ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

French Gothic-style carved oak Cupboard on Stand, Italian walnut Cassone, Italian giltwood large Armchair

A Continental giltwood Fauteuil,
circa, the cartouche-shaped
upholstered back surmounted by an
anthemion cresting, the upholstered
serpentined seat above cabriole legs,
regilded, possibly Italian.

An Italian walnut Commode, circa
with key-pattern banding, the two
short and two long drawers above tapered
square feet.

A Louis Phillipe mahogany
Cabinet, circa, with spiral pilaster terminals, the scroll carved frieze drawer above a pair of panel doors with ripple mouldings, the interior with a shelf, on turned feet.

A Louis XV dark oak Armoire,
circa, the moulded cornice above a
pair of panelled doors, faults.

A Louis XV-style kingwood
marquetry Bureau de Dame, circa,
with gilt-metal mounts, the bombe fall
revealing a recess, three drawers and a
well, the square cabriole legs ending in
sabots.

A French Gothic-style carved oak Cupboard on Stand, made-up, with bold iron hinges to the door, the base with an arched recess.

A Louis XV-style upholstered beechwood Library Armchair, circa,
covered in blue velvet, with carved apron
and cabriole legs, formerly with a painted
frame.

A Tuscan walnut Refectory Table,
circa, the top with a channelled
surround, the panelled frieze above six
turned legs, the square feet joined by
peripheral stretchers.

An Italian walnut Cassone, circa
the moulded hinged top above a
panelled front inlaid with flowers and
arabesques, on scroll carved feet.

A pair of fruitwood Benches, th
Century, the narrow tops with rounded
ends, on trestle-shaped supports.

A Dutch oak Chest, st half 19th
Century, the top with a dentilled border
above three long panel-front drawers with
swag carving, on turned feet.

A pair of Italian silvered Torcheres in late th/early 18th Century style, 18th Century, each of octagonal tapering form, with a gadrooned knop carved with husks and acanthus,

the tripod base with scrolled feet carved with sunflowers, resilvered and on ebonised plinths. high;

A pair of Hispano Flemish-style Armchairs, modern, in 18th Century manner, the pierced backs with two rows of turned spindles, with moulded arms, sprung seats, turned legs and

stretchers.

A Continental polychrome japanned Cabinet-on-Stand, late th/ early 18th Century, probably North German or Danish, the cabinet with a pair of cupboard doors painted with a brace

of pheasant, the sides with figures in a garden setting, the interior with seven drawers painted with hunting scenes, warriors and figures in garden landscapes, the whole gilt,

the stand parcel-gilt on a white ground, the cabriole legs with animal heads carved with acanthus, the deep apron with strapwork and foliage.

An Italian giltwood large Armchair, 2nd quarter 18th Century, probably Venetian, the padded cartouche back with a padded circular cresting amongst elaborate pierced acanthus and

‘C’-scrolls, with downswept arms, a stuffed seat and leaf carved cabriole legs—
Another larger Italian Armchair, nd quarter 18th Century, with a padded cartouche back and cresting amongst elaborate pierced baroque corbels, ‘C’-scrolls, acanthus and

flowerheads, with downswept leaf carved arms and stuffed seat, on a deep leaf carved apron and cabriole legs joined by an ‘X’-stretcher

A Continental 18th Century-style
giltwood frame Firescreen, circa,
the applique needlework cartouche panel depicting floral vase, with leaf scroll surmount and scroll feet.

A Regence-style giltwood Pier
Table, circa, the white marble top
above foliate frieze with floral swags, the
cabriole legs joined by stretchers and
centred by cartouche. high by.

CONTINENTAL FURNITURE: French Provincial oak and fruitwood crossbanded serpentine Commode, French Empire-style kingwood Bureau a Cylindre

A French Provincial oak and
fruitwood crossbanded serpentine
Commode, circa, with three long
graduated drawers above cabriole feet.

A French kingwood Petite
Bibliotheque, circa, the marble top
above open shelves and canted corners,
on cabriole feet and sabots.

A French ebonised and pietra-
dura Meuble d’Appui, circa, with
gilt-metal mounts, the Verde Antico
marble top above a frieze of insects and
flowers, the panel door centred by a
basket of fruit and flanked by caryatids,
the canted sides above bracket feet,
partially lacking pietra-dura.

A French boulle and ebonised
Work Table, circa, the rectangular
serpentined hinged cover revealing a
mirror inset and sliding tray, the shaped
frieze above square cabriole legs ending
in sabots, faults.

A Florentine gilt framed oval Wall
Mirror, circa, with pierced foliate
surround.

A pair of Viennese Biedermeier
Hungarian ash Side Chairs, circa,
with serpentine toprail, waisted back and
stuffed concave seat, on square cabriole
legs.

A Dutch marquetry and
mahogany Chest, circa, the
serpentined top above an ogee-shaped front with four long drawers and a carved apron, the canted bulbous corners with lotus bun feet, faults.

