ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

ANTIQUE AND PINE CHEST OF DRAWERS, OAK REFECTORY TABLE, JAPANNED HANGING CORNER CUPBOARD, GOLD PAINTED GESSO FRAMED WALL MIRROR

AN OAK REFECTORY TABLE, 18th Century style, with solid shaped end supports long

AN ANTIQUE TUB SHAPED ARMCHAIR, William IV, the padded rail with sunburst spandrels, on leaf carved tapered legs ending in brass cappings and castors

AN ANTIQUE AND PINE CHEST OF DRAWERS, George III, with four long graduated drawers, on bracket feet, faults, wide.

AN INLAID WALNUT
MUSIC CABINET, Victorian, with two tiers
and a glazed door, wide.

AN ANTIQUE AND PARCEL-GILT WALL MIRROR, George III, the
rectangular later plate within a fret frame
surmounted by an eagle cresting.

A PAIR OF BLACK JAPANNED ARMCHAIRS, 18th Century, decorated with chinoiserie, caned backs and seats, on cabriole legs, together with a black japanned tub armchair, 18th Century,

with a caned back, on cabriole legs.

AN ANTIQUE DROPLEAF TABLE, George III, with alterations, on tapered square legs.

A WALNUT BREAKFRONT
LIBRARY BOOKCASE, 18th Century, with
astragal doors and panelled cupboard doors,
on cabriole feet.

AN OAK ROLL TOP PEDESTAL DESK, Edwardian, with an arrangement of slides and drawers, on plinth bases.

A WALNUT AND CROSSBANDED KNEEHOLE DESK, Queen Anne style, with an arrangement of six drawers, on cabriole legs.

AN ANTIQUE POLE SCREEN, part 18th Century, with a floral tapestry panel.

A GILTWOOD WALL MIRROR, Regency, with spiral twist pilasters flanking a later plate, repainted.

A MAHOAGNY BOWL STAND, George II style, with a drawer and tripod supports, high

A PAIR OF EBONISED AND PARCEL GILT CORNER WHATNOTS, Victorian,with bowfront tiers and turned supports, each high

A CARVED GILTWOOD CONSOLE TABLE, late 18th Century, with a replaced top and a single tapering support headed by
a mask, regilded.

A WALNUT AND INLAID SIDE CABINET, Victorian, with a marble top above three doors including a mirror panel, wide.

TWO INLAID MAHOGANY TUB ARMCHAIRS, Edwardian, with pierced backs and tapered supports

AN ANTIQUE DUMB WAITER, George III style, with three tiers and tripod supports, diam.

A JAPANNED HANGING CORNER CUPBOARD, continental, 18th Century, of bow-front form with a pair of doors enclosing shelves, wide.

A ROSEWOOD POLESCREEN, William IV, with a needlework panel, on a turned stem and triform base.

AN ANTIQUE DRESSING TABLE
MIRROR, George III, with an oval plate and
bow-front three drawer base, wide.

A CAST IRON AND BRASS
OCCASIONAL TABLE, Victorian, with a
thuvawood top and adustable rope-twist stem,
on an ornately cast base, diam.

A SET OF FOUR SIMULATED
BAMBOO ARMCHAIRS, George III style,
the painted frames with trellis backs and cane
seats.

AN ANTIQUE BREAKFRONT
BOOKCASE, in eight sections with glazed
doors above panelled cupboard doors, on a
plinth base.

AN OAK ROLL-TOP DESK,
Edwardian, the ogee fall above pedestal bases
containing slides and drawers.

AN OAK ROLL-TOP DESK,
Edwardian, the shallow fall above pedestal
bases containing slides and drawers.

A GILT-GESSO AND ETCHED GLASS
WALL MIRROR, Victorian, the pierced lyre
cresting above a rectangular moulded frame.

A GOLD PAINTED GESSO FRAMED WALL MIRROR, with an oval bevelled plate within a leaf-moulded frame.

