ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

ANTIQUE BIRDCAGE’ TRIPOD TABLE, MAHOGANY BERGERE  ARMCHAIRS, INLAID ROSEWOOD SIDE CABINET, CARVED GILTWOOD WALL BRACKET

AN ANTIQUE AND INLAID
BIJOUTERIE TABLE, Edwardian, the
glazed top above tapered square legs and
spade feet joined stretchers.

A SET OF FOUR MAHOGANY
DINING CHAIRS, George III style,
including a pair of armchairs, with pierced
splats and square legs.

AN ANTIQUE BIRDCAGE’ TRIPOD
TABLE, George II style, modern, with a tilt
top and carved base, bearing the label of Archer
& Smith Ltd., dia.

AN ANTIQUE DUMB WAITER OR
WHATNOT, Victorian, with four tiers, on I
turned and square supports, wide.

A PAIR OF MAHOGANY RAIL BACK ARMCHAIRS, George IV, with upholstered seats, on turned legs.

A PAIR OF BEECHWOOD COMB-BACK WINDSOR ARMCHAIRS, 18th Century, with hexagonal seats; together with AN ANTIQUE Side Table, Victorian, on turned legs, top loose, wide.

AN ANTIQUE DRESSING TABLE MIRROR, George IV, with bobbin turned supports and a shaped three drawer plinth base.

A WALNUT AND INLAID DAVENPORT, Victorian, with real and dummy drawers, one drawer facing replaced in oak, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Victorian, with rail backs, stuffed, seats and fluted turned legs.

A PAIR OF MAHOGANY BERGERE  ARMCHAIRS, George III style, late th  Century, with caned backs and seat, on fluted square tapered legs, with loose cushions;

AN ANTIQUE DISPLAY CABINET ON STAND, George III style, with astragalj doors above chamfered square legs, distressed^  high by wide.—J
d A SET OF SIX MAHOGANY RAIL
BACK DINING CHAIRS, probably
Biedermeier, early 18th Century, with drop
in seats, on sabre legs.

A WALNUT BUFFET, late Victorian, the three tiers with a pair of drawers and turned supports.

AN ANTIQUE BUFFET, Victorian, the three tiers with turned supports.

AN OAK OCTAGONAL CENTRE
TABLE, Victorian, with a foliate carved
frieze, raised on bulbous turned and square
legs joined by stretchers, split to top.

AN ANTIQUE SERPENTINE
STANDING CORNER CUPBOARD, th
Century, with a key cornice above a pair of
astragal glazed doors, with a pair of panelled
doors, on ogee bracket feet.

A SET OF TEN OAK DINING
CHAIRS, Cromwellian style, including two
armchairs, with leather covered back and
seats, on turned and square legs.

A SET OF FOUR MAHOGANY DINING CHAIRS, George III style, with pierced splat backs, drop-in seats and on foliate carved cabriole legs with claw and ball feet

AN ANTIQUE AND SATIN WOOD INLAID ARMCHAIR, Edwardian, with a carved and pierced back, needlepoint coverd seat and on cabriole legs—

AN INLAID ROSEWOOD SIDE CABINET, Victorian, with a raised mirror back above a drawer and a pair of cupboard doors, flanked by canted open shelves, with a lower shelf and on

turned legs, loo bracket to mirror, high by wide.

AN ANTIQUE DRESSING TABLE, Victorian, stamped EDWARDS AND ROBERTS, the hinged mirror flanked bv four small drawers, above a pair of frieze drawers and on fluted and turned

tapered legs, wide.

A CARVED OAK CHEST OF DRAWERS, George III, the carving possibly circa, the top depicting a Conquistador and an Indian warrior, above two short and three long graduated drawers,

carved with figures and foliage, splits to top and sides, faults, wide.

AN OAK AND BURR WALNUT BUREAU, George III, the crossbanded fall enclosing a fitted interior of drawers, pigeon holes and a central cupboard, above four graduated drawers, on

reduced bracket feet, wide.

AN ANTIQUE BOWFRONT CHEST OF DRAWERS, 18th Century, with two short and three long graduated drawers, on splayed bracket feet, faults,
wide

A FRUITWOOD STOOL, French early 18th Century, with a square tapestry seat, on turned legs, wide.

