ANTIQUE TRIPOD TABLE, CARVED OAK CENTRE TABLE, ANTIQUE FRETWORK WALL MIRROR, DISPLAY CABINET ON STAND

A CARVED WALNUT ARMCHAIR, George II style, with a pierced splat back and cabriole legs, on claw and ball feet

A CARVED GILT-GESSO AND UPHOLSTERED ARMCHAIR, Louis XVI style, with an oval back and fluted turned legs

A CARVED OAK CENTRE TABLE, 18th Century style, on four baluster turned and square legs joined by stretchers, long

AN OAK DINING TABLE, Edwardian, with an elongated rectangular top, on tapered square legs, long

A PAIR OF CARVED GILTWOOD WALL LIGHTS, 18th Century, the urn crestings above mirror facetted lozenge panels with twin candle brances,/awfo, each high

AN ANTIQUE CABINET BOOKCASE, the upper part with glazed panelled doors above frieze drawers and cupboard doors, high by wide.

A PAIR OF MAHOGANY AND INLAID OCCASIONAL CHAIRS, Edwardian, with splat backs, upholstered seats and carved cabriole legs      —

AN OAK CUPBOARD with a fielded panelled door enclosing shelves above a drawer, on turned feet, high by wide.

AN ASH AND ELM WINDSOR ARMCHAIR, Victorian, with a pierced splat back and crinoline stretchers—

AN OAK RECTANGULAR SIDE TABLE, George III, with a drawer, on tapered square legs, wide.

A SET OF SIX MAHOGANY DINING CHAIRS, Queen Anne style, including a pair of armchairs with solid splats, drop-in seats and cabriole legs

AN ANTIQUE TWIN PEDESTAL DINING TABLE, George III style, the turned supports each with splayed tripod supports, on brass paw castors, long including a leaf insertion—

A CARVED ROSEWOOD AND UPHOLSTERED CHAISE LONGUE, Victorian, covered in scarlet velvet, on cabriole legs, long

AN ANTIQUE FRETWORK WALL MIRROR, George III style, with a pierced cresting, high

AN ANTIQUE DISPLAY CABINET, Edwardian, with a pair of astragal doors, on splayed legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET ON STAND, of tall narrow proportions enclosed by a single glazed door, high by wide.

AN ANTIQUE SHOP DIPLAY CABINET, early 18th Century, with a reeded frame enclosed by a pair of glazed doors, high by wide.

A TEAK CHEST, early 18th Century,
the two short and three long drawers with
brass escutcheons, wide.

A CARVED OAK BUREAU, William & Mary revival, 18th Century, the fall revealing automatically sliding stationery compartments, on turned legs with stretchers. wide.

A WALNUT CABINET BOOKCASE, late Victorian, with glazed doors above frieze drawers and corresponding carvedcupboard doors, high by wide.

AN ANTIQUE COUNTER DISPLAY CABINET, 18th Century, with a glazed top, on tapered square legs with spade feet, wide

AN ANTIQUE AND INLAID DISPLAY CABINET, Edwardian, with a pair of astragal doors, on tapered square legs, high by wide.

AN ANTIQUE SHOP DISPLAY CABINET, 18th Century, of tall narrow proportions, on a carved chinese fretwork stand, high by wide.—

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a chinese huang huali stand with pierced fretwork, high by wide.

A PINE CRICKET TABLE, early 18th Century, with a circular top on tapered square legs joined bv stretchers. diam.

A DISPLAY CABINET ON STAND, part late 18th Century, the associated glazed upper part above a Chinese carved huang huali stand with a marble inset top, high by wide.

AN ANTIQUE SIDE TABLE, the
rectangular top above a pair of ogee frieze drawers, on tapered columnar end supports with platform bases and bun feet, wide

AN EBONISED COLLECTORS CABINET, Victorian, the glazed hinged top above seven long drawers with locking pilasters, on bracket feet, wide.

AN ANTIQUE TRIPOD TABLE, George II style, made-up, the circular top with acanthus carved border, on a baluster pillar, the tripod base with paw feet, high by diameter.

ANTIQUE AND SATINWOOD CROSSBANDED SIDE TABLE, ANTIQUE SECRETAIRE BOOKCASE, OVAL MAHOGANY DROP-LEAF TABLE

A NEST OF THREE WALNUT
OCCASIONAL TABLES, 18th Century, oval
and on turned legs, faults. wide,
together with a blue Japanned wine table,
18th Century, the circular top decorated with a bird and flowers. diameter, and a brass tray top table, Near Eastern, on a folding wood stand.

AN ANTIQUE BUREAU, George III,
the fall enclosing a fitted interior, above four
long graduated drawers, on bracket feet,
restored.

AN EBONISED AND GILT METAL MOUNTED SIDE CABINET, Victorian, the central panelled door with an oval Sevres style porcelain plaque, flanked by a pair of curved glazed doors

enclosing shelves, on toupie feet, faults.

AN EBONISED AND AMBOYNA SIDE CABINET, Victorian, with gilt metal mounts, the central panelled door inlaid with a cartouche and flanked by a pair of curved glazed doors enclosing

shelves, on toupie feet.

AN ANTIQUE AND SATINWOOD CROSSBANDED SIDE TABLE, George III style, with four drawers and on tapered square legs with castors.