Italian oak Settee, French transitional-style kingwood and marquetry Bedside Cupboards, Italian ebonised Blackamoor Stand, Venice

A German mahogany and button
upholstered Suite of Seat Furniture, circa
covered in burgundy dralon, on
cabriole legs and castors, comprising: pair
of armchairs with oval backs and a settee.

A pair of French transitional-style kingwood and marquetry Bedside Cupboards, modern, the quarter veneered top above a frieze drawer and pair of doors, on slender cabriole legs.

A Louis XVI-style large white
painted and upholstered Settee, modern,
with arched back and trophy cresting with
two birds, with scrolled sides, covered in
peach fabric with matching seat cushion
and bolsters, on turned and fabric-covered
canopy and drapes, settee.

SI A nest of three French mahogany Occasional Tables, circa, each with a rectangular brass-bound border inlaid with brass stringing, on turned legs, with brass bases and trestle

supports, the largest.

An Italian ebonised Blackamoor Stand, Venice, circa, the small naked infant supporting a circular table top on a rock base, the table incised with foliage imitating damask.
An Italian ivory inlaid and ebony veneered Cabinet-on-Stand, probably Florentine, circa, of early 18th Century architectural form, with an arrangement of small drawers and

cupboards, the central breakfront door enclosing a tortoiseshell interior with short drawers flanked by a pair of deep drawers set with a concave niche and an ivory vase and

cover, the whole inlaid with Renaissance foliage and figures, the breakfront ebonised stand with square tapering legs. high by. wide;  by , the stand possibly circa, the cabinet

with an armorial device and an inscription Luigi de Marchesi Niccolini Esigui I’Anno  Firenze.

A French carved walnut Salon
Suite, 2nd quarter 18th Century,
comprising: a canape, six side chairs and two armchairs, each with an acanthus carved asymmetrical cartouche back and moulded leaf carved frame, on cabriole legs with sprung

serpentine seats, the settee.

An Italian sculptural Blackamoor
Figure, probably Venice.

A French giltwood
tapestry upholstered Salon
Suite, probably Paris.

Louis XV manner, comprising: a small canape and two armchairs, each with a moulded flower carved frame, cartouche back, padded arms and cabriole legs, upholstered in gros- and

petit-point floral woolwork, the settee.

Two similar small French mahogany Vitrines, circa, each with a brown marble top and bow-fronted glazed door, with glazed sides enclosing shelves, on cabriole legs with

gilt-bronze mounts throughout, one.

A small French Vernis Martin Table Ambulante, Paris, circa, the
square serpentine top hinged to reveal a
bevelled mirror above two drawers, on
cabriole legs with gilt-bronze mounts, the
whole painted with 18th Century figures,
flowers and trophies in the Vernis Martin
style.

A French carved and gilt painted
Bergere a la Reine, circa, in the
Regence manner, the arched stuffed back
and stuffed open arms with flowerhead
carved terminals, the stuffed bow-fronted
seat with a leaf carved apron and cabriole
legs,

An Italian glass mosaic poly-
chrome Wall Mirror, Venice, circa,
the arched bevelled plate with a conforming frame encrusted with polychrome flowers, the cresting with a view of the Rialto Bridge, distressed. high by. wide;  by lft. Vin.

A French gilt-bronze mounted onyx Pedestal, probably Paris, circa,
the square revolving top with a Corinthian
capital and stepped moulded plinth.

An Italian rosewood and ivory talaid ‘Wellington Chest’, circa, of
Moorish design, inlaid throughout with
ivory geometric motifs and stringing
within ebonised mouldings, the hinged top
above seven drawers flanked by foliate
corbel pilasters, on a plinth base, faults.

SI A Louis XVI-style mahogany and
rosewood Meuble d’Appui, circa,
with gilt-metal mounts, the ‘D’-shaped marble top above a panel front with floral swags and a door, on paw feet.

A Louis XV-style rosewood and
gilt-metal mounted Bureau Plat, circa
the serpentine top with a tooled
leather inset, the crossbanded frieze with
three real and opposing dummy drawers,
on cabriole legs ending in sabots.