A French Empire-style kingwood
Bureau a Cylindre, circa, with
quarter veneers and gilt-metal mounts,
the three frieze drawers above a fall
enclosing small drawers and an inset
writing slide, below are two apron
drawers, on turned and fluted tapering
legs.

A Portuguese carved coromandel Chair, circa, with a pierced vase-shaped splat and distressed cane seat, on cabriole legs and Braganza feet, restored.

A rare Swedish japanned Wing Armchair, circa, the rectangular shaped back with outset padded wings and shaped arms to an upholstered seat, the shaped moulded seat-rail decorated

with gilt leaves, the cabriole legs decorated with gilt lines and joined by turned stretchers similarly decorated, all on a black ground.

A Louis XV-style kingwood and
marquetry bombe Commode, circa,
with gilt-metal mounts, the marble top above two short and two long drawers, on splayed feet and sabots.

A set of seven French carved
walnut and cane Chairs, circa,
including an armchair, the oval backs
with pierced drapery surmounts, the
bowed seats above moulded cabriole legs.

A French kingwood and walnut
parquetry Lady’s Bureau, circa,
with gilt-metal mounts, the shallow
sloping hinged top revealing two drawers
and a sprung drawer enclosing a well,
the shaped apron with a rear oval
medallion, the cabriole legs ending in
sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced strap-
work cresting above a cartouche-shaped
plate with a gouged border and pendant
flowers, the pierced apron centred by a
stylised flowerhead.

A Louis XV-style mahogany and
tulipwood Table-en-Chiffonier
the breche d’alep rectangular top
with a pierced brass gallery, the chequer
banded frieze drawer above a pair of
doors applied with leather book spines,
on cabriole legs.

A pair of Louis XV-style
kingwood serpentine-front Commodes,
circa, with Verde Antico marble
tops, segmented veneers, gilt-metal
mounts and porcelain plaques, the three
long drawers flanked by canted corners,
the shaped apron above cabriole legs
ending in sabots.

A Spanish walnut Vargueno, late 18th Century, with gilt-metal mounts incorporating monograms, the fall revealing an architectural interior with gilt mouldings, ivory pillars and

ivory insets, comprising an arrangement of small drawers and covers, the sides with iron carrying handles, faults.

An Italian gilt framed Wall Mirror, circa, mounted with a seated putti, the cartouche-shaped plate within a rocaille surround.

A French boulle Meuble d’Appui,
circa, with gilt-metal mounts, the
recessed cavetto moulded top with a
pierced brass gallery, the arched glazed
panel door enclosing a velvet-lined
interior, on cabriole feet.

A Louis XV-style kingwood trellis
parquetry Bureau de Dame, circa,
the serpentine fall revealing a fitted
interior with a well, the shaped apron
above square cabriole legs ending in
sabots.

A Scandinavian painted and
parcel-gilt Wall Mirror, 18th Century,
the shaped cresting above a panel frieze
centred by a relief profile bust, the
rectangular plate above a further
decorated panel, the rectangular
surround with a simulated tortoiseshell
border.

A Louis XV-style kingwood and
gilt-metal mounted Vitrine, circa,
the serpentine cornice surmounted by a pierced cresting, the pair of glazed doors enclosing glass shelves, the panelled base with Vernis Martin-style panels, on cabriole legs

ending in sabots.

An Italian carved giltwood Wall
Mirror, circa, the pierced scroll
cresting centred by a paterae, the
rectangular plate flanked by bell flowers
and with swag apron.

A Louis XV-style kingwood
parquetry bombe Commode, modern,
the serpentine red marble top above
three long drawers, on splayed legs
ending in sabots.

Two Italian carved and silvered
gesso Grotto Armchairs, circa,
with shell-shaped backs and seats, the
arms in the form of dolphins, faults and
worm.

An Italian carved and painted
Chair, circa, in the form of a
grotesque bird, the oval seat covered in
velvet, parts lacking.
See Christopher Payne, 18th Century European Furniture, plate, and photograph on page.
Provenance: Wilsford Manor House Sale, th October.

A Dutch ebonised and floral
marquetry Display Cabinet, circa,
inlaid throughout with ivory geometric
borders, the red marble top above a
panelled glazed door enclosing glass
shelves.

A set of four Italian carved
walnut Grotto Armchairs,
with shell-shaped backs and seats, dolphin arms and splayed legs, restored.

ANTIQUE ENGLISH VICTORIAN AND EDWARDIAN FURNITURE

A Victorian rosewood Davenport, circa, the inset writing slope above carved scroll cabriole supports, the side with a pen drawer, four long drawers and hinged pilasters, on

concealed castors.

A Victorian-style walnut and mahogany Partners’ Desk, French, circa, with fluted terminals, the gilt-tooled inset leather top above three frieze drawers to the opposing sides,

the pedestals each with three drawers and an opposing cupboard simulating drawers, on square pad feet. long;

A George Ill-style small
mahogany Chest, made-up, inlaid with
chequered banding, the top with a fan
medallion, the two short and three long
drawers above a valanced apron, on
splayed bracket feet. high by.