A CARVED GILTWOOD WALL BRACKET, Italian, 18th Century, with rocaille C-scrolls and foliage, wide.

ANTIQUE AND PINE CHEST OF DRAWERS, OAK REFECTORY TABLE, JAPANNED HANGING CORNER CUPBOARD, GOLD PAINTED GESSO FRAMED WALL MIRROR

AN OAK REFECTORY TABLE, 18th Century style, with solid shaped end supports long

AN ANTIQUE TUB SHAPED ARMCHAIR, William IV, the padded rail with sunburst spandrels, on leaf carved tapered legs ending in brass cappings and castors

AN ANTIQUE AND PINE CHEST OF DRAWERS, George III, with four long graduated drawers, on bracket feet, faults, wide.

AN INLAID WALNUT
MUSIC CABINET, Victorian, with two tiers
and a glazed door, wide.

AN ANTIQUE AND PARCEL-GILT WALL MIRROR, George III, the
rectangular later plate within a fret frame
surmounted by an eagle cresting.

A PAIR OF BLACK JAPANNED ARMCHAIRS, 18th Century, decorated with chinoiserie, caned backs and seats, on cabriole legs, together with a black japanned tub armchair, 18th Century,

with a caned back, on cabriole legs.

AN ANTIQUE DROPLEAF TABLE, George III, with alterations, on tapered square legs.

A WALNUT BREAKFRONT
LIBRARY BOOKCASE, 18th Century, with
astragal doors and panelled cupboard doors,
on cabriole feet.

AN OAK ROLL TOP PEDESTAL DESK, Edwardian, with an arrangement of slides and drawers, on plinth bases.

A WALNUT AND CROSSBANDED KNEEHOLE DESK, Queen Anne style, with an arrangement of six drawers, on cabriole legs.

AN ANTIQUE POLE SCREEN, part 18th Century, with a floral tapestry panel.

A GILTWOOD WALL MIRROR, Regency, with spiral twist pilasters flanking a later plate, repainted.

A MAHOAGNY BOWL STAND, George II style, with a drawer and tripod supports, high

A PAIR OF EBONISED AND PARCEL GILT CORNER WHATNOTS, Victorian,with bowfront tiers and turned supports, each high

A CARVED GILTWOOD CONSOLE TABLE, late 18th Century, with a replaced top and a single tapering support headed by
a mask, regilded.

A WALNUT AND INLAID SIDE CABINET, Victorian, with a marble top above three doors including a mirror panel, wide.

TWO INLAID MAHOGANY TUB ARMCHAIRS, Edwardian, with pierced backs and tapered supports

AN ANTIQUE DUMB WAITER, George III style, with three tiers and tripod supports, diam.

A JAPANNED HANGING CORNER CUPBOARD, continental, 18th Century, of bow-front form with a pair of doors enclosing shelves, wide.

A ROSEWOOD POLESCREEN, William IV, with a needlework panel, on a turned stem and triform base.

AN ANTIQUE DRESSING TABLE
MIRROR, George III, with an oval plate and
bow-front three drawer base, wide.

A CAST IRON AND BRASS
OCCASIONAL TABLE, Victorian, with a
thuvawood top and adustable rope-twist stem,
on an ornately cast base, diam.

A SET OF FOUR SIMULATED
BAMBOO ARMCHAIRS, George III style,
the painted frames with trellis backs and cane
seats.

AN ANTIQUE BREAKFRONT
BOOKCASE, in eight sections with glazed
doors above panelled cupboard doors, on a
plinth base.

AN OAK ROLL-TOP DESK,
Edwardian, the ogee fall above pedestal bases
containing slides and drawers.

AN OAK ROLL-TOP DESK,
Edwardian, the shallow fall above pedestal
bases containing slides and drawers.

A GILT-GESSO AND ETCHED GLASS
WALL MIRROR, Victorian, the pierced lyre
cresting above a rectangular moulded frame.

A GOLD PAINTED GESSO FRAMED WALL MIRROR, with an oval bevelled plate within a leaf-moulded frame.

REEDED FRAME DRESSING TABLE MIRROR, MAHOGANY SERVING TABLE, BEECHWOOD AND UPHOLSTERED FAUTEUIL, SATINWOOD CROSSBANDED EXTENDING DINING TABLE

TWO RUSH SEAT LADDER BACK CHAIRS

A WALNUT ARTIST’S EASEL, 19th Century, with a rear hinged support and ratchet adjusted picture rest, 91cm. wide.; Reputedly to have been in the possession of Sir George Clauses R.A. and purchased from his son in 1971 who believed the easel to have originated from the studio of Sir Joshua Reynolds.

