ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

ANTIQUE BIRDCAGE’ TRIPOD TABLE, MAHOGANY BERGERE  ARMCHAIRS, INLAID ROSEWOOD SIDE CABINET, CARVED GILTWOOD WALL BRACKET

AN ANTIQUE AND INLAID
BIJOUTERIE TABLE, Edwardian, the
glazed top above tapered square legs and
spade feet joined stretchers.

A SET OF FOUR MAHOGANY
DINING CHAIRS, George III style,
including a pair of armchairs, with pierced
splats and square legs.

AN ANTIQUE BIRDCAGE’ TRIPOD
TABLE, George II style, modern, with a tilt
top and carved base, bearing the label of Archer
& Smith Ltd., dia.

AN ANTIQUE DUMB WAITER OR
WHATNOT, Victorian, with four tiers, on I
turned and square supports, wide.

A PAIR OF MAHOGANY RAIL BACK ARMCHAIRS, George IV, with upholstered seats, on turned legs.

A PAIR OF BEECHWOOD COMB-BACK WINDSOR ARMCHAIRS, 18th Century, with hexagonal seats; together with AN ANTIQUE Side Table, Victorian, on turned legs, top loose, wide.

AN ANTIQUE DRESSING TABLE MIRROR, George IV, with bobbin turned supports and a shaped three drawer plinth base.

A WALNUT AND INLAID DAVENPORT, Victorian, with real and dummy drawers, one drawer facing replaced in oak, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Victorian, with rail backs, stuffed, seats and fluted turned legs.

A PAIR OF MAHOGANY BERGERE  ARMCHAIRS, George III style, late th  Century, with caned backs and seat, on fluted square tapered legs, with loose cushions;

AN ANTIQUE DISPLAY CABINET ON STAND, George III style, with astragalj doors above chamfered square legs, distressed^  high by wide.—J
d A SET OF SIX MAHOGANY RAIL
BACK DINING CHAIRS, probably
Biedermeier, early 18th Century, with drop
in seats, on sabre legs.

A WALNUT BUFFET, late Victorian, the three tiers with a pair of drawers and turned supports.

AN ANTIQUE BUFFET, Victorian, the three tiers with turned supports.

AN OAK OCTAGONAL CENTRE
TABLE, Victorian, with a foliate carved
frieze, raised on bulbous turned and square
legs joined by stretchers, split to top.

AN ANTIQUE SERPENTINE
STANDING CORNER CUPBOARD, th
Century, with a key cornice above a pair of
astragal glazed doors, with a pair of panelled
doors, on ogee bracket feet.

A SET OF TEN OAK DINING
CHAIRS, Cromwellian style, including two
armchairs, with leather covered back and
seats, on turned and square legs.

A SET OF FOUR MAHOGANY DINING CHAIRS, George III style, with pierced splat backs, drop-in seats and on foliate carved cabriole legs with claw and ball feet

AN ANTIQUE AND SATIN WOOD INLAID ARMCHAIR, Edwardian, with a carved and pierced back, needlepoint coverd seat and on cabriole legs—

AN INLAID ROSEWOOD SIDE CABINET, Victorian, with a raised mirror back above a drawer and a pair of cupboard doors, flanked by canted open shelves, with a lower shelf and on

turned legs, loo bracket to mirror, high by wide.

AN ANTIQUE DRESSING TABLE, Victorian, stamped EDWARDS AND ROBERTS, the hinged mirror flanked bv four small drawers, above a pair of frieze drawers and on fluted and turned

tapered legs, wide.

A CARVED OAK CHEST OF DRAWERS, George III, the carving possibly circa, the top depicting a Conquistador and an Indian warrior, above two short and three long graduated drawers,

carved with figures and foliage, splits to top and sides, faults, wide.

AN OAK AND BURR WALNUT BUREAU, George III, the crossbanded fall enclosing a fitted interior of drawers, pigeon holes and a central cupboard, above four graduated drawers, on

reduced bracket feet, wide.

AN ANTIQUE BOWFRONT CHEST OF DRAWERS, 18th Century, with two short and three long graduated drawers, on splayed bracket feet, faults,
wide

A FRUITWOOD STOOL, French early 18th Century, with a square tapestry seat, on turned legs, wide.

A CARVED GILTWOOD WALL BRACKET, Italian, 18th Century, with rocaille C-scrolls and foliage, wide.

French Gothic-style carved oak Cupboard on Stand, Italian walnut Cassone, Italian giltwood large Armchair

A Continental giltwood Fauteuil,
circa, the cartouche-shaped
upholstered back surmounted by an
anthemion cresting, the upholstered
serpentined seat above cabriole legs,
regilded, possibly Italian.