A Queen Anne-style small
walnut and crossbanded Chest-on-Chest,
made-up, the moulded cornice above two
short and three long graduated drawers
flanked by canted fluted corners, below
is an inset slide and three long graduated
drawers, the apron with shaped sunburst
inlay, on bracket feet.

A Victorian walnut and
kingwood Bonheur-du-Jour, circa,
in the French style, with gilt-metal mounts
and marquetry, the raised back with an
arched door enclosing shelves and
flanked by eight short drawers, the
serpentined base with an apron drawer,
the square cabriole legs ending in sabots.

An Edwardian satinwood Carlton
House Desk, circa, by Maple &f Co.,
inlaid with chequered banding and
ebonised stringing, the raised back with a
gallery, cupboards and short drawers,
the wings with hinged compartments
revealing pigeonholes and a pair of
inkwells, the inset sliding top with a
plate-glass cover, below is an
arrangement of five drawers, the tapered
square legs ending in spade feet and
castors, drawer stamped Maple & Co.
Ltd.

A George Ill-style mahogany serpentine-front Sideboard, made-up,
inlaid with satinwood banding, urn
motifs and fan medallions, the three
frieze drawers flanked by a cellaret
drawer and two drawers, on tapered
square legs. high by.

A Victorian carved walnut
Chaise Longue, circa, the shaped
button upholstered back and sprung
serpentine seat upholstered in pink
velvet, on hipped cabriole legs with
ceramic castors.

A Louis XV-style walnut and
gilt-metal mounted Centre Table, circa
by Gillow, the amboyna banded
serpentine top above a shaped apron
with a frieze drawer, on square cabriole
legs with caryatids and sabots. high
by.

A Victorian burr walnut
Davenport, circa, the piano-shaped
top with a rear pierced fretwork gallery
and hinged panel revealing stationery
compartments, the fall enclosing a
pull-out writing surface and small
drawers above cabriole supports, the
sides with four real and four dummy
drawers, on a plinth base and bun feet.

A Victorian carved mahogany
Linen Press, circa, the arched
pediment above a pair of arched panel
doors flanked by rectangular pilasters
with foliate capitals, the interior now
with a shelf, below are three long
graduated drawers and a pair of
conforming pilasters, on stylised scroll
feet.

A George Ill-style mahogany
‘D’-end twin pedestal Dining Table,
made-up, with a leaf insertion, the
baluster pillar above quadruple reeded
splayed legs ending in brass paw feet and
castors.

A pair of Victorian walnut and marquetry Pier Cabinets, circa, in
the French style, with gilt-metal mounts,
the arched door enclosing a velvet-lined
and shelved interior.

A Victorian walnut harlequin Davenport, circa, the rear rising section with hinged cover and shaped stationery compartment, the piano moulded cover revealing a lined writing

slide and sliding pen tray, on chamfered pillar supports, the side with four real and four opposing dummy drawers, on ceramic castors.

A Victorian rosewood Teapoy, circa, of sarcophagus form, the hinged cover revealing a pair of lidded canisters and twin glass blending bowls, on a cabochon and lotus carved

pillar above a quatreform base, on scroll feet and castors.

A Victorian rosewood Card
Table, circa, the rectangular
fold-over top above a turned pillar and
quatreform base, on carved scroll feet.

An Edwardian mahogany and
satinwood banded Corner Display
Cabinet, circa, the pierced fret
pediment above an applied astragal door
enclosing a velvet-lined and shelved
interior, the tapered square legs with
angle brackets, on spade feet.

A pair of Victorian ebonised and parcel-gilt Stools, circa, with rectangular seats, one covered in floral needlework, the other in claret velvet, the leaf carved frieze above

cabriole legs.

A set of eight George II-style carved mahogany Chairs, modern, with pierced and interlaced vase-shaped splats, the slip-in seats covered in tapestry, the acanthus carved

cabriole legs ending in claw and ball feet.

A Victorian burr walnut
Occasional Table, circa, the
circular top with segmented veneers, the
tapered chamfered pillar above a triform.

A George Ill-style mahogany
Chest-on-Chest, circa, the moulded
cornice above two short and three long
drawers, the canted corners with chevron
veneers, below are three long graduated
drawers, on shaped bracket feet.

A Victorian rosewood Centre
Table, circa, the circular top inlaid
with marquetry panels of flowers,
scrollwork and butterflies, on a carved
stem and three cabriole legs with claw
and ball feet, top split.

A George Ill-style mahogany and crossbanded small bow-front Sideboard, circa, the cutlery drawer and arched apron drawer flanked by two deep drawers, on tapered square legs and

spade feet, together with a plate-glass top.

A Victorian carved walnut oval
serpentined pedestal Table, circa,
the quartered and burr veneered top with a leaf scroll border on a stippled ground, the quadruple scrolled supports above leaf-clad feet, on castors, base lacking a finial.

