ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

CONTINENTAL FURNITURE: French Provincial oak and fruitwood crossbanded serpentine Commode, French Empire-style kingwood Bureau a Cylindre

A French Provincial oak and
fruitwood crossbanded serpentine
Commode, circa, with three long
graduated drawers above cabriole feet.

A French kingwood Petite
Bibliotheque, circa, the marble top
above open shelves and canted corners,
on cabriole feet and sabots.

A French ebonised and pietra-
dura Meuble d’Appui, circa, with
gilt-metal mounts, the Verde Antico
marble top above a frieze of insects and
flowers, the panel door centred by a
basket of fruit and flanked by caryatids,
the canted sides above bracket feet,
partially lacking pietra-dura.

A French boulle and ebonised
Work Table, circa, the rectangular
serpentined hinged cover revealing a
mirror inset and sliding tray, the shaped
frieze above square cabriole legs ending
in sabots, faults.

A Florentine gilt framed oval Wall
Mirror, circa, with pierced foliate
surround.

A pair of Viennese Biedermeier
Hungarian ash Side Chairs, circa,
with serpentine toprail, waisted back and
stuffed concave seat, on square cabriole
legs.

A Dutch marquetry and
mahogany Chest, circa, the
serpentined top above an ogee-shaped front with four long drawers and a carved apron, the canted bulbous corners with lotus bun feet, faults.

A French Empire-style kingwood
Bureau a Cylindre, circa, with
quarter veneers and gilt-metal mounts,
the three frieze drawers above a fall
enclosing small drawers and an inset
writing slide, below are two apron
drawers, on turned and fluted tapering
legs.

A Portuguese carved coromandel Chair, circa, with a pierced vase-shaped splat and distressed cane seat, on cabriole legs and Braganza feet, restored.

A rare Swedish japanned Wing Armchair, circa, the rectangular shaped back with outset padded wings and shaped arms to an upholstered seat, the shaped moulded seat-rail decorated

with gilt leaves, the cabriole legs decorated with gilt lines and joined by turned stretchers similarly decorated, all on a black ground.

A Louis XV-style kingwood and
marquetry bombe Commode, circa,
with gilt-metal mounts, the marble top above two short and two long drawers, on splayed feet and sabots.

A set of seven French carved
walnut and cane Chairs, circa,
including an armchair, the oval backs
with pierced drapery surmounts, the
bowed seats above moulded cabriole legs.

A French kingwood and walnut
parquetry Lady’s Bureau, circa,
with gilt-metal mounts, the shallow
sloping hinged top revealing two drawers
and a sprung drawer enclosing a well,
the shaped apron with a rear oval
medallion, the cabriole legs ending in
sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced strap-
work cresting above a cartouche-shaped
plate with a gouged border and pendant
flowers, the pierced apron centred by a
stylised flowerhead.

A Louis XV-style mahogany and
tulipwood Table-en-Chiffonier
the breche d’alep rectangular top
with a pierced brass gallery, the chequer
banded frieze drawer above a pair of
doors applied with leather book spines,
on cabriole legs.

A pair of Louis XV-style
kingwood serpentine-front Commodes,
circa, with Verde Antico marble
tops, segmented veneers, gilt-metal
mounts and porcelain plaques, the three
long drawers flanked by canted corners,
the shaped apron above cabriole legs
ending in sabots.

A Spanish walnut Vargueno, late 18th Century, with gilt-metal mounts incorporating monograms, the fall revealing an architectural interior with gilt mouldings, ivory pillars and

ivory insets, comprising an arrangement of small drawers and covers, the sides with iron carrying handles, faults.

An Italian gilt framed Wall Mirror, circa, mounted with a seated putti, the cartouche-shaped plate within a rocaille surround.

A French boulle Meuble d’Appui,
circa, with gilt-metal mounts, the
recessed cavetto moulded top with a
pierced brass gallery, the arched glazed
panel door enclosing a velvet-lined
interior, on cabriole feet.