A SET OF MAHOGANY
METAMORPHIC LIBRARY STEPS, George
III style, with a leather inset top and on
turned legs.

AN INLAID ROSEWOOD
ENVELOPE CARD TABLE, late Victorian,
the hinged four piece top above a small
drawer, on turned tapering legs joined by a
stretcher.

AN INLAID AND EBONISED SIDE CABINET, Victorian, with gilt metal mounts, the central glazed door now lacking glass enclosing shelves and flanked by glazed side panels, on bracket

feet, wide.

AN ANTIQUE DRINKS CABINET, modern, with a pair of oval panelled doors above a drawer and a further pair of doors, on splaved bracket feet.

A LARGE MAHOGANY LIBRARY BOOKCASE, George ni style, with a fluted and dentil cornice above four astragal glazed doors, the lower part with four circular panelled doors, on a

plinth base, high by wide.

A LARGE WALNUT BREAKFRONT LIBRARY BOOKCASE, Victorian, stamped COLLINSON & LOCKE, LONDON,, the moulded cornice above four astragal glazed doors, the lower part with strapwork

and foliate carved panels, on bun feet.

AN ANTIQUE SECRETAIRE
BOOKCASE, Victorian, the moulded cornice
above a pair of glazed doors, the lower pan
with a drawer now lacking fittings above a
pair of cupboard doors, on a plinth base.

A SET OF SIX CARVED OAK DINING
CHAIRS, Victorian, including one armchair,
each with a lion cresting above a padded back
and seat, on spiral twist and square legs.

A GROUP OF SEVEN PIECES OF
BLACK JAPANNED FURNITURE. th
Century, each piece with Ounoeserie
decoration, composing an oval table.

AN ANTIQUE EXTENDING
DINING TABLE, Victorian, the rounded
rectangular top raised on fluted tapering legs
with ceramic castors, with one extra leaf,
high by wide. by long
extended.

AN OAK BOOKCASE CABINET, Victorian, the moulded cornice above a pair of glazed doors, the lower part with two panelled doors, on a plinth base, high by wide.

A BLACK JAPANNED THREE PIECE SUITE, 18th Century, comprising a settee and two armchairs, each with chinoiserie decoration and with single caning, on lobed bun feet.

AN ANTIQUE CHEST, George IV, the two short and three long drawers with ivory escutcheons, on bracket feet.

AN OAK CHEST, George III, with two short and three long drawers, on bracket feet, wide.

A BEECHWOOD CANTERBURY, George III style, modern, with a drawer, on turned legs and castors, wide.

A MINIATURE MAHOGANY AND INLAID CHEST, Edwardian, with two short and three long drawers, on bracket feet.

AN OVAL MAHOGANY DROP-LEAF TABLE, George II with restorations, on turned tapering legs with pad feet, wide. extended.

A WALNUT DINING ROOM SUITE,
William and Mary style, early 18th Century,
each piece raised on scrolled supports joined
by stretchers, comprising: an extending
Dining Table. long extended
including a spare leaf; a set of eight Dining
Chairs, including a pair of armchairs, with
caned backs; a Serving Table, with a
serpentine top and a pair of drawers.
wide; and a breakfront Sideboard, with
drawers and cupboard doors.

ANTIQUE EXTENDING
DINING TABLE, Victorian, with a moulded
top. on turned and fluted legs with castors,
long extended including two leaf insetions.

A CARVED OAK LINEN PRESS, 2th
Century, made up, with a pair of doors
enclosing sliding trays above drawers, on
bracket feet, wide.

ANTIQUE AND PINE CHEST OF DRAWERS, OAK REFECTORY TABLE, JAPANNED HANGING CORNER CUPBOARD, GOLD PAINTED GESSO FRAMED WALL MIRROR

AN OAK REFECTORY TABLE, 18th Century style, with solid shaped end supports long

AN ANTIQUE TUB SHAPED ARMCHAIR, William IV, the padded rail with sunburst spandrels, on leaf carved tapered legs ending in brass cappings and castors

AN ANTIQUE AND PINE CHEST OF DRAWERS, George III, with four long graduated drawers, on bracket feet, faults, wide.

AN INLAID WALNUT
MUSIC CABINET, Victorian, with two tiers
and a glazed door, wide.

AN ANTIQUE AND PARCEL-GILT WALL MIRROR, George III, the
rectangular later plate within a fret frame
surmounted by an eagle cresting.

A PAIR OF BLACK JAPANNED ARMCHAIRS, 18th Century, decorated with chinoiserie, caned backs and seats, on cabriole legs, together with a black japanned tub armchair, 18th Century,

with a caned back, on cabriole legs.

AN ANTIQUE DROPLEAF TABLE, George III, with alterations, on tapered square legs.

A WALNUT BREAKFRONT
LIBRARY BOOKCASE, 18th Century, with
astragal doors and panelled cupboard doors,
on cabriole feet.

AN OAK ROLL TOP PEDESTAL DESK, Edwardian, with an arrangement of slides and drawers, on plinth bases.

A WALNUT AND CROSSBANDED KNEEHOLE DESK, Queen Anne style, with an arrangement of six drawers, on cabriole legs.

AN ANTIQUE POLE SCREEN, part 18th Century, with a floral tapestry panel.