A set of six Victorian carved
walnut Chairs, circa, the balloon
backs with parchment scroll crestings,
covered in floral tapestry, on hipped
cabriole legs.

An early Victorian rosewood Workbox, circa, the hinged cover revealing a pink silk-lined interior, the arcaded apron above a well with applied tracery and rosette medallion, the

leaf-clad baluster pillar with a quatreform base, on scroll feet.

A Victorian mahogany and gilt-metal mounted Vitrine, circa,
in the French style, the square top above a glazed door and with glazed side panels enclosing a shelf and blue velvet lining, the shaped apron above square cabriole legs ending

in sabots.

A Victorian carved and gilt-gesso
framed Wall Mirror, circa, the
rectangular plate with a foliate scroll and
entwined surround surmounted by a
floral basket.

A William IV rosewood and
upholstered Chaise Longue, circa,
with scroll end and a padded arm rest,
covered in gold dralon, the turned legs
with brass cappings and castors,
underframe wormed.

A set of four Victorian rosewood
balloon-back Chairs, circa, with
pierced mid-rails and stuffed serpentine
seats upholstered in green velvet, on
cabriole legs.

A George Ill-style carved satinwood shield-back Armchair, circa, by Warings, the pierced splat with drapery, the stuffed seat covered in fawn brocade, the reeded tapered legs

with collars, stamped Warings.

DISTRESSED ROSEWOOD POLE SCREEN, OAK MIRROR BACK SIDEBOARD, MAHOGANY KNIFE BOX, BURR WALNUT AND ELM TEA CADDY, PARTRIDGEWOOD THREE-DIVISION TEA CADDY

A DISTRESSED ROSEWOOD POLE SCREEN, William IV, on a reform base, 150cm. high; and A MAHOGANY SQUARE BEDSIDE TABLE, George III, the under tier with a drawer, 33cm. wide.

A GILT PAINTED FRAME ARCHED WALL MIRROR, George III style, with margin plates, 127cm. wide.

A DISTRESSED BLACK AND GILT FRAME TALL PIER MIRROR, Victorian, with a foliate and fruit cresting, 214cm. high by 92cm. wide.
A WALNUT AND INLAID DAVENPORT, Victorian, including a swivel pen drawer, on castors, faults, 53cm. wide.

A BRASS AND HARDWOOD
OCCASIONAL TABLE, Persian, on a
domed base, 60cm.

A LARGE CARVED HARDWOOD
MIRROR FRAME, 18th Century style, with
ornate leaf-scroll surround, 270cm. high by
110cm. wide.

A DISTRESSED GILT FRAMED OVERMANTEL MIRROR, Victorian, with eagle surmount, 122cm. wide.; and A MAHOGANY WORK TABLE, Edwardian, with an under tier, 47cm. wide.

A MAHOGANY FRETWORK FRAMED FOUR-FOLD SCREEN, Edwardian, with glazed panels, 122cm. high by 40cm. wide.

A MAHOGANY DINING CHAIR, George III, with vase-shaped splat and slip-in seat; and A MAHOGANY OCTAGONAL OCCASIONAL TABLE,

A BRASS REVOLVING MUSIC STOOL, Victorian, with button upholstered seat

AN OAK MIRROR BACK SIDEBOARD, late Victorian, with a scroll pediment and a plinth base, 163cm. wide.

A GOTHIC REVIVAL
OAK CABINET, German, late 19th Century,
the doors painted to the reverse with portrait
roundels in the Pre-Raphaelite manner, 116cm.
wide.
A GILT FRAMED CARTOUCHE-SHAPED WALL MIRROR, 18th Century style, with foliate and scroll surround, 145cm. high by 92cm. wide.
A ROSEWOOD CHIFFONIER, Victorian, with spiral twist supports and an open base, 84cm. wide.    A CARVED OAK PEDESTAL DESK, Victorian, with masked terminals, on castors, 152cm. wide.

A GILT TRIPLE PLATE
OVERMANTEL MIRROR, William IV, the
frieze centered by a large flower head, 90cm.
high by 185cm. wide.

TEA CADDIES, WRITING BOXES, ETC.
AN OVAL MAHOGANY TRAY, late George III, with later inlay and brass handles, 77cm. wide.; and A MAHOGANY CIRCULAR PIE-CRUST TRAY, George III, faults,    43cm. diameter.
A MAHOGANY KIDNEY-SHAPED TRAY, Edwardian, with shell inlay and brass handles, 57cm. wide.

TWO MAHOGANY CATS, , each with
a central ball and six turned legs.

A MAHOGANY KNIFE BOX, George III, with original interior apertures, 22cm. wide.

A FRUITWOOD DESK BOX, 18th Century, the interior including four drawers, 33cm. wide.;

A MAHOGANY CONVERTED KNIFE BOX, 18th Century, 20cm. wide.   ; and TWO HIDE BUCKETS, 19th Century, 30cm. wide..

A TORTOISESHELL VENEERED AND EBONY CASKET, Flemish, 19th Century, with a hinged cover and ivory bun feet, 20cm. wide.