A Louis XV-style kingwood trellis
parquetry Bureau de Dame, circa,
the serpentine fall revealing a fitted
interior with a well, the shaped apron
above square cabriole legs ending in
sabots.

A Scandinavian painted and
parcel-gilt Wall Mirror, 18th Century,
the shaped cresting above a panel frieze
centred by a relief profile bust, the
rectangular plate above a further
decorated panel, the rectangular
surround with a simulated tortoiseshell
border.

A Louis XV-style kingwood and
gilt-metal mounted Vitrine, circa,
the serpentine cornice surmounted by a pierced cresting, the pair of glazed doors enclosing glass shelves, the panelled base with Vernis Martin-style panels, on cabriole legs

ending in sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced scroll
cresting centred by a paterae, the
rectangular plate flanked by bell flowers
and with swag apron.

A Louis XV-style kingwood
parquetry bombe Commode, modern,
the serpentine red marble top above
three long drawers, on splayed legs
ending in sabots.

Two Italian carved and silvered
gesso Grotto Armchairs, circa,
with shell-shaped backs and seats, the
arms in the form of dolphins, faults and
worm.

An Italian carved and painted
Chair, circa, in the form of a
grotesque bird, the oval seat covered in
velvet, parts lacking.
See Christopher Payne, 18th Century European Furniture, plate, and photograph on page.
Provenance: Wilsford Manor House Sale, th October.

A Dutch ebonised and floral
marquetry Display Cabinet, circa,
inlaid throughout with ivory geometric
borders, the red marble top above a
panelled glazed door enclosing glass
shelves.

A set of four Italian carved
walnut Grotto Armchairs,
with shell-shaped backs and seats, dolphin arms and splayed legs, restored.

ANTIQUE ENGLISH VICTORIAN AND EDWARDIAN FURNITURE

A Victorian rosewood Davenport, circa, the inset writing slope above carved scroll cabriole supports, the side with a pen drawer, four long drawers and hinged pilasters, on

concealed castors.

A Victorian-style walnut and mahogany Partners’ Desk, French, circa, with fluted terminals, the gilt-tooled inset leather top above three frieze drawers to the opposing sides,

the pedestals each with three drawers and an opposing cupboard simulating drawers, on square pad feet. long;

A George Ill-style small
mahogany Chest, made-up, inlaid with
chequered banding, the top with a fan
medallion, the two short and three long
drawers above a valanced apron, on
splayed bracket feet. high by.

A Queen Anne-style small
walnut and crossbanded Chest-on-Chest,
made-up, the moulded cornice above two
short and three long graduated drawers
flanked by canted fluted corners, below
is an inset slide and three long graduated
drawers, the apron with shaped sunburst
inlay, on bracket feet.

A Victorian walnut and
kingwood Bonheur-du-Jour, circa,
in the French style, with gilt-metal mounts
and marquetry, the raised back with an
arched door enclosing shelves and
flanked by eight short drawers, the
serpentined base with an apron drawer,
the square cabriole legs ending in sabots.

An Edwardian satinwood Carlton
House Desk, circa, by Maple &f Co.,
inlaid with chequered banding and
ebonised stringing, the raised back with a
gallery, cupboards and short drawers,
the wings with hinged compartments
revealing pigeonholes and a pair of
inkwells, the inset sliding top with a
plate-glass cover, below is an
arrangement of five drawers, the tapered
square legs ending in spade feet and
castors, drawer stamped Maple & Co.
Ltd.

A George Ill-style mahogany serpentine-front Sideboard, made-up,
inlaid with satinwood banding, urn
motifs and fan medallions, the three
frieze drawers flanked by a cellaret
drawer and two drawers, on tapered
square legs. high by.

A Victorian carved walnut
Chaise Longue, circa, the shaped
button upholstered back and sprung
serpentine seat upholstered in pink
velvet, on hipped cabriole legs with
ceramic castors.

