ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

Italian carved gilt Corner Table, French Empire-style mahogany, wrought iron and parcel-gilt Pier Table, Flemish Toilet Mirror

A French Empire-style mahogany
two-tier Etagere, circa, with brass
banding, mounts and key pattern, with a
drawer and carrying handles, on turned
and fluted supports ending in castors, brass
banding partially lifting, one leg loose.

An Empire white painted and gilt
Armchair, circa, the rectangular
back, padded arms and bowed seat
covered in patterned velvet, on turned
legs, the underframe with an indistinct
oval stamp and the letters MEU.

An Italian carved gilt Corner Table,
circa, with marble top and pierced
floral scroll frieze, the twin turned and
fluted tapering legs with an urn to the
stretcher.

An Italian cedarwood and inlaid
Box, circa, with hinged cover and
fall front revealing compartments and
small drawer.

A Dutch mahogany Cylinder
Bureau, circa, with chequer banding,
the fitted interior with an inset slide, below
are three long drawers flanked by trellis
terminals, on tapered square feet.

A wrought iron and parcel-gilt Pier Table, the rectangular red and grey marble top above a pierced frieze and supports mounted with paterae, the ‘X’-shaped stretchers centred by

an urn finial.

A Flemish carved oak Cupboard-on-Stand, circa, inlaid throughout with ebony bandings, the projecting cornice above two panelled doors with mitred mouldings flanked by fluted

pilasters, the stand with a frieze drawer, on later baluster turned and square legs joined by stretchers.

A German oak and iron-bound
Coffer, 18th Century, the hinged top and
front mounted with riveted and pierced
straps, on stile supports.

A Flemish Toilet Mirror, made-up,
the rectangular bevelled plate with a
tortoiseshell and ripple moulded border
with applied silver-coloured metal scroll
corners, the mahogany turned supports
with a plinth base and bun feet.

A French boulle and ebonised oval
serpentined Centre Table, circa, the
frieze with masks and a drawer, the square
cabriole legs ending in sabots, faults.

A Dutch Colonial hardwood
Cupboard-on-Stand, made-up, the
moulded cornice above a pair of doors with chamfered rosewood panels and floral carving, the base with two drawers and spiral twist legs joined by an ‘X’-shaped stretcher. wide;

A German silver-gesso and carved Grotto Armchair, circa, the seat and back of shell form, with dolphin arms and encrusted shell legs, worm.

A German silver-gesso and carved Grotto Table, circa, with shell-shaped top and triple supports in the form of fish.

A Dutch mahogany and
crossbanded Corner Cabinet, circa,
with chevron banding and fluted
terminals, the frieze drawer above a pair
of tambour doors, on tapered square feet.

A Venetian rectangular Wall
Mirror, modern, with bevelled plate and
etched margin plates, with foliate
surmount. high by.

A Venetian Wall Mirror, modern,
the oval bevelled plate with etched margin plates and pierced surmount.

A SARCOPHAGUS SHAPED ROSEWOOD WORK BOX, Regency, with
brass stringing and on bun feet, faults. wide,, together with a rosewood writing slope,
early Victorian, inlaid with mother-of-pearl. faults, wide., both lacking fittings.

AN AMBOYNAND GILT-METAL MOUNTED GLOVE OR JEWELLERY BOX, Napoleon III, of rectangular form, the
hinged top revealing a lined interior, on scroll feet, lock engraved with indistinct maker’s mark, wide.

AN ANTIQUE MINIATURE CHEST, George III style, the two short and three long drawers with ivory escutcheons, wide.

A BROWN LEATHER COVERED WORK BOX, William IV, the tooled exterior with gilt-metal mounts, the drawer bearing the penned inscription ‘Elizabeth Caperman Feb th  Mary Caperman

from her precious mother.

ANTIQUE ENGLISH VICTORIAN AND EDWARDIAN FURNITURE

A Victorian rosewood Davenport, circa, the inset writing slope above carved scroll cabriole supports, the side with a pen drawer, four long drawers and hinged pilasters, on

concealed castors.

A Victorian-style walnut and mahogany Partners’ Desk, French, circa, with fluted terminals, the gilt-tooled inset leather top above three frieze drawers to the opposing sides,

the pedestals each with three drawers and an opposing cupboard simulating drawers, on square pad feet. long;

A George Ill-style small
mahogany Chest, made-up, inlaid with
chequered banding, the top with a fan
medallion, the two short and three long
drawers above a valanced apron, on
splayed bracket feet. high by.

A Queen Anne-style small
walnut and crossbanded Chest-on-Chest,
made-up, the moulded cornice above two
short and three long graduated drawers
flanked by canted fluted corners, below
is an inset slide and three long graduated
drawers, the apron with shaped sunburst
inlay, on bracket feet.

A Victorian walnut and
kingwood Bonheur-du-Jour, circa,
in the French style, with gilt-metal mounts
and marquetry, the raised back with an
arched door enclosing shelves and
flanked by eight short drawers, the
serpentined base with an apron drawer,
the square cabriole legs ending in sabots.

An Edwardian satinwood Carlton
House Desk, circa, by Maple &f Co.,
inlaid with chequered banding and
ebonised stringing, the raised back with a
gallery, cupboards and short drawers,
the wings with hinged compartments
revealing pigeonholes and a pair of
inkwells, the inset sliding top with a
plate-glass cover, below is an
arrangement of five drawers, the tapered
square legs ending in spade feet and
castors, drawer stamped Maple & Co.
Ltd.