A MAHOGANY OVAL TRAY, George
III, with a waved gallery, 58cm. wide.

A MAHOGANY AND SATINWOOD INLAID OVAL TRAY, Edwardian, with brass handles, 67cm. wide.

A BURR WALNUT AND ELM TEA CADDY, 19th Century, of sarcophagus form, on later parquetry feet, 33cm. wide.

A ROSEWOOD TOILET BOX, Victorian, with mother of pearl escutcheons and a fitted interior including a pair of glass bottles and stoppers, 31cm. wide.

A MAHOGANY AND INLAID GAMES BOX, Edwardian, decorated throughout with medallions, crosses and horseshoe motifs, the interior with a draughts board including a small box of draughts pieces, 33cm. wide.; together with A SIMILARLY INLAID BOX, bearing the initials N.W., 34cm. wide.

A PINE BENTWOOD BOX AND
COVER, Scandinavian, 19th Century, of
oval form with poker-work decoration, 48cm.
wide.

A PAPIER MACHE AND PAINTED
CASKET, Victorian, 23cm. wide.; together
with A SIMILAR WORK BOX, Victorian,
29cm. wide.; and A RED PAPIER-MACHE
BLOTTER, Victorian, 30cm. wide.

A MAHOGANY CUTLERY TRAY, early 19th Century, with three divisions, 38cm. wide.

A PARTRIDGEWOOD THREE-DIVISION TEA CADDY, George III, of sarcophagus form with a later glass blending bowl, 32cm. wide.

A MAHOGANY SQUARE BOX, Edwardian, the hinged lid with a bats wing fan parterre above a key band with stringing, on a receded plinth base, 29cm. wide.

MAHOGANY EXTENDING DINING TABLE, EBONISED AND GILT METAL MOUNTED TORCHERE, MAHOGANY RAIL BACK ROCKING CHAIR, WALNUT AND GLAZED MUSIC CABINET

AN EBONISED AND GILT METAL MOUNTED TORCHERE, late
19th Century, of tapering rectangular form, the green marble top above three turquoise glazed plaques, on bracket feet, 44cm. wide.

A MAHOGANY EXTENDING DINING TABLE, Victorian, with three leaves and receded turned legs, including a winding key, 236cm. long fully extended by 120cm. wide.

AN EBONISED AND PARCEL GILT CHAIR, Regency style, with a cane seat and splayed legs; together with AN EBONISED AND PARCEL GILT OCCASIONAL TABLE, early 19th Century, with a later top decorated with a trophy and a key pattern border, 46cm. wide.

A BUTTON UPHOLSTERED WING ARMCHAIR, covered in pink velvet, on mahogany tapered square legs

A MARQUETRY WALL MIRROR, 18th Century style, with a fretwork cresting and apron, 143cm. high by 80cm. wide.

A MAHOGANY AND PARCEL GILT MIRROR BACK SIDE CABINET, Victorian, with an arrangement of open shelves, a drawer and a cupboard door, faults, 207cm. high by 140cm. wide.

A SET OF THREE MAHOGANY DINING CHAIRS, George III, with stick splats and drop-in seats, on tapered square legs joined by stretchers.

A PAINTED AND PARCEL-GILT WALL MIRROR, Spanish, part 18th Century, with a foliate
scroll-carved surround, 115cm. high by 83cm.
wide.

A WALNUT OCCASIONAL CHAIR, Victorian, with an upholstered back and seat, on arched supports.

A MAHOGANY CARD TABLE, 19th Century, probably French, with a serpentine top and cabriole legs, 89cm. wide.

A MAHOGANY TILT TOP TRIPOD TABLE, George III, with a turned stem and cabriole supports, 58cm. diameter; together with A SMALLER TRIPOD TABLE, George III, 39cm. diameter .

AN EBONISED GRAND PIANO BY C. BECHSTEIN, German, late 19th Century, raised on octagonal tapering supports with castors, 200cm. long.

A MAHOGANY OVAL PEMBROKE
TABLE, George III, with a drawer, on
tapered square legs, 98cm. wide.

A ROSEWOOD AND INLAID DUET
PIANO STOOL, late Victorian, with a
hinged seat and turned legs, 98cm. wide.

A MAHOGANY RAIL BACK ROCKING CHAIR, Regency, with a slip-in seat and partial reeded frame.

AN EBONISED RECTANGULAR CARD TABLE, Victorian, on turned legs and castors, 90cm. wide.

A CARVED PADOUKWOOD SIDE
CABINET, Burmese, 19th Century, with
raised back, 86cm. wide.

A CARVED PINE PEDESTAL
TABLE, Italian, with a circular plate glass
top and urn-shaped pillar, 137cm.

A GILT AND CANE CANAPE, Louis XVI style, the slightly kidney-shaped seat with a cushion, 110cm. wide.
A BEECHWOOD STOOL, Louis XV style, with ivory fabric seat and cabriole legs, 97cm. wide.