A Louis XV-style walnut and
gilt-metal mounted Centre Table, circa
by Gillow, the amboyna banded
serpentine top above a shaped apron
with a frieze drawer, on square cabriole
legs with caryatids and sabots. high
by.

A Victorian burr walnut
Davenport, circa, the piano-shaped
top with a rear pierced fretwork gallery
and hinged panel revealing stationery
compartments, the fall enclosing a
pull-out writing surface and small
drawers above cabriole supports, the
sides with four real and four dummy
drawers, on a plinth base and bun feet.

A Victorian carved mahogany
Linen Press, circa, the arched
pediment above a pair of arched panel
doors flanked by rectangular pilasters
with foliate capitals, the interior now
with a shelf, below are three long
graduated drawers and a pair of
conforming pilasters, on stylised scroll
feet.

A George Ill-style mahogany
‘D’-end twin pedestal Dining Table,
made-up, with a leaf insertion, the
baluster pillar above quadruple reeded
splayed legs ending in brass paw feet and
castors.

A pair of Victorian walnut and marquetry Pier Cabinets, circa, in
the French style, with gilt-metal mounts,
the arched door enclosing a velvet-lined
and shelved interior.

A Victorian walnut harlequin Davenport, circa, the rear rising section with hinged cover and shaped stationery compartment, the piano moulded cover revealing a lined writing

slide and sliding pen tray, on chamfered pillar supports, the side with four real and four opposing dummy drawers, on ceramic castors.

A Victorian rosewood Teapoy, circa, of sarcophagus form, the hinged cover revealing a pair of lidded canisters and twin glass blending bowls, on a cabochon and lotus carved

pillar above a quatreform base, on scroll feet and castors.

A Victorian rosewood Card
Table, circa, the rectangular
fold-over top above a turned pillar and
quatreform base, on carved scroll feet.

An Edwardian mahogany and
satinwood banded Corner Display
Cabinet, circa, the pierced fret
pediment above an applied astragal door
enclosing a velvet-lined and shelved
interior, the tapered square legs with
angle brackets, on spade feet.

A pair of Victorian ebonised and parcel-gilt Stools, circa, with rectangular seats, one covered in floral needlework, the other in claret velvet, the leaf carved frieze above

cabriole legs.

A set of eight George II-style carved mahogany Chairs, modern, with pierced and interlaced vase-shaped splats, the slip-in seats covered in tapestry, the acanthus carved

cabriole legs ending in claw and ball feet.

A Victorian burr walnut
Occasional Table, circa, the
circular top with segmented veneers, the
tapered chamfered pillar above a triform.

A George Ill-style mahogany
Chest-on-Chest, circa, the moulded
cornice above two short and three long
drawers, the canted corners with chevron
veneers, below are three long graduated
drawers, on shaped bracket feet.

A Victorian rosewood Centre
Table, circa, the circular top inlaid
with marquetry panels of flowers,
scrollwork and butterflies, on a carved
stem and three cabriole legs with claw
and ball feet, top split.

A George Ill-style mahogany and crossbanded small bow-front Sideboard, circa, the cutlery drawer and arched apron drawer flanked by two deep drawers, on tapered square legs and

spade feet, together with a plate-glass top.

A Victorian carved walnut oval
serpentined pedestal Table, circa,
the quartered and burr veneered top with a leaf scroll border on a stippled ground, the quadruple scrolled supports above leaf-clad feet, on castors, base lacking a finial.

A set of six Victorian carved
walnut Chairs, circa, the balloon
backs with parchment scroll crestings,
covered in floral tapestry, on hipped
cabriole legs.

An early Victorian rosewood Workbox, circa, the hinged cover revealing a pink silk-lined interior, the arcaded apron above a well with applied tracery and rosette medallion, the

leaf-clad baluster pillar with a quatreform base, on scroll feet.

A Victorian mahogany and gilt-metal mounted Vitrine, circa,
in the French style, the square top above a glazed door and with glazed side panels enclosing a shelf and blue velvet lining, the shaped apron above square cabriole legs ending

in sabots.