A HUANG HUALI LOW TABLE, Chinese, late 19th /early 20th Century, with a square top and pierced apron, on square legs, 43cm. wide.

A MAHOGANY REEDED FRAME DRESSING TABLE MIRROR, with a rectangular plate, 39cm. wide.; and A MAHOGANY SHIELD-SHAPED DRESSING TABLE MIRROR, inlaid with stringing, 17cm. wide.

A MAHOGANY TOILET MIRROR, the oval beveled plate on scroll supports, the quarter veneered base with two small drawers, 61cm. wide.

A PAIR OF MAHOGANY BALLOON-BACK RECLINING ARMCHAIRS, Continental, covered in red leather cloth, on turned legs and castors, seats now fixed.

A MAHOGANY SERVING TABLE,
Regency, with a galleried asymmetrical top,
ebonized bandings and dummy drawers, on
receded turned legs with paw feet, formerly one
of a pair, 224cm. wide.

A WALNUT REVOLVING SQUARE
FOUR-TIER OPEN BOOKCASE, Canadian,
late 19th Century, stamped, Tees and Co.
Manufacturers, Montreal, Patent, July 1876,,
60cm.

A MAHOGANY AND SATINWOOD BANDED BOW-FRONT SIDEBOARD, Victorian, the two drawers flanked by cupboards, faults, rear gallery lacking, 183cm. wide..

A MAHOGANY AND GLAZED BREAKFRONT LIBRARY BOOKCASE, Victorian, on a plinth base, 228cm. high by 180cm. wide.

A MAHOGANY GOUT STOOL, Victorian, by Levers on and Sons, London, with ratchet action and claret velvet upholstery, bearing trade label, 63cm. long.

A MAHOGANY
PEMBROKE WORK TABLE, early Victorian, with drawers, cupboard and receded legs, 36cm. wide. when closed.

A GILT FRAMED AND UPHOLSTERED SCROLL-END SETTEE, Regency, covered in yellow fabric with twin bolster cushions, 214cm. wide..

SI A PAIR OF BEECH WOOD PAINTED AND PARCEL-GILT ARMCHAIRS, late George III, with trellis splats and cane seats, paintwork distressed.

A MAHOGANY CABINET BOOKCASE, early Victorian, with astragal doors above cupboard doors, on a plinth base, 232cm. high by 78cm. wide..

A SETTEE, Louis XV style, the stained frame carved with shells and foliage, the padded back and seat covered with purple damask, on cabriole legs.

A MAHOGANY TILT TOP PEDESTAL TABLE, Victorian, of circular form with columnar stem and reform base on paw feet, 119cm. diameter.

A BEECHWOOD AND UPHOLSTERED FAUTEUIL, Louis XVI, with a tapered back and fluted turned legs, formerly gilded.

A MAHOGANY AND SATINWOOD CROSSBANDED EXTENDING DINING TABLE, George III style, with  stringing and a single frieze drawer, on tapered square legs with spade feet, with three associated leaves, 248cm. long extended by 134cm. wide.

AN OAK DRESSER, Victorian, the raised two shelf back above a pair of drawers and two paneled cupboard doors, on a plinth base, 130cm. wide.