A Louis XV-style walnut and floral
marquetry Centre Table, circa, the
serpentined top with an ebonised border
and a lateral frieze drawer, on cabriole.

A set of four Dutch marquetry and
mahogany Chairs, circa, with stuffed
splats and seats, on sabre legs, restored.

An Italian oak Settee, circa,
with rope-twist mouldings and Gothic tracery fretwork, the stuffed seat covered in striped brocade, on tapered and fluted square legs.

DISTRESSED ROSEWOOD POLE SCREEN, OAK MIRROR BACK SIDEBOARD, MAHOGANY KNIFE BOX, BURR WALNUT AND ELM TEA CADDY, PARTRIDGEWOOD THREE-DIVISION TEA CADDY

A DISTRESSED ROSEWOOD POLE SCREEN, William IV, on a reform base, 150cm. high; and A MAHOGANY SQUARE BEDSIDE TABLE, George III, the under tier with a drawer, 33cm. wide.

A GILT PAINTED FRAME ARCHED WALL MIRROR, George III style, with margin plates, 127cm. wide.

A DISTRESSED BLACK AND GILT FRAME TALL PIER MIRROR, Victorian, with a foliate and fruit cresting, 214cm. high by 92cm. wide.
A WALNUT AND INLAID DAVENPORT, Victorian, including a swivel pen drawer, on castors, faults, 53cm. wide.

A BRASS AND HARDWOOD
OCCASIONAL TABLE, Persian, on a
domed base, 60cm.

A LARGE CARVED HARDWOOD
MIRROR FRAME, 18th Century style, with
ornate leaf-scroll surround, 270cm. high by
110cm. wide.

A DISTRESSED GILT FRAMED OVERMANTEL MIRROR, Victorian, with eagle surmount, 122cm. wide.; and A MAHOGANY WORK TABLE, Edwardian, with an under tier, 47cm. wide.

A MAHOGANY FRETWORK FRAMED FOUR-FOLD SCREEN, Edwardian, with glazed panels, 122cm. high by 40cm. wide.

A MAHOGANY DINING CHAIR, George III, with vase-shaped splat and slip-in seat; and A MAHOGANY OCTAGONAL OCCASIONAL TABLE,

A BRASS REVOLVING MUSIC STOOL, Victorian, with button upholstered seat

AN OAK MIRROR BACK SIDEBOARD, late Victorian, with a scroll pediment and a plinth base, 163cm. wide.

A GOTHIC REVIVAL
OAK CABINET, German, late 19th Century,
the doors painted to the reverse with portrait
roundels in the Pre-Raphaelite manner, 116cm.
wide.
A GILT FRAMED CARTOUCHE-SHAPED WALL MIRROR, 18th Century style, with foliate and scroll surround, 145cm. high by 92cm. wide.
A ROSEWOOD CHIFFONIER, Victorian, with spiral twist supports and an open base, 84cm. wide.    A CARVED OAK PEDESTAL DESK, Victorian, with masked terminals, on castors, 152cm. wide.

A GILT TRIPLE PLATE
OVERMANTEL MIRROR, William IV, the
frieze centered by a large flower head, 90cm.
high by 185cm. wide.

TEA CADDIES, WRITING BOXES, ETC.
AN OVAL MAHOGANY TRAY, late George III, with later inlay and brass handles, 77cm. wide.; and A MAHOGANY CIRCULAR PIE-CRUST TRAY, George III, faults,    43cm. diameter.
A MAHOGANY KIDNEY-SHAPED TRAY, Edwardian, with shell inlay and brass handles, 57cm. wide.

TWO MAHOGANY CATS, , each with
a central ball and six turned legs.

A MAHOGANY KNIFE BOX, George III, with original interior apertures, 22cm. wide.

A FRUITWOOD DESK BOX, 18th Century, the interior including four drawers, 33cm. wide.;

A MAHOGANY CONVERTED KNIFE BOX, 18th Century, 20cm. wide.   ; and TWO HIDE BUCKETS, 19th Century, 30cm. wide..