A Victorian carved and gilt-gesso
framed Wall Mirror, circa, the
rectangular plate with a foliate scroll and
entwined surround surmounted by a
floral basket.

A William IV rosewood and
upholstered Chaise Longue, circa,
with scroll end and a padded arm rest,
covered in gold dralon, the turned legs
with brass cappings and castors,
underframe wormed.

A set of four Victorian rosewood
balloon-back Chairs, circa, with
pierced mid-rails and stuffed serpentine
seats upholstered in green velvet, on
cabriole legs.

A George Ill-style carved satinwood shield-back Armchair, circa, by Warings, the pierced splat with drapery, the stuffed seat covered in fawn brocade, the reeded tapered legs

with collars, stamped Warings.

George III mahogany bow-front Chest, George III mahogany Dressing Table Mirror, George III mahogany break-front Sideboard, semicircular Card Table

A set of four Regency rosewood
rail-back Chairs, circa, with gold
dralon ‘Trafalgar’ seats, on turned and
reeded tapering legs.

A George III mahogany secretaire
Chest, circa, the writing drawer
enclosing six small drawers, below are
four long graduated drawers flanked by
panelled pilasters, faults.

A George IV mahogany Dressing
Table, circa, with a three-quarter
gallery and two frieze drawers, on
turned tapering legs.

A George IV mahogany Sofa
Table, circa, with two drawers and
canted leaves, the two drawers flanked
by disc medallions, the end supports with
cannon-barrel turning and pilasters, on
anthemion carved and turned legs
ending in castors, top split. wide
when closed;

A George II mahogany fretwork
and parcel-gilt framed Wall Mirror,
circa, with later gilt ornament and
bevelled plate, altered, faults.

A Colonial padoukwood Bureau,
circa, the cleated fall revealing a
stepped and fitted interior, below is an
arrangement of two short and three long
graduated drawers, on shaped bracket
feet.

A late George III mahogany bow-front Chest, circa, with three long graduated drawers, on splayed bracket feet. high by. wide; ft. WViin. by ft. Vin.

A George III mahogany Dressing Table Mirror, circa, the rectangular plate with square supports, on a three-drawer plinth base and bracket feet, restored. wide; lft. Ain.

A Regency carved giltwood and
gesso framed Wall Mirror, circa,
the later arched and shaped bevelled
plate with a pierced leaf scroll surmount,
the stepped sides with dolphins.

A George II mahogany drop-leaf
Table, circa, the oval top
supported on turned tapering legs with
pad feet.

A George III mahogany and later
inlaid Pembroke Table, circa, the
satinwood crossbanded rectangular top
with a central inlaid shell medallion, the
frieze with real and opposing dummy
drawers, on tapered square legs and
brass castors.

A George III mahogany break-front Sideboard, circa, inlaid with stringing and paterae, the bowed centre section with a pair of frieze drawers, the sides enclosed by a pair of cupboard doors with simulated drawer fronts, on tapered square legs.

A set of four Regency mahogany and rosewood rail-back Chairs, circa, inlaid with brass stringing, the panelled splats with star medallions, the needlework Trafalgar seats with similar motifs, on sabre legs.

A George III carved and later gilt painted Wall Mirror, circa, with a later plate and ho-ho bird surmount, the pierced surround carved with ‘C’-scrolls, flame, motifs and leaves.

A William IV rosewood Card Table, circa, the columnar stem on a concave-sided base with paw feet. wide; ft.

A George III mahogany Tripod Table, circa, the circular tilt-top above a columnar turned stem and pierced cabriole supports. diam.; ft. Ain.

A George III mahogany bow-front Side Cabinet, circa, the frieze drawer above a pair of panelled doors enclosing shelves and a drawer, on later bracket feet. high by. wide; ft.

A George III mahogany semicircular Card Table, circa, the banded and strung top above tapered square legs.

A George III mahogany Linen
Press, circa, the moulded cornice
above a pair of panelled doors enclosing
sliding trays, the base with two short and
one long drawer, on shaped and
panelled bracket feet, restored.