An Italian walnut Commode, circa
with key-pattern banding, the two
short and two long drawers above tapered
square feet.

A Louis Phillipe mahogany
Cabinet, circa, with spiral pilaster terminals, the scroll carved frieze drawer above a pair of panel doors with ripple mouldings, the interior with a shelf, on turned feet.

A Louis XV dark oak Armoire,
circa, the moulded cornice above a
pair of panelled doors, faults.

A Louis XV-style kingwood
marquetry Bureau de Dame, circa,
with gilt-metal mounts, the bombe fall
revealing a recess, three drawers and a
well, the square cabriole legs ending in
sabots.

A French Gothic-style carved oak Cupboard on Stand, made-up, with bold iron hinges to the door, the base with an arched recess.

A Louis XV-style upholstered beechwood Library Armchair, circa,
covered in blue velvet, with carved apron
and cabriole legs, formerly with a painted
frame.

A Tuscan walnut Refectory Table,
circa, the top with a channelled
surround, the panelled frieze above six
turned legs, the square feet joined by
peripheral stretchers.

An Italian walnut Cassone, circa
the moulded hinged top above a
panelled front inlaid with flowers and
arabesques, on scroll carved feet.

A pair of fruitwood Benches, th
Century, the narrow tops with rounded
ends, on trestle-shaped supports.

A Dutch oak Chest, st half 19th
Century, the top with a dentilled border
above three long panel-front drawers with
swag carving, on turned feet.

A pair of Italian silvered Torcheres in late th/early 18th Century style, 18th Century, each of octagonal tapering form, with a gadrooned knop carved with husks and acanthus,

the tripod base with scrolled feet carved with sunflowers, resilvered and on ebonised plinths. high;

A pair of Hispano Flemish-style Armchairs, modern, in 18th Century manner, the pierced backs with two rows of turned spindles, with moulded arms, sprung seats, turned legs and

stretchers.

A Continental polychrome japanned Cabinet-on-Stand, late th/ early 18th Century, probably North German or Danish, the cabinet with a pair of cupboard doors painted with a brace

of pheasant, the sides with figures in a garden setting, the interior with seven drawers painted with hunting scenes, warriors and figures in garden landscapes, the whole gilt,

the stand parcel-gilt on a white ground, the cabriole legs with animal heads carved with acanthus, the deep apron with strapwork and foliage.

An Italian giltwood large Armchair, 2nd quarter 18th Century, probably Venetian, the padded cartouche back with a padded circular cresting amongst elaborate pierced acanthus and

‘C’-scrolls, with downswept arms, a stuffed seat and leaf carved cabriole legs—
Another larger Italian Armchair, nd quarter 18th Century, with a padded cartouche back and cresting amongst elaborate pierced baroque corbels, ‘C’-scrolls, acanthus and

flowerheads, with downswept leaf carved arms and stuffed seat, on a deep leaf carved apron and cabriole legs joined by an ‘X’-stretcher

A Continental 18th Century-style
giltwood frame Firescreen, circa,
the applique needlework cartouche panel depicting floral vase, with leaf scroll surmount and scroll feet.

A Regence-style giltwood Pier
Table, circa, the white marble top
above foliate frieze with floral swags, the
cabriole legs joined by stretchers and
centred by cartouche. high by.

A North Italian walnut Commode, Italian provincial walnut and crossbanded Commode, German walnut Cabinet, Louis XV provincial carved oak Armoire

A North Italian walnut Commode, circa, with bell-flower carved terminals and mouldings, the three long drawers above an apron with profile portrait medallion, on tapered square

fluted legs, worm.

A Directoire mahogany Cylinder Bureau, circa, with fluted terminals, the frieze drawer above a fitted interior and slide, below are three long drawers of breakfront form, on

tapered square legs.

A pair of North Italian walnut
Chairs, circa, the oval splats with
wheat-ear motifs, the stuffed brocade seats
above tapered and fluted square legs,
worm.

A North Italian oak and parquetry
Commode, circa, in the th
Century style, with two long drawers and
tapered square legs. high by.

A pair of Piedmontese small
walnut and crossbanded Commodes,
circa, the fronts of concave form,
with two long drawers, on cabriole legs,
worm.

An Empire-style mahogany
Washstand, circa, with gilt-metal
mounts, of stepped form, with oval
bevelled mirrors, on gilt claw feet.
high by.

An Italian provincial walnut and
crossbanded Commode, circa, with
two short and two long drawers, on square
cabriole legs.