BUREAU BOOKCASES  Elongated Edwardian
The Elongated Edwardian bureaux described later were often available in a bureau bookcase form, although the bookcase above was often smaller than that of 18th century types. Leaded lights and quaint shapes were
often used.
An oak bureau bookcase with fall open to show the pigeon holes inside. There is a centre cupboard above the fall, with circular leaded-light door. Above this, the top shelf sports a weirdly-carved pediment and finials.
The whole piece is a gesture towards the Progressive and art nouveau influences of the period. Small  2ft.6ins. wide and 5ft.3ins. high  so really quite a desirable size for modern rooms.
An oak bureau bookcase which is only a brief development further from the previous bureau. Note the side bookshelves, also a feature of No. 3. The upper shelves are useful but the huge gap below the fall could surely have been used better. The fall is carved with scrollwork and the odd, quirky pierced decoration is, presumably Progressive. 1900-1915
An oak bureau bookcase with a conventional lower half but fitted with leaded-light doors to the upper glazed cupboard, incorporating stained glass, which adds to value.
An oak bureau bookcase with leaded-light upper doors incorporating two oval panels. The lower half has a drawer and two cupboard doors under the fall. 1900-1920
A more coherent oak bureau bookcase design with the flat capped top rail of the Edwardian period which stemmed from Voysey and the original Progressive designers. The centre cupboard above the open fall again
has a leaded-light door but is rectangular in sympathy with the rest of the piece, including the panelled cupboard doors below the fall. The only place where over-exuberance may have set in is in the rather Islamic
arching of the alcoves containing the vases. 1900-1915
A more conventional version of the previous oak bureau bookcase without leading in the glass doors of the upper half. Back in 1910 or so the difference in price between this and the previous one was ten shillings  five bob for leading each glass door.
An oak bureau bookcase which owes something to the dresser in its design which is simple and pleasing. These pieces, of characteristically small proportions  5ft.9ins. high and 2ft.9ins. wide  will be enthusiastically collected for their use in small rooms one day.
BUREAUX  Elongated Edwardian
Following the popularity of the Progressive designers and the influence of Voysey and others, there was a move by the trade, around 1900, to produce designs in the required manner. This resulted in an entirely unique species of elongated bureaux, slightly, but ever so slightly, art nouveau in manner, using a much thinner depth of section, few drawers, if any, and often with elongated hinges to the fall in an ‘artistic’ design. The following section shows a selection of the bureaux; the bureau bookcases have a separate section to themselves.
A typical example of the elongated species with stamped bronze handle and elongated hinges to the fall. Note that there are no drawers only bookshelves below and a typical bookshelf round the top, formed by a solid wooden cresting rail. c.1900-1910
An oak fall-front elongated bureau of the three foot wide, but much less deep, version preferred by the early 20th century. These slenderer  or should it be narrower  versions of the old 18th century invention, seem to
have met a need for bureaux for smaller rooms. This is a very straightforward version with a simple interior and three drawers under. 1900-1920
A roll-top version of these oak bureaux with shelf above, pigeon holes inside but no drawer under  just shelves. Roll top adds to price.
A small oak roll-top bureau with a wooden top gallery rail intended as a bookshelf. The inside is neatly fitted with pigeon holes and there is a drawer and shelves under. 1900-1920
An oak fall-front bureau with a pierced top shelf which exhibits a heart shape and two art nouveau-ish leaves. Otherwise nothing remarkable. 1900-1915
An oak bureau which has a variation from the previous examples in the classic Edwardian shaping of the top rail. That central semi-circular arch is a very popular feature of the period (see Sideboards for similar
examples). It may be thought that since these bureaux have only recently become a feature of the stock of ‘antique’ shops, there will have been little incentive to fake them or gerrymander about with them as yet. Not
so: the author was recently offered one which turned out to have been refitted inside, repaired, improved and generally cobbled together from bits. So be warned.
A small oak bureau (2ft.2ins. wide) of the same genre but with a dash of art nouveau shaping to the top shelf. Pigeon holes inside and shelves under, as before. 1900-1915
A fall-front oak bureau with a pierced fretted gallery round the top (also of oak) and with a drawer and two shelves under the fall. This generic type has been utterly despised until lately, when the use of the piece, the
way it occupies little space, and the fact that it has been cheap, have suddenly made it a regular feature of many ,antique’ shops. 1900-1915
An oak bureau on stand with curved legs and shelf stretcher. The drawer under the fall, and the fall itself, are inlaid with the boxwood and ebony chequered banding ever popular in Arts and Crafts design. The top
shelf is pierced to show a motif of indeterminate sort. 1900-1915
An oak bureau on stand with bobbinised front legs to give an ,old oak’ effect, relevant to the moulding on the fall, slightly `Jacobean’ in character. The ring handles are a Sheraton design.