A George II mahogany Table,
circa, the rectangular gadrooned
top with a later inset specimen marble
panel above opposing frieze drawers, on
acanthus carved cabriole legs ending in
hairy paw feet, faults.

A George III mahogany
Architect’s Table, circa, the hinged
ratchet adjusted top with a sprung rest
and partially hinged panel, the two long
frieze drawers flanked by a pair of drop
leaves, on chamfered square legs with
block feet and concealed castors.

A George III mahogany Dressing
Table Mirror, circa, the rect-
angular plate above a cavetto moulded
plinth base with three frieze drawers and
bracket feet, restored.

A George II mahogany Chest-on-
Chest, circa, the moulded cornice
above two short and two long graduated
drawers flanked by chamfered corners
inlaid with brass stringing, the base with
three long graduated drawers, on shaped
bracket feet. high by.

A Regency mahogany Cabinet
Bookcase, circa, the moulded
cornice above a reeded and arched
astragal door, below is a panel door
flanked by reeded terminals, on stem
feet.

A Regency mahogany open Bookcase, circa, the raised two-tier back with a shaped gallery above spindle turned supports, the base with a pair of drawers above corresponding panelled doors enclosing shelves, on turned feet and brass castors. high by.

A Regency mahogany Breakfast
Table, circa, the rectangular
crossbanded tilt top inlaid with ebony
stringing, the ring turned stem on
quadruple splayed legs ending in brass
paw feet and castors.

Regency rosewood Chiffonier, Regency rosewood Library Table, George III mahogany Bureau, Regency mahogany Cabinet

A Regency rosewood Library Table, circa, the ‘D’-shaped ends with hinged covers and wells, the frieze with two real and two opposing dummy drawers, the square end supports with triple turned spindles, the splayed legs ending in leaf-clad brass cappings and castors.

A William IV mahogany Cellaret, circa, of sarcophagus form, with scroll terminals and scroll feet, the hinged cover revealing eight associated decanters and later divisions. wide.
A George III mahogany Cylinder Bureau, inlaid throughout with stringing, the tambour fall enclosing stationery compartments, the pair of frieze drawers above four short drawers, on tapered square legs with spade feet, altered, inlay later.

A George III mahogany ‘D’-end
and satinwood crossbanded extending
Dining Table, circa, with a central
drop-leaf section and two further leaves,
on turned legs, restored, including later
timber.

A George III mahogany Bureau,
circa, the fall revealing a fitted
interior, below are four long graduated
drawers, on shaped bracket feet, faults,
formerly divided into two parts.

A George III mahogany double-
sided Library Desk, circa, the inset
top above three frieze drawers to the
opposing sides, the pedestals each with
three drawers and a cupboard to the
reverse, the sides with carrying handles,
on a plinth base and concealed castors,
faults.

A George III mahogany Serving
Table, circa, with three-quarter
gallery and three concealed frieze
drawers, on six turned and reeded
tapering legs.

A Regency mahogany Centre
Table, circa, with rounded corners
and satinwood crossbanding, the trestle
supports on sabre legs, altered and
restored.

A George IV mahogany Sofa
Table, circa, with two frieze
drawers, the twin spiral reeded end
supports joined by a matching pole
stretcher, the moulded scroll feet ending
in brass paw finials and castors.

A George III mahogany secretaire
Chest, circa, inlaid with ebonised
stringing and banding, the frieze with
twin disc medallions, the fitted writing
drawer with segmented veneers flanked
by four short drawers, below are three
long graduated drawers and a valanced
apron, on splayed bracket feet.

A George III small mahogany Bureau, circa, the crossbanded fall revealing a fitted interior, below are three long graduated drawers, on shaped bracket feet.

A George III mahogany Bureau, circa, the crossbanded fall revealing a fitted interior, below are four long graduated drawers, on shaped bracket feet, the fall partially indented.

A George III mahogany
Occasional Table, made-up, the
moulded top above a ring turned pillar
and tripod supports, on bun feet.