A WALNUT AND GLAZED MUSIC CABINET, late Victorian, with fall front compartments, 46cm. wide.

A SABICU PEDESTAL
CARD TABLE, William IV, on a quarter form
base and scroll feet, moldings and veneer
partially lacking, 92cm. wide.

CARVED GILTWOOD PIER MIRROR, GRAINED ROSEWOOD OCCASIONAL TABLE, MAHOGANY HANGING CORNER CUPBOARD, MAHOGANY CELLARE

A MAHOGANY PARTNERS’
WRITING TABLE, , the rectangular leather
inset top above opposing frieze drawers and
lateral dummy drawers, on square legs,
155cm. wide.

A MAHOGANY CARD
TABLE, George III, with a rectangular top
and concealed rear drawer, on square legs,
91cm. wide.

A CARVED GILTWOOD PIER MIRROR, . with a serpentine cresting, 173cm. high by 49cm. wide.    A CARVED AND LATER GOLD PAINTED OVERMANTEL MIRROR, George Ill-style, late 19th Century, the cartouche-shaped plate within a scrolled surmount, faults. 182cm. high by 125cm. wide.

A MAHOGANY DRAUGHTSMAN’S
TABLE, George III. with a ratchet adjustable
top and telescopic square supports joined by
stretchers, 63cm. wide.

A FIGURED WALNUT OVAL
PEDESTAL TABLE, Victorian.
on quadruple turned and carved supports,
117cm. wide.

A MAHOGANY SINGLE TESTER
BED, George III style, with baluster turned
front posts, including an iron frame and a
mattress, 213cm. long by 98cm. wide.

A MAHOGANY BOW-FRONT CORNER CABINET, George III style, made-up, with an astragal door above a drawer and a cupboard, on splayed legs, 178cm. high by 65cm. wide.

A ROSEWOOD OCTAGONAL TWO-TIER TABLE, late Victorian, inlaid with stringing, 60cm. wide.    A ROSEWOOD AND INLAID SUTHERLAND TABLE, late Victorian, on splayed and square tapered legs, 73cm. wide.

A PAIR OF MAHOGANY SPLAT-BACK OCCASIONAL CHAIRS, Edwardian, on cabriole legs.

A MAHOGANY RECTANGULAR TABLE, Victorian, on turned legs with splayed feet, 76cm. wide.; together with A ROSEWOOD STOOL, Victorian, the upholstered seat on spiral-twist legs, 51cm. wide.

A GRAINED ROSEWOOD OCCASIONAL TABLE, early Victorian, with a drawer and rectangular supports, on scroll feet, 56cm. wide.

A MAHOGANY CELLARET, Regency, of serpentine form, inlaid with stringing and on paw feet, faults, 69cm. wide.

A CARVED AND MAHOGANY ARMCHAIR, modern, in the manner of Thomas Chippendale, on cabriole legs with claw and ball feet.

A MAHOGANY JARDINIERE, George III style, made-up, of square form inlaid with shell medallions, on tapered square legs with spade feet, 32cm. wide.

A MAHOGANY BUREAU, George III style, with two short and three long drawers, on bracket feet, 76cm. wide.

AN OAK ‘COCK FIGHTING’ CHAIR, Queen Anne style, with a ratchet adjusted flap and turned supports joined by stretchers.

A MAHOGANY HANGING CORNER CUPBOARD, George II, with a cross and chevron banded door flanked by fluted corners, faults, 73cm. wide.

MAHOGANY SIDE CHAIR,  MAHOGANY CHEST-ON-CHEST, EBONISED OCCASIONAL TABLE, GILTWOOD WALL MIRROR,  MAHOGANY DROP-LEAF DINING TABLE

A PAIR OF MOTHER-OF-PEARL INLAID HUANG HUALI ARMCHAIRS, Chinese, late 19th/early 20th Century, with pierced urn backs, solid seats and on square legs.

THE FOLLOWING FOUR LOTS ARE BEING SOLD ON BEHALF OF THE EXECUTORS OF THE ESTATE OF THE LATE MLSS SLLVIA BURRELL, ONLY CHILD OF THE LATE SLR WILLIAM BURRELL:

A MAHOGANY SIDE CHAIR, George III, racially carved and with a strap work splat, drop-in seat and on square legs; AN ELM SIDE CHAIR, George III, with a Gothic splat and square legs; and TWO SIMILAR SIDE CHAIRS, George III, with rail backs, padded seats and on square legs.

A MAHOGANY STOOL, George III, rectangular, with a drop-in seat and on molded square legs, 53cm. wide.

AN OAK DROP-LEAF TABLE, George II, the oval top raised on turned legs with pad feet, one foot damaged, 97cm. wide.

A PLUM MOTTLED MAHOGANY
TEA TABLE, George III, rectangular, on
chamfered square legs, 79cm. wide.

A BLACK LACQUER CABINET-ON-
COMBINED STAND, Dutch Colonial, 18th.
Century, the pair of doors above a drawer
and square legs with collars, 85cm. wide.