A TORTOISESHELL VENEERED AND EBONY CASKET, Flemish, 19th Century, with a hinged cover and ivory bun feet, 20cm. wide.

A MAHOGANY OVAL TRAY, George
III, with a waved gallery, 58cm. wide.

A MAHOGANY AND SATINWOOD INLAID OVAL TRAY, Edwardian, with brass handles, 67cm. wide.

A BURR WALNUT AND ELM TEA CADDY, 19th Century, of sarcophagus form, on later parquetry feet, 33cm. wide.

A ROSEWOOD TOILET BOX, Victorian, with mother of pearl escutcheons and a fitted interior including a pair of glass bottles and stoppers, 31cm. wide.

A MAHOGANY AND INLAID GAMES BOX, Edwardian, decorated throughout with medallions, crosses and horseshoe motifs, the interior with a draughts board including a small box of draughts pieces, 33cm. wide.; together with A SIMILARLY INLAID BOX, bearing the initials N.W., 34cm. wide.

A PINE BENTWOOD BOX AND
COVER, Scandinavian, 19th Century, of
oval form with poker-work decoration, 48cm.
wide.

A PAPIER MACHE AND PAINTED
CASKET, Victorian, 23cm. wide.; together
with A SIMILAR WORK BOX, Victorian,
29cm. wide.; and A RED PAPIER-MACHE
BLOTTER, Victorian, 30cm. wide.

A MAHOGANY CUTLERY TRAY, early 19th Century, with three divisions, 38cm. wide.

A PARTRIDGEWOOD THREE-DIVISION TEA CADDY, George III, of sarcophagus form with a later glass blending bowl, 32cm. wide.

A MAHOGANY SQUARE BOX, Edwardian, the hinged lid with a bats wing fan parterre above a key band with stringing, on a receded plinth base, 29cm. wide.

MAHOGANY EXTENDING DINING TABLE, EBONISED AND GILT METAL MOUNTED TORCHERE, MAHOGANY RAIL BACK ROCKING CHAIR, WALNUT AND GLAZED MUSIC CABINET

AN EBONISED AND GILT METAL MOUNTED TORCHERE, late
19th Century, of tapering rectangular form, the green marble top above three turquoise glazed plaques, on bracket feet, 44cm. wide.

A MAHOGANY EXTENDING DINING TABLE, Victorian, with three leaves and receded turned legs, including a winding key, 236cm. long fully extended by 120cm. wide.

AN EBONISED AND PARCEL GILT CHAIR, Regency style, with a cane seat and splayed legs; together with AN EBONISED AND PARCEL GILT OCCASIONAL TABLE, early 19th Century, with a later top decorated with a trophy and a key pattern border, 46cm. wide.

A BUTTON UPHOLSTERED WING ARMCHAIR, covered in pink velvet, on mahogany tapered square legs

A MARQUETRY WALL MIRROR, 18th Century style, with a fretwork cresting and apron, 143cm. high by 80cm. wide.

A MAHOGANY AND PARCEL GILT MIRROR BACK SIDE CABINET, Victorian, with an arrangement of open shelves, a drawer and a cupboard door, faults, 207cm. high by 140cm. wide.

A SET OF THREE MAHOGANY DINING CHAIRS, George III, with stick splats and drop-in seats, on tapered square legs joined by stretchers.

A PAINTED AND PARCEL-GILT WALL MIRROR, Spanish, part 18th Century, with a foliate
scroll-carved surround, 115cm. high by 83cm.
wide.

A WALNUT OCCASIONAL CHAIR, Victorian, with an upholstered back and seat, on arched supports.

A MAHOGANY CARD TABLE, 19th Century, probably French, with a serpentine top and cabriole legs, 89cm. wide.

A MAHOGANY TILT TOP TRIPOD TABLE, George III, with a turned stem and cabriole supports, 58cm. diameter; together with A SMALLER TRIPOD TABLE, George III, 39cm. diameter .