A pair of Louis XV-style carved beechwood Fauteuils, the backs, padded arms and seats covered in striped brocade, on cabriole legs
An Italian olivewood octagonal Occasional Table, circa, with segmented veneers to the top and star motif, the frieze with real and dummy drawers, the lotus-clad pillar above a

triform base, on turned feet.

A 18th Century-style carved and
gilt rectangular Wall Mirror, circa,
the plate with a foliate and fruit border.

A French walnut Stool, circa,
the square serpentined stuffed seat
covered in gold dralon, the carved cabriole
legs joined by an ‘X’-shaped stretcher,

An Italian gilt Wall Mirror, circa
, the rectangular plate with profile
portrait medallion to the surmount and
swags, with conforming apron. high
by.

An Italian Lacca Povera Bureau,
circa, painted throughout with floral
sprays on a green ground bordered by ‘C-
scroll cartouches, the fall revealing a well
and stationery compartments, the frieze
with a pair of lopers above three long
graduated drawers. high by.

A German walnut Cabinet
the arched moulded cornice inlaid
with scrollwork and flowers above a pair of
doors with a simple strapwork design
above a similarly inlaid frieze, with plain
supports and flat stretcher.

A Louis XV-style tulipwood and
rosewood crossbanded Table a Ecrire,
circa, with gilt-metal mounts and
stringing, the leather inset kidney-shaped
top with a rear gallery containing four
drawers, the serpentine frieze drawer
flanked by cabriole legs.

A Louis XV-style mahogany and
gilt-metal mounted Card Table, circa
in the form of an oval occasional
table, the top with a hinged border frame
revealing a swivelling panel with a folding
baize-lined playing surface bearing an
inlaid emblem Balny BTt FGDS, Paris,
France & Etranger, the panelled frieze
above cabriole legs.

A Louis XVI-style mahogany and
gilt-metal mounted Etagere, circa,
the galleried marble inset top above triple
waisted supports joined by a galleried tier,
the fluted and stop-fluted turned legs with
a triform stretcher, on spiral fluted feet.

A Directoire mahogany Coiffeuse,
circa, the hinged top revealing three
rising panels revealing wells and a mirror,
the frieze with three dummy and two real
drawers, on tapered square legs with block
feet.

A Louis XV provincial carved oak
Armoire, circa, the egg and dart
moulded arched cornice above a roundel
flanked by foliate swags, the pair of
cartouche panelled doors enclosing
hanging space, the fluted corners on
cabriole feet.

A tall giltwood Torchere, French,
circa, the stop-fluted column carved
with husks and acanthus, on a triform base
carved with cherubs’ heads and the
monogram MAbove a star, on paw feet.

A Dutch marquetry and oak
Display Cabinet, circa, with canted
sides, the domed cornice above a pair of
astragal doors enclosing a lined interior
with serpentine shelves, the base enclosed
by a pair of panelled doors, on shaped
bracket feet. high by.

A French boulle and ebonised Side
Cabinet, circa, with gilt-metal
mounts, the panel door flanked by a pair
of bowed glazed doors, the velvet-lined
interior with shelves, on a plinth base.

Italian carved gilt Corner Table, French Empire-style mahogany, wrought iron and parcel-gilt Pier Table, Flemish Toilet Mirror

A French Empire-style mahogany
two-tier Etagere, circa, with brass
banding, mounts and key pattern, with a
drawer and carrying handles, on turned
and fluted supports ending in castors, brass
banding partially lifting, one leg loose.

An Empire white painted and gilt
Armchair, circa, the rectangular
back, padded arms and bowed seat
covered in patterned velvet, on turned
legs, the underframe with an indistinct
oval stamp and the letters MEU.

An Italian carved gilt Corner Table,
circa, with marble top and pierced
floral scroll frieze, the twin turned and
fluted tapering legs with an urn to the
stretcher.

An Italian cedarwood and inlaid
Box, circa, with hinged cover and
fall front revealing compartments and
small drawer.

A Dutch mahogany Cylinder
Bureau, circa, with chequer banding,
the fitted interior with an inset slide, below
are three long drawers flanked by trellis
terminals, on tapered square feet.

A wrought iron and parcel-gilt Pier Table, the rectangular red and grey marble top above a pierced frieze and supports mounted with paterae, the ‘X’-shaped stretchers centred by

an urn finial.

A Flemish carved oak Cupboard-on-Stand, circa, inlaid throughout with ebony bandings, the projecting cornice above two panelled doors with mitred mouldings flanked by fluted

pilasters, the stand with a frieze drawer, on later baluster turned and square legs joined by stretchers.

A German oak and iron-bound
Coffer, 18th Century, the hinged top and
front mounted with riveted and pierced
straps, on stile supports.