Antique Bookcases
Art Deco bookcases, walnut, an upright rectangular stepped case stepped open shelves, the front edges painted black, in the style of Paul Frankl, ca. 1935,
lower section projecting banded deep drawer over three graduated molded drawers flanked by turned, carved & baluster-shaped columns, on turned feet on casters, ca. 1840.
Federal ‘extension’ bookcase, mahogany, the bookcase comprised of seven separate graduated shelves, each two hinged glazed doors, above a base two cupboard doors, on vase-turned
Classical bookcase on chest, mahogany, the canted cornice projecting over an arched frieze on round tapered columns foliate capitals flanking a pair of glazed doors.
Gothic arch panes opening to shelves.
Art Deco Bookcases - Classical Mahogany Bookcase - Federal Bookcase.
George III bookcase, mahogany, two-part construction: the upper section molded swan’s-neck pediment terminating in rosettes above a pair of glazed mullioned doors opening to shelves, on a molded base; the lower section pair of paneled doors on a plinth. Eng- land, third quarter 18th century.
George III breakfront bookcase, mahogany, the molded cornice swan’s neck pediment above a plain frieze & glazed doors opening to shelves fitted arched astragal moldings, the outset lower part four molded doors, raised on a plinth. England, late 18th century.
George III stepback bookcase, mahogany, two-part construction: the top section canted molded cornice above a plain frieze over a pair of doors diamond -shaped glazed panels centered by rosettes, flanked by half-round columns; the projecting lower section two cockbeaded short drawers over a pair of molded cabinet drawers, on a molded platform base
on turned ball feet, England, early 19th century.
Georgian-Style Bookcase - Stickley Mission Bookcase.
Georgian-Style breakfront bookcase, painted pine, two-part construction: the upper section projectingcenter molded cornice over a conforming frieze above four glazed mullioned doors opening to shelves: the lower section four molded paneled cupboard doors on a molded plinth base, England, 19th century.
Mission-style (Arts & Crafts movement) bookcase, oak, the galleried rectangular top tenoned through the sides & keyed, above a pair of 6- pane glazed cabinet doors, over a keyed tenon base on cut-out feet, original.
George III Stepback Bookcase medium finish & black finished hardware, red decal mark of Gustav Stickley, Model No. 525, ca. 1901, two panes replaced, interior molding strip repair.
Mission-style (Arts & Crafts movement) bookcase, oak, the rectangular top protruding corner posts above three short drawers hammered copper pulls, over three glazed doors geometric gridwork, on square feet, original dark brown finish, Lifetime Furniture Company, Grand Rapids, Michigan.
Mission-style (Arts Crafts movement) bookcase, oak, ‘ebonoak’ line, a gently arched backsplash a narrow oblong caned panel above the rectangular top overhanging corbels & a pair of tall glazed cupboard doors opening to three shelves, dark wood inlaid bands down the front stiles, gently ached apron & square legs, original reddish brown finish, branded mark of the Charles Furniture Company. Grand Rapids, Michigan, Model No, 801.
Regency breakfront bookcase, mahogany, the molded arcaded cornice above four glazed mullioned doors opening to shelves.
Victorian Oak Bookcase - Victorian Renaissance-Style Bookcase.
Victorian bookcase, oak, the molded cornice dentil-carved frieze above two glazed doors & paneled sides, interior fitted five adjustable shelves, on a molded plinth base, late 19th century.
Victorian bookcase, Renaissance-Style. carved mahogany, the molded rectangular cornice thrust corners above an acanthus-carved frieze over three molded glazed doors opening to shelves, flanked by columns headed by carved caryatids and terminating in carved phoenixes on a plinth base, the front feet carved the face of a muse between scrolls, late 19th century.
Victorian bookcase, Renaissance Revival substyle, carved walnut, rectangular top a gallery, the front a raised temple-form pediment centered above panels of pierced roundels flanked by corner blocks urn finials, tall glazed cupboard doors double-arched tops & raised panels below carved griffins, the doors flanked by chamfered corners.
Renaissance Revival Bookcase reeded bands above ropetwist-carved bands, a long drawer paneled veneer at the bottom, on turned bun front feet & block back feet, ca. 1885.
Victorian breakfront bookcase, Renaissance Revival substyle,mahogany, the molded cornice above a projecting central section glazed arched-panel door opening to shelves, flanked by two similar smaller doors,on a plinth base.
William IV bookcase, mahogany, a molded cornice above three open-shelved sections, the base two central doors flanked by open shelves, on a plinth, England, second quarter 19th century, Victorian Breakfront Bookcase, William IV Bookcase.