AN EBONISED GRAND PIANO BY C. BECHSTEIN, German, late 19th Century, raised on octagonal tapering supports with castors, 200cm. long.

A MAHOGANY OVAL PEMBROKE
TABLE, George III, with a drawer, on
tapered square legs, 98cm. wide.

A ROSEWOOD AND INLAID DUET
PIANO STOOL, late Victorian, with a
hinged seat and turned legs, 98cm. wide.

A MAHOGANY RAIL BACK ROCKING CHAIR, Regency, with a slip-in seat and partial reeded frame.

AN EBONISED RECTANGULAR CARD TABLE, Victorian, on turned legs and castors, 90cm. wide.

A CARVED PADOUKWOOD SIDE
CABINET, Burmese, 19th Century, with
raised back, 86cm. wide.

A CARVED PINE PEDESTAL
TABLE, Italian, with a circular plate glass
top and urn-shaped pillar, 137cm.

A GILT AND CANE CANAPE, Louis XVI style, the slightly kidney-shaped seat with a cushion, 110cm. wide.
A BEECHWOOD STOOL, Louis XV style, with ivory fabric seat and cabriole legs, 97cm. wide.

A WALNUT AND GLAZED MUSIC CABINET, late Victorian, with fall front compartments, 46cm. wide.

A SABICU PEDESTAL
CARD TABLE, William IV, on a quarter form
base and scroll feet, moldings and veneer
partially lacking, 92cm. wide.

CARVED GILTWOOD PIER MIRROR, GRAINED ROSEWOOD OCCASIONAL TABLE, MAHOGANY HANGING CORNER CUPBOARD, MAHOGANY CELLARE

A MAHOGANY PARTNERS’
WRITING TABLE, , the rectangular leather
inset top above opposing frieze drawers and
lateral dummy drawers, on square legs,
155cm. wide.

A MAHOGANY CARD
TABLE, George III, with a rectangular top
and concealed rear drawer, on square legs,
91cm. wide.

A CARVED GILTWOOD PIER MIRROR, . with a serpentine cresting, 173cm. high by 49cm. wide.    A CARVED AND LATER GOLD PAINTED OVERMANTEL MIRROR, George Ill-style, late 19th Century, the cartouche-shaped plate within a scrolled surmount, faults. 182cm. high by 125cm. wide.

A MAHOGANY DRAUGHTSMAN’S
TABLE, George III. with a ratchet adjustable
top and telescopic square supports joined by
stretchers, 63cm. wide.

A FIGURED WALNUT OVAL
PEDESTAL TABLE, Victorian.
on quadruple turned and carved supports,
117cm. wide.

A MAHOGANY SINGLE TESTER
BED, George III style, with baluster turned
front posts, including an iron frame and a
mattress, 213cm. long by 98cm. wide.

A MAHOGANY BOW-FRONT CORNER CABINET, George III style, made-up, with an astragal door above a drawer and a cupboard, on splayed legs, 178cm. high by 65cm. wide.

A ROSEWOOD OCTAGONAL TWO-TIER TABLE, late Victorian, inlaid with stringing, 60cm. wide.    A ROSEWOOD AND INLAID SUTHERLAND TABLE, late Victorian, on splayed and square tapered legs, 73cm. wide.

A PAIR OF MAHOGANY SPLAT-BACK OCCASIONAL CHAIRS, Edwardian, on cabriole legs.

A MAHOGANY RECTANGULAR TABLE, Victorian, on turned legs with splayed feet, 76cm. wide.; together with A ROSEWOOD STOOL, Victorian, the upholstered seat on spiral-twist legs, 51cm. wide.

A GRAINED ROSEWOOD OCCASIONAL TABLE, early Victorian, with a drawer and rectangular supports, on scroll feet, 56cm. wide.

A MAHOGANY CELLARET, Regency, of serpentine form, inlaid with stringing and on paw feet, faults, 69cm. wide.

A CARVED AND MAHOGANY ARMCHAIR, modern, in the manner of Thomas Chippendale, on cabriole legs with claw and ball feet.