A GILTWOOD WALL MIRROR, Regency, with spiral twist pilasters flanking a later plate, repainted.

A MAHOAGNY BOWL STAND, George II style, with a drawer and tripod supports, high

A PAIR OF EBONISED AND PARCEL GILT CORNER WHATNOTS, Victorian,with bowfront tiers and turned supports, each high

A CARVED GILTWOOD CONSOLE TABLE, late 18th Century, with a replaced top and a single tapering support headed by
a mask, regilded.

A WALNUT AND INLAID SIDE CABINET, Victorian, with a marble top above three doors including a mirror panel, wide.

TWO INLAID MAHOGANY TUB ARMCHAIRS, Edwardian, with pierced backs and tapered supports

AN ANTIQUE DUMB WAITER, George III style, with three tiers and tripod supports, diam.

A JAPANNED HANGING CORNER CUPBOARD, continental, 18th Century, of bow-front form with a pair of doors enclosing shelves, wide.

A ROSEWOOD POLESCREEN, William IV, with a needlework panel, on a turned stem and triform base.

AN ANTIQUE DRESSING TABLE
MIRROR, George III, with an oval plate and
bow-front three drawer base, wide.

A CAST IRON AND BRASS
OCCASIONAL TABLE, Victorian, with a
thuvawood top and adustable rope-twist stem,
on an ornately cast base, diam.

A SET OF FOUR SIMULATED
BAMBOO ARMCHAIRS, George III style,
the painted frames with trellis backs and cane
seats.

AN ANTIQUE BREAKFRONT
BOOKCASE, in eight sections with glazed
doors above panelled cupboard doors, on a
plinth base.

AN OAK ROLL-TOP DESK,
Edwardian, the ogee fall above pedestal bases
containing slides and drawers.

AN OAK ROLL-TOP DESK,
Edwardian, the shallow fall above pedestal
bases containing slides and drawers.

A GILT-GESSO AND ETCHED GLASS
WALL MIRROR, Victorian, the pierced lyre
cresting above a rectangular moulded frame.

A GOLD PAINTED GESSO FRAMED WALL MIRROR, with an oval bevelled plate within a leaf-moulded frame.

French Gothic-style carved oak Cupboard on Stand, Italian walnut Cassone, Italian giltwood large Armchair

A Continental giltwood Fauteuil,
circa, the cartouche-shaped
upholstered back surmounted by an
anthemion cresting, the upholstered
serpentined seat above cabriole legs,
regilded, possibly Italian.

An Italian walnut Commode, circa
with key-pattern banding, the two
short and two long drawers above tapered
square feet.

A Louis Phillipe mahogany
Cabinet, circa, with spiral pilaster terminals, the scroll carved frieze drawer above a pair of panel doors with ripple mouldings, the interior with a shelf, on turned feet.

A Louis XV dark oak Armoire,
circa, the moulded cornice above a
pair of panelled doors, faults.

A Louis XV-style kingwood
marquetry Bureau de Dame, circa,
with gilt-metal mounts, the bombe fall
revealing a recess, three drawers and a
well, the square cabriole legs ending in
sabots.

A French Gothic-style carved oak Cupboard on Stand, made-up, with bold iron hinges to the door, the base with an arched recess.

A Louis XV-style upholstered beechwood Library Armchair, circa,
covered in blue velvet, with carved apron
and cabriole legs, formerly with a painted
frame.

A Tuscan walnut Refectory Table,
circa, the top with a channelled
surround, the panelled frieze above six
turned legs, the square feet joined by
peripheral stretchers.

An Italian walnut Cassone, circa
the moulded hinged top above a
panelled front inlaid with flowers and
arabesques, on scroll carved feet.

A pair of fruitwood Benches, th
Century, the narrow tops with rounded
ends, on trestle-shaped supports.

A Dutch oak Chest, st half 19th
Century, the top with a dentilled border
above three long panel-front drawers with
swag carving, on turned feet.

A pair of Italian silvered Torcheres in late th/early 18th Century style, 18th Century, each of octagonal tapering form, with a gadrooned knop carved with husks and acanthus,

the tripod base with scrolled feet carved with sunflowers, resilvered and on ebonised plinths. high;

A pair of Hispano Flemish-style Armchairs, modern, in 18th Century manner, the pierced backs with two rows of turned spindles, with moulded arms, sprung seats, turned legs and

stretchers.

A Continental polychrome japanned Cabinet-on-Stand, late th/ early 18th Century, probably North German or Danish, the cabinet with a pair of cupboard doors painted with a brace

of pheasant, the sides with figures in a garden setting, the interior with seven drawers painted with hunting scenes, warriors and figures in garden landscapes, the whole gilt,

the stand parcel-gilt on a white ground, the cabriole legs with animal heads carved with acanthus, the deep apron with strapwork and foliage.

An Italian giltwood large Armchair, 2nd quarter 18th Century, probably Venetian, the padded cartouche back with a padded circular cresting amongst elaborate pierced acanthus and

‘C’-scrolls, with downswept arms, a stuffed seat and leaf carved cabriole legs—
Another larger Italian Armchair, nd quarter 18th Century, with a padded cartouche back and cresting amongst elaborate pierced baroque corbels, ‘C’-scrolls, acanthus and

flowerheads, with downswept leaf carved arms and stuffed seat, on a deep leaf carved apron and cabriole legs joined by an ‘X’-stretcher

A Continental 18th Century-style
giltwood frame Firescreen, circa,
the applique needlework cartouche panel depicting floral vase, with leaf scroll surmount and scroll feet.