A Regency mahogany Cabinet
Bookcase, circa, with satinwood
strung borders, the arched pediment
above a pair of ogee arched astragal
doors enclosing adjustable shelves, below
are a pair of panelled doors enclosing a
shelf, on moulded sabre feet.

A George III mahogany
rectangular drop-leaf Breakfast Table,
circa, with satinwood crossbanding
and satinwood strung frieze drawer, the
associated base with a turned pillar, the
quadruple reeded splayed legs ending in
fluted brass cappings and castors,
restored. wide; ft.

A George III mahogany
Canterbury, circa, the two divisions
with reeded stick splats above an apron
drawer, the turned tapering legs ending
in brass cappings and castors.

A George III satinwood and
crossbanded Work Table, circa,
with ebonised strung borders, the two drawers above slender ring turned legs.. wide; lft. hin., drawers now lined in velvet and formerly with a well

A George III mahogany Child’s
Bureau, circa, the fall revealing
pigeonholes and three drawers, below
are three long graduated drawers and
shaped bracket feet, restored, faults.

A George III mahogany tray-top
Bedside Commode, circa, the
bow-front with a tambour cupboard above a converted apron drawer, on square legs.

A Regency rosewood Chiffonier, circa, the raised open-shelf back with a gallery and ring turned pillars, the pair of brass grille doors with fabric linings and enclosing adjustable shelves, on a plinth base. high by.

CARVED GILTWOOD PIER MIRROR, GRAINED ROSEWOOD OCCASIONAL TABLE, MAHOGANY HANGING CORNER CUPBOARD, MAHOGANY CELLARE

A MAHOGANY PARTNERS’
WRITING TABLE, , the rectangular leather
inset top above opposing frieze drawers and
lateral dummy drawers, on square legs,
155cm. wide.

A MAHOGANY CARD
TABLE, George III, with a rectangular top
and concealed rear drawer, on square legs,
91cm. wide.

A CARVED GILTWOOD PIER MIRROR, . with a serpentine cresting, 173cm. high by 49cm. wide.    A CARVED AND LATER GOLD PAINTED OVERMANTEL MIRROR, George Ill-style, late 19th Century, the cartouche-shaped plate within a scrolled surmount, faults. 182cm. high by 125cm. wide.

A MAHOGANY DRAUGHTSMAN’S
TABLE, George III. with a ratchet adjustable
top and telescopic square supports joined by
stretchers, 63cm. wide.

A FIGURED WALNUT OVAL
PEDESTAL TABLE, Victorian.
on quadruple turned and carved supports,
117cm. wide.

A MAHOGANY SINGLE TESTER
BED, George III style, with baluster turned
front posts, including an iron frame and a
mattress, 213cm. long by 98cm. wide.

A MAHOGANY BOW-FRONT CORNER CABINET, George III style, made-up, with an astragal door above a drawer and a cupboard, on splayed legs, 178cm. high by 65cm. wide.

A ROSEWOOD OCTAGONAL TWO-TIER TABLE, late Victorian, inlaid with stringing, 60cm. wide.    A ROSEWOOD AND INLAID SUTHERLAND TABLE, late Victorian, on splayed and square tapered legs, 73cm. wide.

A PAIR OF MAHOGANY SPLAT-BACK OCCASIONAL CHAIRS, Edwardian, on cabriole legs.

A MAHOGANY RECTANGULAR TABLE, Victorian, on turned legs with splayed feet, 76cm. wide.; together with A ROSEWOOD STOOL, Victorian, the upholstered seat on spiral-twist legs, 51cm. wide.

A GRAINED ROSEWOOD OCCASIONAL TABLE, early Victorian, with a drawer and rectangular supports, on scroll feet, 56cm. wide.

A MAHOGANY CELLARET, Regency, of serpentine form, inlaid with stringing and on paw feet, faults, 69cm. wide.

A CARVED AND MAHOGANY ARMCHAIR, modern, in the manner of Thomas Chippendale, on cabriole legs with claw and ball feet.