A MAHOGANY JARDINIERE, George III style, made-up, of square form inlaid with shell medallions, on tapered square legs with spade feet, 32cm. wide.

A MAHOGANY BUREAU, George III style, with two short and three long drawers, on bracket feet, 76cm. wide.

AN OAK ‘COCK FIGHTING’ CHAIR, Queen Anne style, with a ratchet adjusted flap and turned supports joined by stretchers.

A MAHOGANY HANGING CORNER CUPBOARD, George II, with a cross and chevron banded door flanked by fluted corners, faults, 73cm. wide.

MAHOGANY TRIPOD TABLE, PORCELAIN MOUNTED SIDE TABLE, MAHOGANY CABINET BOOKCASE, MAHOGANY AND SATINWOOD BANDED CABINET MAKER’S CHEST, CARVED WALNUT ARMCHAIR

A MAHOGANY TRIPOD TABLE, part 18th Century, with a circular dish molded top, 47cm. diameter.

A MAHOGANY RECTANGULAR STOOL, George III, with slip-in seat and chamfered square legs, 53cm. wide..

A KINGWOOD GILT METAL AND PORCELAIN MOUNTED SIDE TABLE, Louis XVI style, with a marble top and receded legs, 95cm. wide.

H AN OYSTER VENEERED WALNUT
AND LABURNUM SIDEBOARD BY GILL
AND REIGATE, 20th Century, including a
lined cellaret compartment, door stamped Gill
and Regatta, 212cm. wide.; Gill and Regatta
were quality retailers of Queen Anne and
Georgian revival furniture during the early
part of this century.

A MAHOGANY ARMCHAIR BY MORRISON AND CO. OF EDINBURGH, George III style, early 20th Century, with nailed hide upholstery and molded tapered square legs joined by stretchers, rear leg stamped with maker’s name.

A MAHOGANY AND SATIN WOOD CROSSBANDED SEMI-CIRCULAR CARD TABLE, George III, with tapered square legs and strung borders, restored, 99cm. wide.

A MAHOGANY AND
CROSSBANDED KIDNEY-SHAPED
TABLE, George III style, with three drawers
and X-shaped end supports, 101cm. wide.

A WALNUT AND INLAID OVAL
CENTRE TABLE, Victorian, on turned end
supports and carved splayed feet, 104cm. wide.

A MAHOGANY CABINET
BOOKCASE, George III style, enclosed by
two pairs of fielded paneled doors, cornice
corner compressed, 197cm. high by 80cm. wide.

A MAHOGANY WRITING TABLE,
George III style, with inset top and a drawer,
on tapered square legs, 92cm. wide.; and A
SMALL REPRODUCTION DRUM-TOP
OCCASIONAL TABLE, on tripod base,
51 cm. diameter,.

A CARVED WALNUT AND
BUTTON UPHOLSTERED SPOON BACK
OCCASIONAL CHAIR, Victorian, covered
in claret velvet, on cabriole legs and castors.

A MAHOGANY CIRCULAR
OCCASIONAL TABLE, 19th Century, on a
turned pillar and reform base, 54cm. diameter.

A MAHOGANY AND GLAZED
CABINET BOOKCASE, George III style, on
shaped bracket feet, 237cm. high by 93cm. wide.

A MAHOGANY AND SATINWOOD
BANDED CABINET BOOKCASE, late
Victorian, with a pair of beveled glass doors
and plinth base, 234cm. high by 140cm. wide.

A LARGE OAK AND LAMINATED PEDESTAL DESK, George III style, with an inset top, 182cm. wide.

A PAINTED PINE, MAHOGANY AND SATINWOOD BANDED CABINET MAKER’S CHEST, George IV, on later castors, 94cm. wide.

A CARVED WALNUT ARMCHAIR, Irish, George I style, with slip-in seat and cabriole legs.

A SET OF MAHOGANY QUARTETTO TABLES, George III style, with chevron stringing, 48cm. wide

A MAHOGANY DRUM-TOP LIBRARY TABLE, early 19th Century, with an associated base, on turned feet and castors, distressed, 122cm. diameter.