A Regence-style giltwood Pier
Table, circa, the white marble top
above foliate frieze with floral swags, the
cabriole legs joined by stretchers and
centred by cartouche. high by.

Italian oak Settee, French transitional-style kingwood and marquetry Bedside Cupboards, Italian ebonised Blackamoor Stand, Venice

A German mahogany and button
upholstered Suite of Seat Furniture, circa
covered in burgundy dralon, on
cabriole legs and castors, comprising: pair
of armchairs with oval backs and a settee.

A pair of French transitional-style kingwood and marquetry Bedside Cupboards, modern, the quarter veneered top above a frieze drawer and pair of doors, on slender cabriole legs.

A Louis XVI-style large white
painted and upholstered Settee, modern,
with arched back and trophy cresting with
two birds, with scrolled sides, covered in
peach fabric with matching seat cushion
and bolsters, on turned and fabric-covered
canopy and drapes, settee.

SI A nest of three French mahogany Occasional Tables, circa, each with a rectangular brass-bound border inlaid with brass stringing, on turned legs, with brass bases and trestle

supports, the largest.

An Italian ebonised Blackamoor Stand, Venice, circa, the small naked infant supporting a circular table top on a rock base, the table incised with foliage imitating damask.
An Italian ivory inlaid and ebony veneered Cabinet-on-Stand, probably Florentine, circa, of early 18th Century architectural form, with an arrangement of small drawers and

cupboards, the central breakfront door enclosing a tortoiseshell interior with short drawers flanked by a pair of deep drawers set with a concave niche and an ivory vase and

cover, the whole inlaid with Renaissance foliage and figures, the breakfront ebonised stand with square tapering legs. high by. wide;  by , the stand possibly circa, the cabinet

with an armorial device and an inscription Luigi de Marchesi Niccolini Esigui I’Anno  Firenze.

A French carved walnut Salon
Suite, 2nd quarter 18th Century,
comprising: a canape, six side chairs and two armchairs, each with an acanthus carved asymmetrical cartouche back and moulded leaf carved frame, on cabriole legs with sprung

serpentine seats, the settee.

An Italian sculptural Blackamoor
Figure, probably Venice.

A French giltwood
tapestry upholstered Salon
Suite, probably Paris.

Louis XV manner, comprising: a small canape and two armchairs, each with a moulded flower carved frame, cartouche back, padded arms and cabriole legs, upholstered in gros- and

petit-point floral woolwork, the settee.

Two similar small French mahogany Vitrines, circa, each with a brown marble top and bow-fronted glazed door, with glazed sides enclosing shelves, on cabriole legs with

gilt-bronze mounts throughout, one.

A small French Vernis Martin Table Ambulante, Paris, circa, the
square serpentine top hinged to reveal a
bevelled mirror above two drawers, on
cabriole legs with gilt-bronze mounts, the
whole painted with 18th Century figures,
flowers and trophies in the Vernis Martin
style.

A French carved and gilt painted
Bergere a la Reine, circa, in the
Regence manner, the arched stuffed back
and stuffed open arms with flowerhead
carved terminals, the stuffed bow-fronted
seat with a leaf carved apron and cabriole
legs,

An Italian glass mosaic poly-
chrome Wall Mirror, Venice, circa,
the arched bevelled plate with a conforming frame encrusted with polychrome flowers, the cresting with a view of the Rialto Bridge, distressed. high by. wide;  by lft. Vin.

A French gilt-bronze mounted onyx Pedestal, probably Paris, circa,
the square revolving top with a Corinthian
capital and stepped moulded plinth.

An Italian rosewood and ivory talaid ‘Wellington Chest’, circa, of
Moorish design, inlaid throughout with
ivory geometric motifs and stringing
within ebonised mouldings, the hinged top
above seven drawers flanked by foliate
corbel pilasters, on a plinth base, faults.

SI A Louis XVI-style mahogany and
rosewood Meuble d’Appui, circa,
with gilt-metal mounts, the ‘D’-shaped marble top above a panel front with floral swags and a door, on paw feet.

A Louis XV-style rosewood and
gilt-metal mounted Bureau Plat, circa
the serpentine top with a tooled
leather inset, the crossbanded frieze with
three real and opposing dummy drawers,
on cabriole legs ending in sabots.

A Louis XV-style walnut and floral
marquetry Centre Table, circa, the
serpentined top with an ebonised border
and a lateral frieze drawer, on cabriole.

A set of four Dutch marquetry and
mahogany Chairs, circa, with stuffed
splats and seats, on sabre legs, restored.

An Italian oak Settee, circa,
with rope-twist mouldings and Gothic tracery fretwork, the stuffed seat covered in striped brocade, on tapered and fluted square legs.

A North Italian walnut Commode, Italian provincial walnut and crossbanded Commode, German walnut Cabinet, Louis XV provincial carved oak Armoire

A North Italian walnut Commode, circa, with bell-flower carved terminals and mouldings, the three long drawers above an apron with profile portrait medallion, on tapered square

fluted legs, worm.