A MAHOGANY JARDINIERE, George III style, made-up, of square form inlaid with shell medallions, on tapered square legs with spade feet, 32cm. wide.

A MAHOGANY BUREAU, George III style, with two short and three long drawers, on bracket feet, 76cm. wide.

AN OAK ‘COCK FIGHTING’ CHAIR, Queen Anne style, with a ratchet adjusted flap and turned supports joined by stretchers.

A MAHOGANY HANGING CORNER CUPBOARD, George II, with a cross and chevron banded door flanked by fluted corners, faults, 73cm. wide.

OAK PEDESTAL DESK, MAHOGANY LINEN PRESS, CARVED OAK DINING CHAIRS, OAK CYLINDER BUREAU, WALNUT SIDE CABINET

A STAINED OAK PEDESTAL DESK, Victorian, carved with foliage and caryatid figures, 160cm. wide.

A RECTANGULAR GILTWOOD OVERMANTEL MIRROR, William IV, with molded uprights and applied at the corners with flower heads. 130cm. wide.

AN OCTAGONAL OAK AND MARQUETRY CENTRE TABLE, German, 17th Century style, the top caned with foliage and raised on spiral twist supports. 100cm. wide.

A STAINED OAK CIRCULAR OCCASIONAL TABLE, German, 17th Century style, with a foliate carved border and raised on spiral twist legs, 69cm. diameter.

A SET OF FOUR CARVED OAK DINING CHAIRS, Victorian, including two armchairs, with armorial backs and spiral-twist supports.

A MAHOGANY LINEN PRESS, George III,, the dentil cornice above paneled doors and two short and one long drawer. on bracket feet, reduced, 178cm. high by 125cm. wide.

A TEAK CAMPAIGN BENCH, early 19th Century, with a caned back and seat, above four drawers and stile feet, caning distressed, parts lacking, 194cm. wide.

A MAHOGANY SIDE TABLE, George IV, with two frieze drawers and on receded tapered legs, later gallery, 121cm. wide.

A MAHOGANY CIRCULAR TRIPOD
TABLE, early 19th Century,, with alterations,
with a tapering column and down swept legs,
59cm. diameter.

A MAHOGANY RECTANGULAR
OCCASIONAL TABLE, William IV, the
cross banded top raised on a cylindrical
column, the reform base with gilt bronze
lion’s paw feet. 69cm. wide.

A MAHOGANY CABINET
BOOKCASE, George III style, with an
astragal door above a cupboard door, on
bracket feet. 188cm. high by 55cm. wide.

A MAHOGANY SIDEBOARD, 20th Century, with a raised shell carved back and on cabriole legs. 183cm. wide.

A MAHOGANY BOW-FRONT CHEST OF DRAWERS, George III, with two short and three long graduated drawers, on slaved bracket feet. 107cm. wide.
A MAHOGANY WING-BACK ARMCHAIR, Edwardian, on splayed legs, 90cm. wide.

AN OAK CYLINDER BUREAU, Victorian, with a fitted interior and raised on a pair of pedestals containing three graduated drawers. 122cm. wide.

A MAHOGANY BREAKFRONT SIDEBOARD, George III. with three drawers and a cupboard, on tapered square legs with spade feet, restored. 153cm. wide.

A MAHOGANY BREAKFRONT
PEDESTAL SIDEBOARD, George IV, the
raised scrolling back above four drawers and
a pair of tapering pedestal cupboards, on
plinth bases, 248cm. wide.

A MAHOGANY PEDESTAL DESK,
early 20th Century, with three frieze
drawers, the pedestals with three graduated
drawers and plinth bases, 122cm. wide.

A MAHOGANY PEDESTAL
DRESSING TABLE, Victorian, with three
frieze drawers, the pedestals with three
graduated drawers and plinth bases, 122cm.
wide.

H A WALNUT SIDE CABINET,
Victorian, with gilt metal mounts, the cavetto
cornice above a single arched glazed door, on
a plinth base, 79cm. wide.