A Flemish Toilet Mirror, made-up,
the rectangular bevelled plate with a
tortoiseshell and ripple moulded border
with applied silver-coloured metal scroll
corners, the mahogany turned supports
with a plinth base and bun feet.

A French boulle and ebonised oval
serpentined Centre Table, circa, the
frieze with masks and a drawer, the square
cabriole legs ending in sabots, faults.

A Dutch Colonial hardwood
Cupboard-on-Stand, made-up, the
moulded cornice above a pair of doors with chamfered rosewood panels and floral carving, the base with two drawers and spiral twist legs joined by an ‘X’-shaped stretcher. wide;

A German silver-gesso and carved Grotto Armchair, circa, the seat and back of shell form, with dolphin arms and encrusted shell legs, worm.

A German silver-gesso and carved Grotto Table, circa, with shell-shaped top and triple supports in the form of fish.

A Dutch mahogany and
crossbanded Corner Cabinet, circa,
with chevron banding and fluted
terminals, the frieze drawer above a pair
of tambour doors, on tapered square feet.

A Venetian rectangular Wall
Mirror, modern, with bevelled plate and
etched margin plates, with foliate
surmount. high by.

A Venetian Wall Mirror, modern,
the oval bevelled plate with etched margin plates and pierced surmount.

A SARCOPHAGUS SHAPED ROSEWOOD WORK BOX, Regency, with
brass stringing and on bun feet, faults. wide,, together with a rosewood writing slope,
early Victorian, inlaid with mother-of-pearl. faults, wide., both lacking fittings.

AN AMBOYNAND GILT-METAL MOUNTED GLOVE OR JEWELLERY BOX, Napoleon III, of rectangular form, the
hinged top revealing a lined interior, on scroll feet, lock engraved with indistinct maker’s mark, wide.

AN ANTIQUE MINIATURE CHEST, George III style, the two short and three long drawers with ivory escutcheons, wide.

A BROWN LEATHER COVERED WORK BOX, William IV, the tooled exterior with gilt-metal mounts, the drawer bearing the penned inscription ‘Elizabeth Caperman Feb th  Mary Caperman

from her precious mother.

CONTINENTAL FURNITURE: French Provincial oak and fruitwood crossbanded serpentine Commode, French Empire-style kingwood Bureau a Cylindre

A French Provincial oak and
fruitwood crossbanded serpentine
Commode, circa, with three long
graduated drawers above cabriole feet.

A French kingwood Petite
Bibliotheque, circa, the marble top
above open shelves and canted corners,
on cabriole feet and sabots.

A French ebonised and pietra-
dura Meuble d’Appui, circa, with
gilt-metal mounts, the Verde Antico
marble top above a frieze of insects and
flowers, the panel door centred by a
basket of fruit and flanked by caryatids,
the canted sides above bracket feet,
partially lacking pietra-dura.

A French boulle and ebonised
Work Table, circa, the rectangular
serpentined hinged cover revealing a
mirror inset and sliding tray, the shaped
frieze above square cabriole legs ending
in sabots, faults.

A Florentine gilt framed oval Wall
Mirror, circa, with pierced foliate
surround.

A pair of Viennese Biedermeier
Hungarian ash Side Chairs, circa,
with serpentine toprail, waisted back and
stuffed concave seat, on square cabriole
legs.

A Dutch marquetry and
mahogany Chest, circa, the
serpentined top above an ogee-shaped front with four long drawers and a carved apron, the canted bulbous corners with lotus bun feet, faults.

A French Empire-style kingwood
Bureau a Cylindre, circa, with
quarter veneers and gilt-metal mounts,
the three frieze drawers above a fall
enclosing small drawers and an inset
writing slide, below are two apron
drawers, on turned and fluted tapering
legs.

A Portuguese carved coromandel Chair, circa, with a pierced vase-shaped splat and distressed cane seat, on cabriole legs and Braganza feet, restored.

A rare Swedish japanned Wing Armchair, circa, the rectangular shaped back with outset padded wings and shaped arms to an upholstered seat, the shaped moulded seat-rail decorated

with gilt leaves, the cabriole legs decorated with gilt lines and joined by turned stretchers similarly decorated, all on a black ground.

A Louis XV-style kingwood and
marquetry bombe Commode, circa,
with gilt-metal mounts, the marble top above two short and two long drawers, on splayed feet and sabots.

A set of seven French carved
walnut and cane Chairs, circa,
including an armchair, the oval backs
with pierced drapery surmounts, the
bowed seats above moulded cabriole legs.