A Directoire mahogany Cylinder Bureau, circa, with fluted terminals, the frieze drawer above a fitted interior and slide, below are three long drawers of breakfront form, on

tapered square legs.

A pair of North Italian walnut
Chairs, circa, the oval splats with
wheat-ear motifs, the stuffed brocade seats
above tapered and fluted square legs,
worm.

A North Italian oak and parquetry
Commode, circa, in the th
Century style, with two long drawers and
tapered square legs. high by.

A pair of Piedmontese small
walnut and crossbanded Commodes,
circa, the fronts of concave form,
with two long drawers, on cabriole legs,
worm.

An Empire-style mahogany
Washstand, circa, with gilt-metal
mounts, of stepped form, with oval
bevelled mirrors, on gilt claw feet.
high by.

An Italian provincial walnut and
crossbanded Commode, circa, with
two short and two long drawers, on square
cabriole legs.

A pair of Louis XV-style carved beechwood Fauteuils, the backs, padded arms and seats covered in striped brocade, on cabriole legs
An Italian olivewood octagonal Occasional Table, circa, with segmented veneers to the top and star motif, the frieze with real and dummy drawers, the lotus-clad pillar above a

triform base, on turned feet.

A 18th Century-style carved and
gilt rectangular Wall Mirror, circa,
the plate with a foliate and fruit border.

A French walnut Stool, circa,
the square serpentined stuffed seat
covered in gold dralon, the carved cabriole
legs joined by an ‘X’-shaped stretcher,

An Italian gilt Wall Mirror, circa
, the rectangular plate with profile
portrait medallion to the surmount and
swags, with conforming apron. high
by.

An Italian Lacca Povera Bureau,
circa, painted throughout with floral
sprays on a green ground bordered by ‘C-
scroll cartouches, the fall revealing a well
and stationery compartments, the frieze
with a pair of lopers above three long
graduated drawers. high by.

A German walnut Cabinet
the arched moulded cornice inlaid
with scrollwork and flowers above a pair of
doors with a simple strapwork design
above a similarly inlaid frieze, with plain
supports and flat stretcher.

A Louis XV-style tulipwood and
rosewood crossbanded Table a Ecrire,
circa, with gilt-metal mounts and
stringing, the leather inset kidney-shaped
top with a rear gallery containing four
drawers, the serpentine frieze drawer
flanked by cabriole legs.

A Louis XV-style mahogany and
gilt-metal mounted Card Table, circa
in the form of an oval occasional
table, the top with a hinged border frame
revealing a swivelling panel with a folding
baize-lined playing surface bearing an
inlaid emblem Balny BTt FGDS, Paris,
France & Etranger, the panelled frieze
above cabriole legs.

A Louis XVI-style mahogany and
gilt-metal mounted Etagere, circa,
the galleried marble inset top above triple
waisted supports joined by a galleried tier,
the fluted and stop-fluted turned legs with
a triform stretcher, on spiral fluted feet.

A Directoire mahogany Coiffeuse,
circa, the hinged top revealing three
rising panels revealing wells and a mirror,
the frieze with three dummy and two real
drawers, on tapered square legs with block
feet.

A Louis XV provincial carved oak
Armoire, circa, the egg and dart
moulded arched cornice above a roundel
flanked by foliate swags, the pair of
cartouche panelled doors enclosing
hanging space, the fluted corners on
cabriole feet.

A tall giltwood Torchere, French,
circa, the stop-fluted column carved
with husks and acanthus, on a triform base
carved with cherubs’ heads and the
monogram MAbove a star, on paw feet.

A Dutch marquetry and oak
Display Cabinet, circa, with canted
sides, the domed cornice above a pair of
astragal doors enclosing a lined interior
with serpentine shelves, the base enclosed
by a pair of panelled doors, on shaped
bracket feet. high by.

A French boulle and ebonised Side
Cabinet, circa, with gilt-metal
mounts, the panel door flanked by a pair
of bowed glazed doors, the velvet-lined
interior with shelves, on a plinth base.

Italian carved gilt Corner Table, French Empire-style mahogany, wrought iron and parcel-gilt Pier Table, Flemish Toilet Mirror

A French Empire-style mahogany
two-tier Etagere, circa, with brass
banding, mounts and key pattern, with a
drawer and carrying handles, on turned
and fluted supports ending in castors, brass
banding partially lifting, one leg loose.

An Empire white painted and gilt
Armchair, circa, the rectangular
back, padded arms and bowed seat
covered in patterned velvet, on turned
legs, the underframe with an indistinct
oval stamp and the letters MEU.

An Italian carved gilt Corner Table,
circa, with marble top and pierced
floral scroll frieze, the twin turned and
fluted tapering legs with an urn to the
stretcher.

An Italian cedarwood and inlaid
Box, circa, with hinged cover and
fall front revealing compartments and
small drawer.

A Dutch mahogany Cylinder
Bureau, circa, with chequer banding,
the fitted interior with an inset slide, below
are three long drawers flanked by trellis
terminals, on tapered square feet.

A wrought iron and parcel-gilt Pier Table, the rectangular red and grey marble top above a pierced frieze and supports mounted with paterae, the ‘X’-shaped stretchers centred by

an urn finial.