WALNUT AND EBONISED SIDE TABLE, LOUIS XVI STYLE STAINED WALNUT SETTEE, UPHOLSTERED CHAISE EN CONFIDENT, MAHOGANY SIDEBOARD

A WALNUT AND EBONISED SIDE TABLE, Victorian, with a pair of frieze drawers and raised on lobed and turned tapering legs, 81cm. wide.    A WALNUT CANTERBURY, Victorian, the dividers pierced and carved with scrolling foliage, on toupee feet, one foot detached,, 53cm. wide.

A LOUIS XVI STYLE STAINED WALNUT SETTEE, 19th Century, with a foliate and quiver cresting, raised on fluted tapering legs, 119cm. wide.

A MAHOGANY TRIPOD TABLE, George II, made-up, the octoroon top raised on a baluster column and down swept legs, later carved with fruiting vines, damage to top, 56cm. diameter.

A GILTWOOD ARMCHAIR, Regency style, 19th Century, carved with shells, foliage and strap work, with a caned back and on cabriole legs.

A MAHOGANY SERPENTINE TOILET MIRROR, George III, with an oval plate and three drawer box base, 39cm. wide.; and A WALNUT SPOON-BACK NURSING CHAIR, Victorian, with a foliate cresting and on cabriole legs.

A WALNUT FRETWORK WALL MIRROR, George II, the rectangular plate within a molded frame, with a shaped cresting and apron, lacking some cresting, 38cm. wide.

A MAHOGANY RECTANGULAR CARD TABLE, George III, with canted corners, raised on tapered square legs with spade feet, one rear leg detached, 91cm. wide.

A NEST OF THREE MAHOGANY
AND SATINWOOD CROSSBANDED
OCCASIONAL TABLES, George III style,
on slender ring-turned legs, 52cm. wide.

A MAHOGANY AND PARCEL GILT
FRETWORK WALL MIRROR, George III,
the rectangular plate within a foliate band, now lacking bird cresting, 38cm. wide.

A CARVED OAK WALL MIRROR, the rectangular plate with a pierced frame carved with scrolling fruiting vines, 115cm. high by 93cm. wide.

A MAHOGANY BUREAU, George III, with three long graduated drawers, on bracket feet, 82cm. wide.

AN UPHOLSTERED CHAISE EN CONFIDENT, French, circa 1890, covered in blue fabric with twin adjustable chair backs, the valance apron concealing turned feet. A similar example is illustrated in Le Mobilier Domestique, Vol. I, p. 171, published Paris, 1987, by Nicole de Reynis, and also in Les Styles Franais — Le Mobilier, p65, published Paris by Plaisir de France.

A MAHOGANY ARMCHAIR, George III, with an arched splat back and serpentine upholstered seat, on tapered square legs.

A ROSEWOOD AND INLAID KNEEHOLE WRITING TABLE, Edwardian, with a galleried leather inset top and five drawers, on tapered square legs with castors, 105cm. wide.

A REPRODUCTION MAHOGANY PEDESTAL DESK, with claret leather inset top, 115cm. wide.

TWO MAHOGANY UPHOLSTERED ARMCHAIRS, George III, reconstructed, covered in nailed green hide, the square legs joined by stretchers.

A MAHOGANY RECTANGULAR PEDESTAL TABLE, George III style, made-up, on quadruple splayed feet and castors, 135cm. wide.

A CARVED OAK AND
UPHOLSTERED PRIE DIEU, Victorian,
with a pierced cresting and spiral-twist
supports, on cabriole legs with claw and ball
feet.

AN EARLY MAHOGANY WORK TABLE, Victorian, now lacking a well, on a pillar support and platform base with scroll feet, 54cm. wide.

A WALNUT BUREAU, late George III, with two short and two long drawers, on bracket feet, stationery compartments replaced, 99cm. wide.

A MAHOGANY SIDEBOARD, early
Victorian, with an inverted breakfront base,
153cm. wide.