A French kingwood and walnut
parquetry Lady’s Bureau, circa,
with gilt-metal mounts, the shallow
sloping hinged top revealing two drawers
and a sprung drawer enclosing a well,
the shaped apron with a rear oval
medallion, the cabriole legs ending in
sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced strap-
work cresting above a cartouche-shaped
plate with a gouged border and pendant
flowers, the pierced apron centred by a
stylised flowerhead.

A Louis XV-style mahogany and
tulipwood Table-en-Chiffonier
the breche d’alep rectangular top
with a pierced brass gallery, the chequer
banded frieze drawer above a pair of
doors applied with leather book spines,
on cabriole legs.

A pair of Louis XV-style
kingwood serpentine-front Commodes,
circa, with Verde Antico marble
tops, segmented veneers, gilt-metal
mounts and porcelain plaques, the three
long drawers flanked by canted corners,
the shaped apron above cabriole legs
ending in sabots.

A Spanish walnut Vargueno, late 18th Century, with gilt-metal mounts incorporating monograms, the fall revealing an architectural interior with gilt mouldings, ivory pillars and

ivory insets, comprising an arrangement of small drawers and covers, the sides with iron carrying handles, faults.

An Italian gilt framed Wall Mirror, circa, mounted with a seated putti, the cartouche-shaped plate within a rocaille surround.

A French boulle Meuble d’Appui,
circa, with gilt-metal mounts, the
recessed cavetto moulded top with a
pierced brass gallery, the arched glazed
panel door enclosing a velvet-lined
interior, on cabriole feet.

A Louis XV-style kingwood trellis
parquetry Bureau de Dame, circa,
the serpentine fall revealing a fitted
interior with a well, the shaped apron
above square cabriole legs ending in
sabots.

A Scandinavian painted and
parcel-gilt Wall Mirror, 18th Century,
the shaped cresting above a panel frieze
centred by a relief profile bust, the
rectangular plate above a further
decorated panel, the rectangular
surround with a simulated tortoiseshell
border.

A Louis XV-style kingwood and
gilt-metal mounted Vitrine, circa,
the serpentine cornice surmounted by a pierced cresting, the pair of glazed doors enclosing glass shelves, the panelled base with Vernis Martin-style panels, on cabriole legs

ending in sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced scroll
cresting centred by a paterae, the
rectangular plate flanked by bell flowers
and with swag apron.

A Louis XV-style kingwood
parquetry bombe Commode, modern,
the serpentine red marble top above
three long drawers, on splayed legs
ending in sabots.

Two Italian carved and silvered
gesso Grotto Armchairs, circa,
with shell-shaped backs and seats, the
arms in the form of dolphins, faults and
worm.

An Italian carved and painted
Chair, circa, in the form of a
grotesque bird, the oval seat covered in
velvet, parts lacking.
See Christopher Payne, 18th Century European Furniture, plate, and photograph on page.
Provenance: Wilsford Manor House Sale, th October.

A Dutch ebonised and floral
marquetry Display Cabinet, circa,
inlaid throughout with ivory geometric
borders, the red marble top above a
panelled glazed door enclosing glass
shelves.

A set of four Italian carved
walnut Grotto Armchairs,
with shell-shaped backs and seats, dolphin arms and splayed legs, restored.

ANTIQUE WALNUT FURNITURE

A Queen Anne walnut and crossbanded Chest, circa, the two
short and three long drawers inlaid with
featherbanding, the sides in oak.

A William and Mary oyster walnut framed Wall Mirror, circa, the
later rectangular plate within a cushion moulded surround and ovolo border, with shaped cresting.

A William and Mary walnut and satinwood marquetry Wall Mirror, the
later rectangular bevelled plate within a
cushion surround and ovolo border, now
lacking surmount.

A William and Mary walnut and crossbanded Chest, circa, with two short and three long graduated drawers, on later shaped bracket feet, restored, faults. high by. wide; ft. lin. by , and including a concealed drawer

A William and Mary-style walnut and crossbanded Side Table, circa,
with three drawers and an arched apron,
the spiral-twist legs joined by an
‘H’-shaped stretcher, on bun feet.
wide; ft.

A Queen Anne walnut and
crossbanded Bureau, circa, inlaid
with featherbanding, the fall revealing a
stepped and fitted interior, below are
two short and three long graduated
drawers, on shaped bracket feet and now
with castors. high by. wide;

A Queen Anne walnut and
crossbanded Chest on later Stand,
inlaid with featherbanding, with
two short and three long graduated
drawers, below are three drawers and a
waved apron, on cabriole legs and pad
feet. high by. wide;

A George II red walnut oval
drop-leaf Table, on circular tapering legs
and pad feet,  by. fully extended;

A George I walnut Cabinet-on-Stand, circa, inlaid throughout with stringing, the cavetto cornice above two short and three long graduated drawers, the base with three small drawers and a shaped apron, on later ogee bracket feet, restored. high by. wide;

A Queen Anne walnut Escritoire,
circa, on a later stand, with
segmented veneers and boxwood
stringing, the cushion frieze drawer
above a fall revealing pigeonholes, small
drawers and a cupboard, the stand with
three drawers and an arched apron, on
cabriole legs, restored.