A Flemish carved oak Cupboard-on-Stand, circa, inlaid throughout with ebony bandings, the projecting cornice above two panelled doors with mitred mouldings flanked by fluted

pilasters, the stand with a frieze drawer, on later baluster turned and square legs joined by stretchers.

A German oak and iron-bound
Coffer, 18th Century, the hinged top and
front mounted with riveted and pierced
straps, on stile supports.

A Flemish Toilet Mirror, made-up,
the rectangular bevelled plate with a
tortoiseshell and ripple moulded border
with applied silver-coloured metal scroll
corners, the mahogany turned supports
with a plinth base and bun feet.

A French boulle and ebonised oval
serpentined Centre Table, circa, the
frieze with masks and a drawer, the square
cabriole legs ending in sabots, faults.

A Dutch Colonial hardwood
Cupboard-on-Stand, made-up, the
moulded cornice above a pair of doors with chamfered rosewood panels and floral carving, the base with two drawers and spiral twist legs joined by an ‘X’-shaped stretcher. wide;

A German silver-gesso and carved Grotto Armchair, circa, the seat and back of shell form, with dolphin arms and encrusted shell legs, worm.

A German silver-gesso and carved Grotto Table, circa, with shell-shaped top and triple supports in the form of fish.

A Dutch mahogany and
crossbanded Corner Cabinet, circa,
with chevron banding and fluted
terminals, the frieze drawer above a pair
of tambour doors, on tapered square feet.

A Venetian rectangular Wall
Mirror, modern, with bevelled plate and
etched margin plates, with foliate
surmount. high by.

A Venetian Wall Mirror, modern,
the oval bevelled plate with etched margin plates and pierced surmount.

A SARCOPHAGUS SHAPED ROSEWOOD WORK BOX, Regency, with
brass stringing and on bun feet, faults. wide,, together with a rosewood writing slope,
early Victorian, inlaid with mother-of-pearl. faults, wide., both lacking fittings.

AN AMBOYNAND GILT-METAL MOUNTED GLOVE OR JEWELLERY BOX, Napoleon III, of rectangular form, the
hinged top revealing a lined interior, on scroll feet, lock engraved with indistinct maker’s mark, wide.

AN ANTIQUE MINIATURE CHEST, George III style, the two short and three long drawers with ivory escutcheons, wide.

A BROWN LEATHER COVERED WORK BOX, William IV, the tooled exterior with gilt-metal mounts, the drawer bearing the penned inscription ‘Elizabeth Caperman Feb th  Mary Caperman

from her precious mother.

George III mahogany bow-front Chest, George III mahogany Dressing Table Mirror, George III mahogany break-front Sideboard, semicircular Card Table

A set of four Regency rosewood
rail-back Chairs, circa, with gold
dralon ‘Trafalgar’ seats, on turned and
reeded tapering legs.

A George III mahogany secretaire
Chest, circa, the writing drawer
enclosing six small drawers, below are
four long graduated drawers flanked by
panelled pilasters, faults.

A George IV mahogany Dressing
Table, circa, with a three-quarter
gallery and two frieze drawers, on
turned tapering legs.

A George IV mahogany Sofa
Table, circa, with two drawers and
canted leaves, the two drawers flanked
by disc medallions, the end supports with
cannon-barrel turning and pilasters, on
anthemion carved and turned legs
ending in castors, top split. wide
when closed;

A George II mahogany fretwork
and parcel-gilt framed Wall Mirror,
circa, with later gilt ornament and
bevelled plate, altered, faults.

A Colonial padoukwood Bureau,
circa, the cleated fall revealing a
stepped and fitted interior, below is an
arrangement of two short and three long
graduated drawers, on shaped bracket
feet.

A late George III mahogany bow-front Chest, circa, with three long graduated drawers, on splayed bracket feet. high by. wide; ft. WViin. by ft. Vin.

A George III mahogany Dressing Table Mirror, circa, the rectangular plate with square supports, on a three-drawer plinth base and bracket feet, restored. wide; lft. Ain.

A Regency carved giltwood and
gesso framed Wall Mirror, circa,
the later arched and shaped bevelled
plate with a pierced leaf scroll surmount,
the stepped sides with dolphins.

A George II mahogany drop-leaf
Table, circa, the oval top
supported on turned tapering legs with
pad feet.

A George III mahogany and later
inlaid Pembroke Table, circa, the
satinwood crossbanded rectangular top
with a central inlaid shell medallion, the
frieze with real and opposing dummy
drawers, on tapered square legs and
brass castors.

A George III mahogany break-front Sideboard, circa, inlaid with stringing and paterae, the bowed centre section with a pair of frieze drawers, the sides enclosed by a pair of cupboard doors with simulated drawer fronts, on tapered square legs.

A set of four Regency mahogany and rosewood rail-back Chairs, circa, inlaid with brass stringing, the panelled splats with star medallions, the needlework Trafalgar seats with similar motifs, on sabre legs.

A George III carved and later gilt painted Wall Mirror, circa, with a later plate and ho-ho bird surmount, the pierced surround carved with ‘C’-scrolls, flame, motifs and leaves.

A William IV rosewood Card Table, circa, the columnar stem on a concave-sided base with paw feet. wide; ft.