AN EBONISED AND BOULLE
SIDE CABINET, Victorian, with gilt metal
mounts and a pair of doors, on a shaped
platform base, 135cm. wide.

MAHOGANY SIDE CHAIR,  MAHOGANY CHEST-ON-CHEST, EBONISED OCCASIONAL TABLE, GILTWOOD WALL MIRROR,  MAHOGANY DROP-LEAF DINING TABLE

A PAIR OF MOTHER-OF-PEARL INLAID HUANG HUALI ARMCHAIRS, Chinese, late 19th/early 20th Century, with pierced urn backs, solid seats and on square legs.

THE FOLLOWING FOUR LOTS ARE BEING SOLD ON BEHALF OF THE EXECUTORS OF THE ESTATE OF THE LATE MLSS SLLVIA BURRELL, ONLY CHILD OF THE LATE SLR WILLIAM BURRELL:

A MAHOGANY SIDE CHAIR, George III, racially carved and with a strap work splat, drop-in seat and on square legs; AN ELM SIDE CHAIR, George III, with a Gothic splat and square legs; and TWO SIMILAR SIDE CHAIRS, George III, with rail backs, padded seats and on square legs.

A MAHOGANY STOOL, George III, rectangular, with a drop-in seat and on molded square legs, 53cm. wide.

AN OAK DROP-LEAF TABLE, George II, the oval top raised on turned legs with pad feet, one foot damaged, 97cm. wide.

A PLUM MOTTLED MAHOGANY
TEA TABLE, George III, rectangular, on
chamfered square legs, 79cm. wide.

A BLACK LACQUER CABINET-ON-
COMBINED STAND, Dutch Colonial, 18th.
Century, the pair of doors above a drawer
and square legs with collars, 85cm. wide.

A MAHOGANY COMMODE, Directories style, 20th Century, of D-shape with a marble top above a marble-inset slide, the two drawers flanked by a pair of doors, on tapered square legs, 130cm wide.

A MAHOGANY CHEST-ON-CHEST, George III, the dentil led cornice above two short and six long graduated drawers, on bracket feet, the upper part with inlaid canted corners, some faults, 187cm. high by 112cm. wide.

A MAHOGANY CHEST-ON-CHEST, George III, the molded cornice above two short and six long graduated drawers, on bracket feet, 188cm. high by 110cm. wide.
A MAHOGANY FRETWORK
OVERMANTEL MIRROR, George II style,
with a gilt eagle cresting above the plate,
flanked by foliate-cut asymmetrical borders
and scrolling brackets, some faults, 106cm. wide.

AN OAK DRESSER BASE, late 17th
Century, with alterations and later carving,
the three paneled frieze drawers with guilloche and lunette carving, on turned and square legs, 82cm. high by 151cm. wide.

A CARVED WALNUT ARMCHAIR,
Continental, late 19th Century, the
grotesque mask cresting above a pierced tub-shaped back centered by a roundel with a griffin holding an open book bearing a motto, the upholstered sprung seat on splayed legs and claw and ball feet.

AN EBONISED OCCASIONAL
TABLE, Louis XVI style, the top inset with a
marble panel above a ribbon frieze, on fluted
legs, 60cm. wide.

A SMALL MAHOGANY
SECRETAIRE BOOKCASE, George III
style, made-up, the molded cornice above a
pair of geometric astragal doors enclosing
shelves, the fitted writing drawer above a pair
of panel doors, on splayed bracket feet.
203cm. high by 71cm. wide.

A MAHOGANY RECTANGULAR
DROP-LEAF DINING TABLE, George III,
on square legs, 154cm. wide.

A GOLD PAINTED OVERMANTEL
MIRROR, William IV, the upright beveled
rectangular plate flanked by columns, below
is an anthemion and quatrefoil frieze, 95cm.
high by 58cm. wide.