A George I red walnut Chair, circa, the parchment scroll cresting rail above a solid vase-shaped splat and slip-in needlework seat, on cabriole legs and pad feet.

A William and Mary-style walnut and floral marquetry Side Table, made-up, the rectangular top above one long frieze drawer, on knopped turned legs joined by waved ‘X’-shaped stretchers.

A George II Colonial walnut
Bureau, circa, the fall with later
chevron stringing and revealing a later
fitted interior with a well, below are two
short and two long drawers, on later
shaped bracket feet, altered and restored.

A William and Mary walnut and
crossbanded Chest, circa, with two
short and three long graduated drawers,
the sides in pine, on later shaped bracket
feet, faults. high by.

A William and Mary walnut and
cane Armchair, circa, the moulded
and shaped back above a dished seat and
splayed legs, on scroll feet, with
impressed initials TB.

A George I walnut and
featherbanded Bureau Bookcase
the associated upper section with a
moulded cornice above a pair of astragal
doors enclosing shelves and with a pair
of candle slides below, the fall revealing
stationery compartments, below are two
short and three long graduated drawers,
on later bracket feet, restored.

GEORGIAN AND REGENCY FURNITURE
A Regency mahogany pedestal
Table, circa, the rectangular tilt-top
with ebonised stringing, the square pillar
with reeded mouldings and quatreform
platform, the sabre legs ending in ornate
brass cappings and castors, restored,

A Regency mahogany pedestal
Table, circa, the rectangular tilt-top
with a ring turned baluster pillar, the
quadruple splayed legs ending in brass
cappings and castors.

A set of six George IV rosewood
rail-back Chairs, circa, with scroll
mid-bars and Trafalgar seats covered in
striped brocade, on turned and reeded
tapering legs, faults.

A set of four Regency mahogany
rail-back Chairs, circa, with
rope-twist mid-bars, the stuffed seats
covered in pink striped velvet, on ring
turned legs, restored.

A William IV rosewood drop-leaf Work Table, circa, with two real and two opposing dummy drawers, the columnar pillar above a quatreform base, on scroll feet and ceramic castors.

A Regency large mahogany pedestal Table, circa, the
rectangular tilt-top above a bold baluster
turned pillar, the quadruple moulded
sabre legs with disc medallions, on brass
cappings and castors.

A George III mahogany Table,
circa, the later top with a rear
gallery, the tapered square legs
surmounted by oval medallions and with
pierced fret angle brackets, with
stretchers and spade feet. wide;

CARVED GILTWOOD PIER MIRROR, GRAINED ROSEWOOD OCCASIONAL TABLE, MAHOGANY HANGING CORNER CUPBOARD, MAHOGANY CELLARE

A MAHOGANY PARTNERS’
WRITING TABLE, , the rectangular leather
inset top above opposing frieze drawers and
lateral dummy drawers, on square legs,
155cm. wide.

A MAHOGANY CARD
TABLE, George III, with a rectangular top
and concealed rear drawer, on square legs,
91cm. wide.

A CARVED GILTWOOD PIER MIRROR, . with a serpentine cresting, 173cm. high by 49cm. wide.    A CARVED AND LATER GOLD PAINTED OVERMANTEL MIRROR, George Ill-style, late 19th Century, the cartouche-shaped plate within a scrolled surmount, faults. 182cm. high by 125cm. wide.

A MAHOGANY DRAUGHTSMAN’S
TABLE, George III. with a ratchet adjustable
top and telescopic square supports joined by
stretchers, 63cm. wide.

A FIGURED WALNUT OVAL
PEDESTAL TABLE, Victorian.
on quadruple turned and carved supports,
117cm. wide.

A MAHOGANY SINGLE TESTER
BED, George III style, with baluster turned
front posts, including an iron frame and a
mattress, 213cm. long by 98cm. wide.

A MAHOGANY BOW-FRONT CORNER CABINET, George III style, made-up, with an astragal door above a drawer and a cupboard, on splayed legs, 178cm. high by 65cm. wide.