A MAHOGANY COMMODE, Directories style, 20th Century, of D-shape with a marble top above a marble-inset slide, the two drawers flanked by a pair of doors, on tapered square legs, 130cm wide.

A MAHOGANY CHEST-ON-CHEST, George III, the dentil led cornice above two short and six long graduated drawers, on bracket feet, the upper part with inlaid canted corners, some faults, 187cm. high by 112cm. wide.

A MAHOGANY CHEST-ON-CHEST, George III, the molded cornice above two short and six long graduated drawers, on bracket feet, 188cm. high by 110cm. wide.
A MAHOGANY FRETWORK
OVERMANTEL MIRROR, George II style,
with a gilt eagle cresting above the plate,
flanked by foliate-cut asymmetrical borders
and scrolling brackets, some faults, 106cm. wide.

AN OAK DRESSER BASE, late 17th
Century, with alterations and later carving,
the three paneled frieze drawers with guilloche and lunette carving, on turned and square legs, 82cm. high by 151cm. wide.

A CARVED WALNUT ARMCHAIR,
Continental, late 19th Century, the
grotesque mask cresting above a pierced tub-shaped back centered by a roundel with a griffin holding an open book bearing a motto, the upholstered sprung seat on splayed legs and claw and ball feet.

AN EBONISED OCCASIONAL
TABLE, Louis XVI style, the top inset with a
marble panel above a ribbon frieze, on fluted
legs, 60cm. wide.

A SMALL MAHOGANY
SECRETAIRE BOOKCASE, George III
style, made-up, the molded cornice above a
pair of geometric astragal doors enclosing
shelves, the fitted writing drawer above a pair
of panel doors, on splayed bracket feet.
203cm. high by 71cm. wide.

A MAHOGANY RECTANGULAR
DROP-LEAF DINING TABLE, George III,
on square legs, 154cm. wide.

A GOLD PAINTED OVERMANTEL
MIRROR, William IV, the upright beveled
rectangular plate flanked by columns, below
is an anthemion and quatrefoil frieze, 95cm.
high by 58cm. wide.

A GILTWOOD WALL MIRROR,
part 18th Century, the rectangular plate with
a shaped cresting and apron carved with
shells and foliage, 105cm.

A MAHOGANY DROP-LEAF DINING TABLE, George II, the hinged oval top raised on tapering legs and pad feet, 110cm.

A MAHOGANY ROLL-TOP DESK, the damaged tambour top enclosing drawers and pigeon-holes above a central drawer, raised on a pair of pedestals each containing three paneled drawers, 137cm. wide.

A GILTWOOD GIRANDOLE, George III style, the oval plate within a beaded frame beneath an urn cresting, with two foliate sconces, 114cm.

INLAID BUREAU BOOKCASE, EXTENDING RECTANGULAR DINING TABLE, SMALL MAHOGANY CHEST, WALNUT AND ELM SIDE CHAIR

A MAHOGANY LINEN PRESS, George IV, surmounted by an arched cornice carved with parterre, 221cm. high by 123cm. wide.

A MAHOGANY AND INLAID BUREAU BOOKCASE, 18th Century, with later alterations, with astragal doors and four long graduated drawers, on bracket feet, 252cm. high by 101cm.

A MAHOGANY STANDING COR¬NER CUPBOARD IN TWO PARTS, George III style, with two astragal doors divided by real and dummy drawers, 193cm. high by 80cm. wide.

A MAHOGANY EXTENDING RECTANGULAR DINING TABLE, Edwardian, with two leaf insertions and cabriole legs, 180cm. long by 104cm. wide

AN IVORY PAINTED AND UPHOLSTERED SUITE, Louis XVI style, covered in floral printed tapestry, comprising: two chairs, a fauteuil and a canape, 140cm.

A BUTTON UPHOLSTERED WINDOW SEAT, Queen Anne style, covered in gold dragon, on cabriole legs, 110cm. wide.

A BURR WALNUT SEMI-CIRCULAR
SHAPED CARD TABLE, George I style, on
carved cabriole legs, 92cm. wide.

TWO ASH AND ELM LADDER
BACK CHAIRS, 19th Century, the solid
seats with green brocade cushions.

A GILT FRAMED CONVEX
MIRROR, 19th Century, with ball clad
surround, 47cm. diameter.

A MAHOGANY WELLINGTON
CHEST, Victorian, with nine drawers and a
locking pilaster. 66cm. wide.

A CARVED GILTWOOD FAUTEUIL, late 18th Century, the pearl-beaded frame with an upholstered oval back and seat, on fluted and turned legs headed by pattered, possibly Dutch,

A GOTHIC REVIVAL PAINTED THREE-FOLD MIRROR, , the paneled doors with Gothic tracery and painted with a vase of flowers, with three mirror plates within painted frames, 49cm. wide

A SUITE OF SEAT FURNITURE,
Victorian, comprising: a pair of armchairs
and six side chairs, with foliate-carved
top rails, spindle backs and turned legs.

