers. 122cm. wide.

A MAHOGANY BREAKFRONT SIDEBOARD, George III. with three drawers and a cupboard, on tapered square legs with spade feet, restored. 153cm. wide.

A MAHOGANY BREAKFRONT
PEDESTAL SIDEBOARD, George IV, the
raised scrolling back above four drawers and
a pair of tapering pedestal cupboards, on
plinth bases, 248cm. wide.

A MAHOGANY PEDESTAL DESK,
early 20th Century, with three frieze
drawers, the pedestals with three graduated
drawers and plinth bases, 122cm. wide.

A MAHOGANY PEDESTAL
DRESSING TABLE, Victorian, with three
frieze drawers, the pedestals with three
graduated drawers and plinth bases, 122cm.
wide.

H A WALNUT SIDE CABINET,
Victorian, with gilt metal mounts, the cavetto
cornice above a single arched glazed door, on
a plinth base, 79cm. wide.