A ROSEWOOD OCTAGONAL TWO-TIER TABLE, late Victorian, inlaid with stringing, 60cm. wide.    A ROSEWOOD AND INLAID SUTHERLAND TABLE, late Victorian, on splayed and square tapered legs, 73cm. wide.

A PAIR OF MAHOGANY SPLAT-BACK OCCASIONAL CHAIRS, Edwardian, on cabriole legs.

A MAHOGANY RECTANGULAR TABLE, Victorian, on turned legs with splayed feet, 76cm. wide.; together with A ROSEWOOD STOOL, Victorian, the upholstered seat on spiral-twist legs, 51cm. wide.

A GRAINED ROSEWOOD OCCASIONAL TABLE, early Victorian, with a drawer and rectangular supports, on scroll feet, 56cm. wide.

A MAHOGANY CELLARET, Regency, of serpentine form, inlaid with stringing and on paw feet, faults, 69cm. wide.

A CARVED AND MAHOGANY ARMCHAIR, modern, in the manner of Thomas Chippendale, on cabriole legs with claw and ball feet.

A MAHOGANY JARDINIERE, George III style, made-up, of square form inlaid with shell medallions, on tapered square legs with spade feet, 32cm. wide.

A MAHOGANY BUREAU, George III style, with two short and three long drawers, on bracket feet, 76cm. wide.

AN OAK ‘COCK FIGHTING’ CHAIR, Queen Anne style, with a ratchet adjusted flap and turned supports joined by stretchers.

A MAHOGANY HANGING CORNER CUPBOARD, George II, with a cross and chevron banded door flanked by fluted corners, faults, 73cm. wide.

MAHOGANY BOW-FRONT SIDEBOARD, OAK LIBRARY BOOKCASE, CIRCULAR BREAKFAST TABLE, MAHOGANY HANGING SHELVES, OAK TWO DOOR CUPBOARD ON A LATER STAND

A MAHOGANY BOW-FRONT SIDEBOARD, George III style,
with two drawers flanked by cupboards, on
tapered square legs with spade feet, 152cm.
wide.

AN OAK LIBRARY BOOKCASE,
Victorian, with a pair of glazed doors flanked
by columns, above two drawers and two
paneled doors, on a plinth base, paneling to
one door detached, 219cm. high by 134cm. wide.

A MAHOGANY SECRETAIRE BOOKCASE, George III, the glazed doors with arched panels, the lower part with a fitted secretary drawer above three long graduated drawers, on castors, 214cm. high by 107cm. wide..
A MAHOGANY BOW-FRONT CHEST OF DRAWERS, George III, with two short and three long graduated drawers, on swept bracket feet, one back foot detached, 104cm. wide..

A ROSEWOOD CIRCULAR BREAKFAST TABLE, Regency and later, on a lobed column and reform base with down swept feet, the feet and column of later date and with simulated grain, 131cm. diameter.

A SET OF FOUR PAINTED DINING CHAIRS, Regency style, painted with green husks on a cream ground, with caned seats and on turned legs, each with a loose cushion.

A WALNUT TOILET MIRROR, Queen Anne style, 20th. Century, the arched plate on tapering supports, raised on a miniature bureau, with a single drawer beneath the fall-front, on ogee bracket feet, 48cm. wide..

A MAHOGANY LINEN PRESS, George IV, with a pair of paneled doors enclosing shelves, above smaller doors enclosing trays, on turned ball feet, 202cm. high by 147cm. wide..

A WALNUT FOLIO RACK,
Victorian, bearing the maker’s label of Slade
Brothers and Lacey, 169 Gt. Portland St., the
paneled fall-front with hinged support struts,
on similar legs, 120cm. wide.

A MARBLE TOP MAHOGANY STAND, George III style, the fluted frieze with a single drawer, on tapered square legs with spade feet, 30cm. wide..

A SET OF MAHOGANY HANGING SHELVES, George IV, with a solid back and two shelves on turned supports above a single drawer, 61cm. wide.; and A SMALL OAK COFFER, 17th Century-style, with a triple panel front, 85cm. wide..

A MAHOGANY DRUM
TOP CENTRE TABLE, 20th Century, with
four real and four dummy drawers, raised on
a square pedestal cupboard base, 136cm.
diameter.

A MAHOGANY EXTENDING
DINING TABLE, Victorian, the rounded
top raised on fluted turned and faceted legs,
with one extra leaf, 260cm. long extended by
145cm. wide.

A GILTWOOD AND GESSO OVERMANTEL MIRROR, Victorian, the three beveled plates beneath a frieze depicting a classical procession, and flanked by receded pilasters, 140cm. wide.