A SMALL MAHOGANY CHEST, George III, of four long drawers.

A MIRRORED DRESSING TABLE,
the scroll looking glass above a central
engraved drawer, flanked by faceted panels
and four paneled drawers with gilt handles,
on a plinth base, some glass detached and some
missing, 180cm. wide.

AN OVAL EXTENDING DINING TABLE, Edwardian, on tapering legs and pad feet, with two extra leaves and a winding handle, 241cm. long by 121cm. wide.

A ROSEWOOD MINIATURE CABINET, Edwardian, the door inlaid with scrolling foliage centered by an urn, enclosing two small drawers and shelves, 39cm. wide.

A WALNUT AND ELM SIDE CHAIR, George I, with a stuffed back and seat, on cabriole legs and pad feet, restored.

A MAHOGANY SMALL PEMBROKE TABLE, George IV, with real and dummy drawers, on ring-turned legs and brass castors, faults, 73cm. wide.

A MAHOGANY DRUM TOP TABLE, George III style, made-up, on a receded tripod base, 97cm. diameter.

WALNUT AND EBONISED SIDE TABLE, LOUIS XVI STYLE STAINED WALNUT SETTEE, UPHOLSTERED CHAISE EN CONFIDENT, MAHOGANY SIDEBOARD

A WALNUT AND EBONISED SIDE TABLE, Victorian, with a pair of frieze drawers and raised on lobed and turned tapering legs, 81cm. wide.    A WALNUT CANTERBURY, Victorian, the dividers pierced and carved with scrolling foliage, on toupee feet, one foot detached,, 53cm. wide.

A LOUIS XVI STYLE STAINED WALNUT SETTEE, 19th Century, with a foliate and quiver cresting, raised on fluted tapering legs, 119cm. wide.

A MAHOGANY TRIPOD TABLE, George II, made-up, the octoroon top raised on a baluster column and down swept legs, later carved with fruiting vines, damage to top, 56cm. diameter.

A GILTWOOD ARMCHAIR, Regency style, 19th Century, carved with shells, foliage and strap work, with a caned back and on cabriole legs.

A MAHOGANY SERPENTINE TOILET MIRROR, George III, with an oval plate and three drawer box base, 39cm. wide.; and A WALNUT SPOON-BACK NURSING CHAIR, Victorian, with a foliate cresting and on cabriole legs.

A WALNUT FRETWORK WALL MIRROR, George II, the rectangular plate within a molded frame, with a shaped cresting and apron, lacking some cresting, 38cm. wide.

A MAHOGANY RECTANGULAR CARD TABLE, George III, with canted corners, raised on tapered square legs with spade feet, one rear leg detached, 91cm. wide.

A NEST OF THREE MAHOGANY
AND SATINWOOD CROSSBANDED
OCCASIONAL TABLES, George III style,
on slender ring-turned legs, 52cm. wide.

A MAHOGANY AND PARCEL GILT
FRETWORK WALL MIRROR, George III,
the rectangular plate within a foliate band, now lacking bird cresting, 38cm. wide.

A CARVED OAK WALL MIRROR, the rectangular plate with a pierced frame carved with scrolling fruiting vines, 115cm. high by 93cm. wide.

A MAHOGANY BUREAU, George III, with three long graduated drawers, on bracket feet, 82cm. wide.

AN UPHOLSTERED CHAISE EN CONFIDENT, French, circa 1890, covered in blue fabric with twin adjustable chair backs, the valance apron concealing turned feet. A similar example is illustrated in Le Mobilier Domestique, Vol. I, p. 171, published Paris, 1987, by Nicole de Reynis, and also in Les Styles Franais — Le Mobilier, p65, published Paris by Plaisir de France.

A MAHOGANY ARMCHAIR, George III, with an arched splat back and serpentine upholstered seat, on tapered square legs.

A ROSEWOOD AND INLAID KNEEHOLE WRITING TABLE, Edwardian, with a galleried leather inset top and five drawers, on tapered square legs with castors, 105cm. wide.

A REPRODUCTION MAHOGANY PEDESTAL DESK, with claret leather inset top, 115cm. wide.

TWO MAHOGANY UPHOLSTERED ARMCHAIRS, George III, reconstructed, covered in nailed green hide, the square legs joined by stretchers.

A MAHOGANY RECTANGULAR PEDESTAL TABLE, George III style, made-up, on quadruple splayed feet and castors, 135cm. wide.

A CARVED OAK AND
UPHOLSTERED PRIE DIEU, Victorian,
with a pierced cresting and spiral-twist
supports, on cabriole legs with claw and ball
feet.

AN EARLY MAHOGANY WORK TABLE, Victorian, now lacking a well, on a pillar support and platform base with scroll feet, 54cm. wide.

A WALNUT BUREAU, late George III, with two short and two long drawers, on bracket feet, stationery compartments replaced, 99cm. wide.

A MAHOGANY SIDEBOARD, early
Victorian, with an inverted breakfront base,
153cm. wide.