A George III mahogany Tripod Table, circa, the circular tilt-top above a columnar turned stem and pierced cabriole supports. diam.; ft. Ain.

A George III mahogany bow-front Side Cabinet, circa, the frieze drawer above a pair of panelled doors enclosing shelves and a drawer, on later bracket feet. high by. wide; ft.

A George III mahogany semicircular Card Table, circa, the banded and strung top above tapered square legs.

A George III mahogany Linen
Press, circa, the moulded cornice
above a pair of panelled doors enclosing
sliding trays, the base with two short and
one long drawer, on shaped and
panelled bracket feet, restored.

A George II mahogany Table,
circa, the rectangular gadrooned
top with a later inset specimen marble
panel above opposing frieze drawers, on
acanthus carved cabriole legs ending in
hairy paw feet, faults.

A George III mahogany
Architect’s Table, circa, the hinged
ratchet adjusted top with a sprung rest
and partially hinged panel, the two long
frieze drawers flanked by a pair of drop
leaves, on chamfered square legs with
block feet and concealed castors.

A George III mahogany Dressing
Table Mirror, circa, the rect-
angular plate above a cavetto moulded
plinth base with three frieze drawers and
bracket feet, restored.

A George II mahogany Chest-on-
Chest, circa, the moulded cornice
above two short and two long graduated
drawers flanked by chamfered corners
inlaid with brass stringing, the base with
three long graduated drawers, on shaped
bracket feet. high by.

A Regency mahogany Cabinet
Bookcase, circa, the moulded
cornice above a reeded and arched
astragal door, below is a panel door
flanked by reeded terminals, on stem
feet.

A Regency mahogany open Bookcase, circa, the raised two-tier back with a shaped gallery above spindle turned supports, the base with a pair of drawers above corresponding panelled doors enclosing shelves, on turned feet and brass castors. high by.

A Regency mahogany Breakfast
Table, circa, the rectangular
crossbanded tilt top inlaid with ebony
stringing, the ring turned stem on
quadruple splayed legs ending in brass
paw feet and castors.

Regency mahogany drop-leaf Breakfast Table, George III mahogany Card Table, George III mahogany ‘Birdcage Table’, seven George IV mahogany rail-back Chairs

A Regency mahogany drop-leaf
Breakfast Table, circa, the
ebonised strung frieze with a drawer, the
turned pillar above inverted quadruple
scroll supports and disc medallions, on
square brass cappings and castors,
wide;

A George III mahogany
hexagonal brass-bound Cellaret,
made-up, with hinged cover and carrying
handles, on triple moulded and
chamfered square legs. wide;

A George III mahogany Breakfast Table, circa, the
associated rectangular tilt-top above a ring turned pillar, the quadruple splayed legs ending in ornate brass cappings and castors, restored. long; ft. Min.

A William IV rosewood break-front secretaire Cabinet, circa, now lacking a raised mirror back, the fitted writing drawer with pigeonholes and satinwood veneered small drawers flanked by two short drawers, below are four panelled doors, now with mirror panels, with lotus carved pilaster terminals, now on Shepherd castors. high by. wide; ft. Vin. by ,

A George II mahogany Birdcage Table, circa, the later circular tilt-top above a baluster turned pillar and tripod supports. diam.;

A George III mahogany Chest,
circa, with four long graduated
drawers and later shaped bracket feet.

A George III mahogany and
crossbanded bow-front Chest, circa
the two short and three long
graduated drawers above a valanced
apron, on splayed bracket feet,  by

A George IV mahogany Library Table, circa, the frieze with two real and two opposing dummy drawers, the sides with ring turning, the trestle-shaped supports with carved scroll feet and castors. long;

A George III mahogany serpentine-front Card Table, circa,
the fold-over top with a carved ribbon
and paterae border, on moulded and
chamfered square legs. wide;

A George III mahogany Card Table, circa, the fold-over top with projecting trefoil corners, the chamfered square legs with pierced angle brackets and concertinAction, restored,

A George III mahogany Tea Table, circa, with boxwood strung borders, the plum mottled rectangular fold-over top with conch shell inlay, the frieze drawer above tapered square legs and castors, top warped. wide;
ft. m.

A George II mahogany oval
drop-leaf Table, circa, on circular
tapering legs with pad feet. wide
by. fully extended;

A George III mahogany and
satinwood banded Pembroke Table,
circa, the chamfered rectangular
tulipwood crossbanded top with one real
and opposing dummy frieze drawer, on
tapered square legs ending in brass
castors, restored. wide; ft. Vin.

A George IV gilt framed convex
Girandole, circa, with eagle
surmount, twin scroll candle-branches
and foliate apron, restored.

A George III mahogany Side
Table, circa, the moulded
rectangular top above three frieze
drawers and a shaped apron, on
chamfered square legs.

A George IV japanned
Cabinet-on-Stand, circa, lacquered
in black and gilt with an arrangement of
eleven drawers surrounding a pair of
doors enclosing two later adjustable
shelves, the stand with turned legs,
restored. high by. wide;

A George III mahogany pedestal Table, circa, the rectangular tilt-top above a ring turned pillar, the quadruple splayed legs ending in brass cappings and castors. long; ft.