AN OAK TWO DOOR CUPBOARD ON A LATER STAND, George III, with a dentil and blind fret cornice and on square legs, 122cm. wide.
A MAHOGANY DROP-LEAF DINING TABLE, George III, rectangular and on molded square legs,
112cm. wide.

AN OAK HANGING CORNER CUPBOARD, George III, with a single paneled door flanked by canted sides, 81cm. wide.    ?300-500

A PAIR OF OAK AND ELM DINING CHAIRS, George III, with pierced vase splats, drop-in seats and on square legs; and A WALNUT AND OAK SIDE CHAIR, George III, with a pierced strap work splat and on square legs.

A MAHOGANY DROP-LEAF TABLE,
George II, the rectangular top on turned legs
with pad feet, 78cm. wide.

AN INLAID WALNUT NINE-PIECE
SUITE OF SEAT FURNITURE, Victorian,
comprising: a settee, two armchairs, four side
chairs and a pair of foot stools, with foliate
inlay, brocade upholstery and on turned legs,
width of settee 161cm.

A LARGE OAK DINING TABLE, Elizabethan style, rectangular, with a foliate carved frieze and on six lobed and foliate carved cup and cover supports, 230cm. long by 136cm. wide.

A MAHOGANY CHEST, George III, of two short and three long graduated drawers, in two parts, on bracket feet, 92cm. wide.

INLAID BUREAU BOOKCASE, EXTENDING RECTANGULAR DINING TABLE, SMALL MAHOGANY CHEST, WALNUT AND ELM SIDE CHAIR

A MAHOGANY LINEN PRESS, George IV, surmounted by an arched cornice carved with parterre, 221cm. high by 123cm. wide.

A MAHOGANY AND INLAID BUREAU BOOKCASE, 18th Century, with later alterations, with astragal doors and four long graduated drawers, on bracket feet, 252cm. high by 101cm.

A MAHOGANY STANDING COR¬NER CUPBOARD IN TWO PARTS, George III style, with two astragal doors divided by real and dummy drawers, 193cm. high by 80cm. wide.

A MAHOGANY EXTENDING RECTANGULAR DINING TABLE, Edwardian, with two leaf insertions and cabriole legs, 180cm. long by 104cm. wide

AN IVORY PAINTED AND UPHOLSTERED SUITE, Louis XVI style, covered in floral printed tapestry, comprising: two chairs, a fauteuil and a canape, 140cm.

A BUTTON UPHOLSTERED WINDOW SEAT, Queen Anne style, covered in gold dragon, on cabriole legs, 110cm. wide.

A BURR WALNUT SEMI-CIRCULAR
SHAPED CARD TABLE, George I style, on
carved cabriole legs, 92cm. wide.

TWO ASH AND ELM LADDER
BACK CHAIRS, 19th Century, the solid
seats with green brocade cushions.

A GILT FRAMED CONVEX
MIRROR, 19th Century, with ball clad
surround, 47cm. diameter.

A MAHOGANY WELLINGTON
CHEST, Victorian, with nine drawers and a
locking pilaster. 66cm. wide.

A CARVED GILTWOOD FAUTEUIL, late 18th Century, the pearl-beaded frame with an upholstered oval back and seat, on fluted and turned legs headed by pattered, possibly Dutch,

A GOTHIC REVIVAL PAINTED THREE-FOLD MIRROR, , the paneled doors with Gothic tracery and painted with a vase of flowers, with three mirror plates within painted frames, 49cm. wide

A SUITE OF SEAT FURNITURE,
Victorian, comprising: a pair of armchairs
and six side chairs, with foliate-carved
top rails, spindle backs and turned legs.

A SMALL MAHOGANY CHEST, George III, of four long drawers.

A MIRRORED DRESSING TABLE,
the scroll looking glass above a central
engraved drawer, flanked by faceted panels
and four paneled drawers with gilt handles,
on a plinth base, some glass detached and some
missing, 180cm. wide.

AN OVAL EXTENDING DINING TABLE, Edwardian, on tapering legs and pad feet, with two extra leaves and a winding handle, 241cm. long by 121cm. wide.

A ROSEWOOD MINIATURE CABINET, Edwardian, the door inlaid with scrolling foliage centered by an urn, enclosing two small drawers and shelves, 39cm. wide.

A WALNUT AND ELM SIDE CHAIR, George I, with a stuffed back and seat, on cabriole legs and pad feet, restored.

A MAHOGANY SMALL PEMBROKE TABLE, George IV, with real and dummy drawers, on ring-turned legs and brass castors, faults, 73cm. wide.

A MAHOGANY DRUM TOP TABLE, George III style, made-up, on a receded tripod base, 97cm. diameter.