A GILTWOOD WALL MIRROR,
part 18th Century, the rectangular plate with
a shaped cresting and apron carved with
shells and foliage, 105cm.

A MAHOGANY DROP-LEAF DINING TABLE, George II, the hinged oval top raised on tapering legs and pad feet, 110cm.

A MAHOGANY ROLL-TOP DESK, the damaged tambour top enclosing drawers and pigeon-holes above a central drawer, raised on a pair of pedestals each containing three paneled drawers, 137cm. wide.

A GILTWOOD GIRANDOLE, George III style, the oval plate within a beaded frame beneath an urn cresting, with two foliate sconces, 114cm.

OAK PEDESTAL DESK, MAHOGANY LINEN PRESS, CARVED OAK DINING CHAIRS, OAK CYLINDER BUREAU, WALNUT SIDE CABINET

A STAINED OAK PEDESTAL DESK, Victorian, carved with foliage and caryatid figures, 160cm. wide.

A RECTANGULAR GILTWOOD OVERMANTEL MIRROR, William IV, with molded uprights and applied at the corners with flower heads. 130cm. wide.

AN OCTAGONAL OAK AND MARQUETRY CENTRE TABLE, German, 17th Century style, the top caned with foliage and raised on spiral twist supports. 100cm. wide.

A STAINED OAK CIRCULAR OCCASIONAL TABLE, German, 17th Century style, with a foliate carved border and raised on spiral twist legs, 69cm. diameter.

A SET OF FOUR CARVED OAK DINING CHAIRS, Victorian, including two armchairs, with armorial backs and spiral-twist supports.

A MAHOGANY LINEN PRESS, George III,, the dentil cornice above paneled doors and two short and one long drawer. on bracket feet, reduced, 178cm. high by 125cm. wide.

A TEAK CAMPAIGN BENCH, early 19th Century, with a caned back and seat, above four drawers and stile feet, caning distressed, parts lacking, 194cm. wide.

A MAHOGANY SIDE TABLE, George IV, with two frieze drawers and on receded tapered legs, later gallery, 121cm. wide.

A MAHOGANY CIRCULAR TRIPOD
TABLE, early 19th Century,, with alterations,
with a tapering column and down swept legs,
59cm. diameter.

A MAHOGANY RECTANGULAR
OCCASIONAL TABLE, William IV, the
cross banded top raised on a cylindrical
column, the reform base with gilt bronze
lion’s paw feet. 69cm. wide.

A MAHOGANY CABINET
BOOKCASE, George III style, with an
astragal door above a cupboard door, on
bracket feet. 188cm. high by 55cm. wide.

A MAHOGANY SIDEBOARD, 20th Century, with a raised shell carved back and on cabriole legs. 183cm. wide.

A MAHOGANY BOW-FRONT CHEST OF DRAWERS, George III, with two short and three long graduated drawers, on slaved bracket feet. 107cm. wide.
A MAHOGANY WING-BACK ARMCHAIR, Edwardian, on splayed legs, 90cm. wide.

AN OAK CYLINDER BUREAU, Victorian, with a fitted interior and raised on a pair of pedestals containing three graduated drawers. 122cm. wide.

A MAHOGANY BREAKFRONT SIDEBOARD, George III. with three drawers and a cupboard, on tapered square legs with spade feet, restored. 153cm. wide.

A MAHOGANY BREAKFRONT
PEDESTAL SIDEBOARD, George IV, the
raised scrolling back above four drawers and
a pair of tapering pedestal cupboards, on
plinth bases, 248cm. wide.

A MAHOGANY PEDESTAL DESK,
early 20th Century, with three frieze
drawers, the pedestals with three graduated
drawers and plinth bases, 122cm. wide.

A MAHOGANY PEDESTAL
DRESSING TABLE, Victorian, with three
frieze drawers, the pedestals with three
graduated drawers and plinth bases, 122cm.
wide.

H A WALNUT SIDE CABINET,
Victorian, with gilt metal mounts, the cavetto
cornice above a single arched glazed door, on
a plinth base, 79cm. wide.