A George III mahogany ‘Birdcage Table’, circa, the circular tilt-top above a partially fluted turned stem, on triple cabriole legs, faults. diam.;

A Regency rosewood framed Toilet Mirror, with ivory finials and brass stringing, the rectangular plate above a bow-front plinth and three drawers, on ivory ball feet. wide; Vin.

A set of eight Regency mahogany rail-back Chairs, circa, with rope-twist mid-bars and stuffed green dralon seats, on ring turned legs, seat rails replaced, restored,

A set of seven George IV mahogany rail-back Chairs, circa,
including an armchair, with clasp-shaped
mid-bars and stuffed figured green
dralon seats, on turned and reeded
tapering legs,

A George III mahogany secretaire
Bookcase, circa, the later upper
section with a dentilled cornice above a
pair of geometric astragal doors
enclosing adjustable shelves, the fitted
writing drawer above three long
graduated drawers, on shaped bracket
feet, restored. high by. wide;

ANTIQUE WALNUT FURNITURE

A Queen Anne walnut and crossbanded Chest, circa, the two
short and three long drawers inlaid with
featherbanding, the sides in oak.

A William and Mary oyster walnut framed Wall Mirror, circa, the
later rectangular plate within a cushion moulded surround and ovolo border, with shaped cresting.

A William and Mary walnut and satinwood marquetry Wall Mirror, the
later rectangular bevelled plate within a
cushion surround and ovolo border, now
lacking surmount.

A William and Mary walnut and crossbanded Chest, circa, with two short and three long graduated drawers, on later shaped bracket feet, restored, faults. high by. wide; ft. lin. by , and including a concealed drawer

A William and Mary-style walnut and crossbanded Side Table, circa,
with three drawers and an arched apron,
the spiral-twist legs joined by an
‘H’-shaped stretcher, on bun feet.
wide; ft.

A Queen Anne walnut and
crossbanded Bureau, circa, inlaid
with featherbanding, the fall revealing a
stepped and fitted interior, below are
two short and three long graduated
drawers, on shaped bracket feet and now
with castors. high by. wide;

A Queen Anne walnut and
crossbanded Chest on later Stand,
inlaid with featherbanding, with
two short and three long graduated
drawers, below are three drawers and a
waved apron, on cabriole legs and pad
feet. high by. wide;

A George II red walnut oval
drop-leaf Table, on circular tapering legs
and pad feet,  by. fully extended;

A George I walnut Cabinet-on-Stand, circa, inlaid throughout with stringing, the cavetto cornice above two short and three long graduated drawers, the base with three small drawers and a shaped apron, on later ogee bracket feet, restored. high by. wide;

A Queen Anne walnut Escritoire,
circa, on a later stand, with
segmented veneers and boxwood
stringing, the cushion frieze drawer
above a fall revealing pigeonholes, small
drawers and a cupboard, the stand with
three drawers and an arched apron, on
cabriole legs, restored.

A George I red walnut Chair, circa, the parchment scroll cresting rail above a solid vase-shaped splat and slip-in needlework seat, on cabriole legs and pad feet.

A William and Mary-style walnut and floral marquetry Side Table, made-up, the rectangular top above one long frieze drawer, on knopped turned legs joined by waved ‘X’-shaped stretchers.

A George II Colonial walnut
Bureau, circa, the fall with later
chevron stringing and revealing a later
fitted interior with a well, below are two
short and two long drawers, on later
shaped bracket feet, altered and restored.

A William and Mary walnut and
crossbanded Chest, circa, with two
short and three long graduated drawers,
the sides in pine, on later shaped bracket
feet, faults. high by.

A William and Mary walnut and
cane Armchair, circa, the moulded
and shaped back above a dished seat and
splayed legs, on scroll feet, with
impressed initials TB.

A George I walnut and
featherbanded Bureau Bookcase
the associated upper section with a
moulded cornice above a pair of astragal
doors enclosing shelves and with a pair
of candle slides below, the fall revealing
stationery compartments, below are two
short and three long graduated drawers,
on later bracket feet, restored.

GEORGIAN AND REGENCY FURNITURE
A Regency mahogany pedestal
Table, circa, the rectangular tilt-top
with ebonised stringing, the square pillar
with reeded mouldings and quatreform
platform, the sabre legs ending in ornate
brass cappings and castors, restored,

A Regency mahogany pedestal
Table, circa, the rectangular tilt-top
with a ring turned baluster pillar, the
quadruple splayed legs ending in brass
cappings and castors.

A set of six George IV rosewood
rail-back Chairs, circa, with scroll
mid-bars and Trafalgar seats covered in
striped brocade, on turned and reeded
tapering legs, faults.

A set of four Regency mahogany
rail-back Chairs, circa, with
rope-twist mid-bars, the stuffed seats
covered in pink striped velvet, on ring
turned legs, restored.

A William IV rosewood drop-leaf Work Table, circa, with two real and two opposing dummy drawers, the columnar pillar above a quatreform base, on scroll feet and ceramic castors.

A Regency large mahogany pedestal Table, circa, the
rectangular tilt-top above a bold baluster
turned pillar, the quadruple moulded
sabre legs with disc medallions, on brass
cappings and castors.

A George III mahogany Table,
circa, the later top with a rear
gallery, the tapered square legs
surmounted by oval medallions and with
pierced fret angle brackets, with
stretchers and spade feet. wide;