A George Ill-style mahogany serpentine-front Sideboard, made-up,
inlaid with satinwood banding, urn
motifs and fan medallions, the three
frieze drawers flanked by a cellaret
drawer and two drawers, on tapered
square legs. high by.

A Victorian carved walnut
Chaise Longue, circa, the shaped
button upholstered back and sprung
serpentine seat upholstered in pink
velvet, on hipped cabriole legs with
ceramic castors.

A Louis XV-style walnut and
gilt-metal mounted Centre Table, circa
by Gillow, the amboyna banded
serpentine top above a shaped apron
with a frieze drawer, on square cabriole
legs with caryatids and sabots. high
by.

A Victorian burr walnut
Davenport, circa, the piano-shaped
top with a rear pierced fretwork gallery
and hinged panel revealing stationery
compartments, the fall enclosing a
pull-out writing surface and small
drawers above cabriole supports, the
sides with four real and four dummy
drawers, on a plinth base and bun feet.

A Victorian carved mahogany
Linen Press, circa, the arched
pediment above a pair of arched panel
doors flanked by rectangular pilasters
with foliate capitals, the interior now
with a shelf, below are three long
graduated drawers and a pair of
conforming pilasters, on stylised scroll
feet.

A George Ill-style mahogany
‘D’-end twin pedestal Dining Table,
made-up, with a leaf insertion, the
baluster pillar above quadruple reeded
splayed legs ending in brass paw feet and
castors.

A pair of Victorian walnut and marquetry Pier Cabinets, circa, in
the French style, with gilt-metal mounts,
the arched door enclosing a velvet-lined
and shelved interior.

A Victorian walnut harlequin Davenport, circa, the rear rising section with hinged cover and shaped stationery compartment, the piano moulded cover revealing a lined writing

slide and sliding pen tray, on chamfered pillar supports, the side with four real and four opposing dummy drawers, on ceramic castors.

A Victorian rosewood Teapoy, circa, of sarcophagus form, the hinged cover revealing a pair of lidded canisters and twin glass blending bowls, on a cabochon and lotus carved

pillar above a quatreform base, on scroll feet and castors.

A Victorian rosewood Card
Table, circa, the rectangular
fold-over top above a turned pillar and
quatreform base, on carved scroll feet.

An Edwardian mahogany and
satinwood banded Corner Display
Cabinet, circa, the pierced fret
pediment above an applied astragal door
enclosing a velvet-lined and shelved
interior, the tapered square legs with
angle brackets, on spade feet.

A pair of Victorian ebonised and parcel-gilt Stools, circa, with rectangular seats, one covered in floral needlework, the other in claret velvet, the leaf carved frieze above

cabriole legs.

A set of eight George II-style carved mahogany Chairs, modern, with pierced and interlaced vase-shaped splats, the slip-in seats covered in tapestry, the acanthus carved

cabriole legs ending in claw and ball feet.

A Victorian burr walnut
Occasional Table, circa, the
circular top with segmented veneers, the
tapered chamfered pillar above a triform.

A George Ill-style mahogany
Chest-on-Chest, circa, the moulded
cornice above two short and three long
drawers, the canted corners with chevron
veneers, below are three long graduated
drawers, on shaped bracket feet.

A Victorian rosewood Centre
Table, circa, the circular top inlaid
with marquetry panels of flowers,
scrollwork and butterflies, on a carved
stem and three cabriole legs with claw
and ball feet, top split.

A George Ill-style mahogany and crossbanded small bow-front Sideboard, circa, the cutlery drawer and arched apron drawer flanked by two deep drawers, on tapered square legs and

spade feet, together with a plate-glass top.

A Victorian carved walnut oval
serpentined pedestal Table, circa,
the quartered and burr veneered top with a leaf scroll border on a stippled ground, the quadruple scrolled supports above leaf-clad feet, on castors, base lacking a finial.

A set of six Victorian carved
walnut Chairs, circa, the balloon
backs with parchment scroll crestings,
covered in floral tapestry, on hipped
cabriole legs.

An early Victorian rosewood Workbox, circa, the hinged cover revealing a pink silk-lined interior, the arcaded apron above a well with applied tracery and rosette medallion, the

leaf-clad baluster pillar with a quatreform base, on scroll feet.

A Victorian mahogany and gilt-metal mounted Vitrine, circa,
in the French style, the square top above a glazed door and with glazed side panels enclosing a shelf and blue velvet lining, the shaped apron above square cabriole legs ending

in sabots.

A Victorian carved and gilt-gesso
framed Wall Mirror, circa, the
rectangular plate with a foliate scroll and
entwined surround surmounted by a
floral basket.

A William IV rosewood and
upholstered Chaise Longue, circa,
with scroll end and a padded arm rest,
covered in gold dralon, the turned legs
with brass cappings and castors,
underframe wormed.

A set of four Victorian rosewood
balloon-back Chairs, circa, with
pierced mid-rails and stuffed serpentine
seats upholstered in green velvet, on
cabriole legs.

A George Ill-style carved satinwood shield-back Armchair, circa, by Warings, the pierced splat with drapery, the stuffed seat covered in fawn brocade, the reeded tapered legs

with collars, stamped Warings.